Traditional Culture Encyclopedia - Traditional stories - One Porcelain, One Story: Figures on Ming and Qing Porcelain (good source)

One Porcelain, One Story: Figures on Ming and Qing Porcelain (good source)

The Story of Su Wu and Li Ling Ming Chongzhen 1635-1640, height 30 cm foot diameter 12.5 cm, Butler Family Collection. A scene depicting a meeting between Li Ling and Su Wu in the Han Dynasty. Li Ling was a young and talented general of the Han dynasty who was captured during a campaign against the Xiongnu when he was outnumbered. Emperor Wu had his entire family beheaded. Li Ling was reluctant to return to Han. Later, Emperor Wu sent Su Wu on a mission to Xiongnu, but he was detained by Shan Yu. The monarch used Li Ling as a lobbyist to persuade Su Wu to surrender, and he was released only eighteen years later. The picture shows the second meeting between Su Wu and Li Ling, in which Li Ling pays tribute to Su Wu's loyalty and is sorry for what he has done. At the end of the Ming Dynasty, which suffered from the Manchu invasion, the story of the lidded jar reflects the political will to be loyal to the Ming court.

布袋和尚故事 明崇祯 1628-1644, height 20.8 cm 口径 17.3 cm 足径 11.3 cm, Shanghai Museum Collection. Outer blue and white picture should be cloth bag monk, surrounded by six children. They are either pulling on a rosary, climbing on his shoulders and scratching his ears, or pulling on his clothes. Another shoe was worn away, the Zen staff was also resisted. In the face of this gang of naughty little urchins, the monk is not angry or annoyed, still happy. This is the true color and loveliness of Monk Budai. According to the literature, the monk for the five generations of Liang Mingzhou Fenghua (now belongs to Zhejiang) people, the name of this, the number of Changtingzi. Legend has it that the battle often pick a bag into the market, see things that beg, speech is not fixed, sleep anywhere, like crazy. After Liang Zhenming three years (917 years), sitting on the rock of Yue Lin Temple, said: Maitreya real Maitreya, the subtext of thousands of billions. When the time to show the people, the people do not know. He then went to his death. Later, he also carried a bag in other states. For a long time, about the bag of paintings found from time to time, the end of the Ming Dynasty and later the Qing Dynasty Jingdezhen porcelain, such a subject is often seen.

Bamboo forest seven sages story Ming Chongzhen 1628-1644, 21.1 cm high, 18 cm in diameter of the mouth and 17.2 cm in diameter of the foot, Shanghai Museum collection.

The Story of Bo Yi Shu Qi Qing Hua Bo Yi Shu Qi Story Brush Holder Ming Chongzhen 1628-1644, height 21.9cm, diameter 18.4cm, diameter 16.8cm, in the Shanghai Museum. Straight body, flat base The blue and white landscape figure shows two figures dressed as commoners outside a city wall sheltered by mountains and water, saluting a horseback rider in imperial attire flanked by warriors and maids of honor. This is the famous story of Bo Yi and Shu Qi, who did not eat Zhou's millet. The archers are Bo Yi and Shu Qi, and the emperor is King Wu of Zhou.

Cyanotype Bengji Story Jar Ming Chongzhen 168-1644, height 16.6 cm, diameter of the mouth: 21.1 cm, diameter of the foot: 10.7 cm, in the collection of the Shanghai Museum. The outer wall is painted with figures in landscape in blue and white. In the lake and mountain scenery, a farmer holding a buffalo, facing a court official, behind the official there are three attendants holding flags and fans, holding a horse, holding things, this picture is the story of Bengji asked the cow.

The Story of the King of Wen Asking for Virtue Covered Jar with a Picture of the Story of the King of Wen Asking for Virtue in Five Colors Ming Chongzhen 1640-1643, H: 19 cm M: 17 cm, Collection of the Butler Family. Painted in red, green, yellow, purple, turquoise green, and black to represent the story of King Wen's visit to Jiang Taigong. The lid of the jar is painted with a picture of eight infants playing. One of them is flying a kite. The cover and the body of the jar are colored in light turquoise green, making the jar even more precious.

Dish with Stories of the Two Immortals Ming Dynasty: 1640-1643, height: 5 cm, diameter of mouth: 21 cm, diameter of foot: 8.5 cm, Butler Family Collection. The dish has a thick, curved wall. The rim of the mouth is coated with a one-week sauce glaze. The footrim is unglazed and glazed. The interior of the dish depicts Tie Qiao Li and Blue Color and of the Eight Immortals in red, two different shades of green, and black. In the background is a landscape scene with the two immortals in billowing clothes and a small child emerging from Li Tiequan's gourd. The ground on which the two immortals walk is lightly colored in red, giving the picture a very realistic appearance. In addition, multi-layered rocks and V-shaped grass are visible in the painting. Characterized by a clear transformation peak.

Five-color seawater dragon dish Ming Chongzhen seven years (A wu) 1634, height: 5.6 cm Mouth diameter: 26.3 cm Foot diameter: 16.2 cm, Shanghai Museum collection. Open mouth, deep footrim. The outer end of the foot is inwardly converging. Inside the vessel is painted with two groups of five-color decorations with cloudy dragons inside, and on the inner wall a circle decorated with seawater and four symmetrical reefs with pine trees. The outer wall painted to catch the pearl dragon two. Wucai with heavy color, feel very obvious. Under the glaze on the bottom of the center has a blue double-ringed mark, inside the book "jiawu spring Meng Zhaofu made with". After the founding of the Ming dynasty, Zhu Yuanzhang, the great-grandfather of the Ming dynasty, has been divided into a number of descendants of the king. This plate should be the last king of Zhao Zhu Cihan fixed burn works. In the Ming Dynasty, many royal vessels were provided by the court. Such as the Xuande period, the royal family had for Zhao Wangfu custom-made porcelain of magnetic state kiln. In Chongzhen 7 years on the five-color seawater dragon dish, once again appeared in porcelain content related to the Zhao Wangfu, this is a rare thing in the history of porcelain. Because many of the royal family with porcelain have no year mark. Strictly speaking, this plate has the style of the official kiln of the Ming dynasty. Five-color pigment is very similar to the late Ming dynasty Wanli period of the official kiln five-color ware, painting style is also very close. Only the level of production is a little rough. The dragon pattern also looks old, which seems to indicate the weakness of the Ming Dynasty.

Celadon Qiantang Dream Story Plate Ming Chongzhen 1628-1644, height: 6.5 cm, caliber: 33.3 cm, base: 19.2 cm, Shanghai Museum. The plate depicts the bizarre love story of Su Xiao Xiao and Sima Cai Zhong. Sima Caizhong was a scholar of the Northern Song dynasty who worked as an official at the Qin Guan Curtain under the recommendation of Su Dongpo. When he was young in Luoyang, he dreamed of seeing a beautiful woman singing in the apartment, and asked his name: Xiling Su Xiaoxiao. Asked what song? He said: "The Golden Wisp". Su Xiaoxiao is a famous prostitute in Qiantang during the Southern Qi period, the appearance of the absolute greenhouse, the talent empty Shi class, at that time, no one is not colorful. After the red face of thin life early death, was buried in the Xiling shore. But later people often Su Xiaoxiao appeared in the West Lake. A number of years later, Sima Zhongcai went to the West Lake in Hangzhou, Su Xiaoxiao tomb to pay a visit. That night, he dreamed of Su Xiao Xiao and fell in love with her. Three years later, Sima Zhongcai died in Hangzhou and was buried next to Su Xiaoxiao's tomb. This is a love story that transcends time and space, the region, the two time apart for a hundred years, between man and ghost produced a poignant and euphemistic love, shocking the world and weeping God.

? Toad Palace, the toad palace, the laurel symbolizes toad Palace, this pair of auction picture composition is similar, the toad palace, Chang'e and maidservant is in the hands of the laurel branch given to the three students. According to legend, there is a toad in the moon, hence the name "Toad Palace". According to Huainanzi, "Yi's wife, Hou Yi, ran to the moon and took refuge in the moon, and she became a toad, a moon spirit". The name "Hougui" was first used to describe outstanding talents. In the Book of Jin - Biography of Monk Yu, it was recorded that "Emperor Wudi sent Monk Yu to the East Hall and asked him: 'How does he think he is? Inquire said: 'I think the wise and good countermeasures, for the world's first, as if a branch of Guilin, Kunshan of the piece of jade.'" In the Tang Dynasty, due to the prevalence of the imperial examinations, and because of the legend of the toad palace in the laurel tree, gradually the "toad palace folding laurel" is used as a metaphor for the entrance to the imperial examinations.

A pair of Qing dynasty Kangxi blue and white porcelain jars

A pair of Qing dynasty Shunzhi blue and white porcelain jars ?

Harmony and Harmony is a Chinese folk mythology of the Lord marriage harmony of the two immortals, often with a pompadour and smiling image, holding a lotus flower and a round box, the symbol of harmony and prosperity, due to the meaning of good, well loved. The two immortals standing under a huge money tree are painted in a circular scene, symbolizing harmony and prosperity. There are different versions of the legend of the two immortals: one says that the Tang Dynasty monks Hanshan and Shide, who were like brothers and sisters, were named Hanshan as the "Saint of Harmony" and Shide as the "Saint of Harmony" by the Yongzheng Emperor, and the two immortals became famous; one says that a Tang Dynasty monk, "Wan Hui", who was a member of the Tang Dynasty, was a member of the Tang Dynasty's "Harmonious Monks". "Wan Hui", a day round trip of 10,000 miles to bring back a distant brother's letters, also known as "and the".

Qing Yongzheng blue and white enameled Harmony of the Two Immortals money tree figure Guanyin vase ? Peach Blossom Garden In this example, a man is shown on the left, with an oar at his side. He is accompanied by four men, one of whom is in a greeting posture, the other is a woman sitting on her side, and behind her is a woman playing with a child, a scene of peace and joy. Behind the four people, there is a peach blossom next to the cave stone, to determine the theme of the story provides important clues, that is, "The Story of Peach Blossom Garden". The "Record of the Peach Blossom Garden" is a masterpiece of Tao Yuanming of the Eastern Jin Dynasty, which is the preface to the "Poem of the Peach Blossom Garden". It draws on the whereabouts of the Wuling fisherman (the man in the picture of the present work is the Wuling fisherman, with the oar on his side as an identity mark) to bring out the isolated Peach Blossom Garden, linking the reality with the ideal. The picture of the high priest or the author Tao Yuanming, behind the old and small *** enjoy the family, reflecting the state of harmony and fulfillment of life in the Peach Blossom Garden, expressing the "Peach Blossom Garden" in the pursuit of a better life.

Qing Yongzheng famille-rose figure patterned dish mouth pipa zun ? Magu to offer longevity is a very common porcelain decorative pattern, because of its good meaning, so it is very popular. Ge Hong "Immortals - Magu biography" has a record of the Magu, Magu should be the Eastern Han Dynasty immortal Fang Ping's call, descending in the Caijing home, claiming to have seen the East China Sea three times the Mulberry changes, so thus the metaphor of high life with the Magu. In addition, there is the Queen Mother of the West on her birthday in the Jiangzhu River to Ganoderma lucidum wine to toast the story, so there is the Magu to offer the birthday of the said.

Qing Guangxu Sprinkled blue glaze and gold depiction of the Auntie's birthday figure Guanyin vase ? Xizhi loves geese ?

This product is painted with a light depiction of a scholar seated, facing a child holding a goose forward, the picture is simple and clear, a few strokes will depict a picture of Xizhi's love of geese. As we all know, Wang Xizhi, the Sage of Calligraphy, especially loved geese, and it is said that he studied the calligraphic gestures and benefited from the gestures of geese. His love of geese is widely rumored because he once gave a Taoist priest in Shanyin the book "Huangting Jing" after "cage geese and return". Xizhi's love of geese is one of the Four Loves, and there are many different ways of saying the Four Loves, but there are two mainstream ones, one of which is Tao Yuanming's love of chrysanthemum and Zhou Dunyi's love of lotus. The first is "Tao Yuanming loves chrysanthemum, Zhou Dunyi loves lotus, Lin Bu loves plum, Huang Tingjian loves orchid"; the second is "Wang Xizhi loves goose, Tao Yuanming loves chrysanthemum, Su Dongpo loves inkstone, Mi Fu loves stone".

Qing dynasty Kangxi blue and white lightly painted Xizhi love goose figure high-footed cup ? Bo Yi Shu Qi ? This product picture center two people wearing robes, kneeling and arching their hands in greeting, should be Bo Yi and Shu Qi, relative to a young man riding on a high horse, spirited, is the King of Zhou, next to an old man also rode on a horse, stretching his hand and pointing, seems to be talking with the King of Zhou, is the Jiang Ziya.

Ming Chongzhen blue Boyi Shuqi characters story map large brush pot Boyi Shuqi knocking admonished the story of King Wu of Zhou, according to Sima Qian, "the Records of the Grand Historian" Volume 61, "Boyi Legend", "Boyi, Shuqi, lone bamboo Jun's two sons. The father wanted to establish Shuji. When his father died, Shuji let Bo Yi. Bo Yi said, 'My father ordered me to do so.' He fled. Shuji also refused to stand for the throne and fled. The people of China then set up their own sons. So Bo Yi and Shu Qi heard that Xi Bo Chang was a good pensioner, so they went to return to him. When Bo Yi and Shu Qi heard that Xi Bo Chang was a good pensioner, they went to return to him. When Xi Bo died, King Wu carried the Wood Lord and called himself King Wen, who invaded the Zhou Dynasty in the east. Bo Yi and Shu Qi knocked on the horse and remonstrated, saying, 'Can it be called filial piety to refuse to bury one's father when he dies, and to allow oneself to be killed by one's subjects? To kill the king with the subject, can be called benevolent?' The left and right want to soldiers, Taigong said 'This is a righteous man.' He helped him to leave. King Wu had already pacified the Yin rebellion, the world Zong Zhou. And bo yi, shu qi shame, righteousness does not eat weeks of corn, hidden in the shu yang mountain, picking the meadows and eat. And starved and died, made a song ...... "Later generations celebrated Bo Yi and Shu Qi for their loyalty and martyrdom. Bo Yi Shu Qi's story is also a common decorative pattern on porcelain, which is "the Enlightenment of the Gods" at this time of wide circulation is not unrelated. At the same time Bo Yi Shu Qi this kind of "martyrdom" spirit of the story, in the late Ming and early Qing dynasties this period of change in popularity, but also quite interesting. There is a picture of Bo Yi Shu Qi knocking to admonish King Wu of Zhou, which can be quoted and read in the Qing Lai Ge collection of "The Enlightenment of the Gods".

Bo Yi Shu Qi in Feuding the Gods ? The Eight Immortals in Drinking The Eight Immortals in Drinking refers to the eight literary heroes of the Tang Dynasty, namely He Zhizhang, Ruyang Wang, Li Shizhi, Cui Zongzhi, Su Jin, Li Bai, Zhang Xu, and Jiao Sui, for whom Du Fu made the Song of the Eight Immortals in Drinking, which has been widely circulated. Porcelain is often drinking in the eight immortals as the subject, the different characteristics of the characters jumped on the ware, interesting.

Ming Chongzhen blue and white drinking in the eight immortals Figure Go jar This product depicts the scene for two people drinking, a person to raise a cup into the drink, and the person sitting in the drink has long been overwhelmed by alcohol, passed out. The picture shows the bold posture of the wine immortal, compared to the "Eight Immortals in Drinking Song", or a description of Li Shizhi, "the left minister of the day fee of ten thousand dollars, drink like a whale sucking a hundred rivers, the cup of music saint said to avoid the wise." ? Mulan autumn hunting service through the picture of this product in the tent, flags, guards and the man on the horse in the hands of the falcon, you can judge this picture for the hunting scene. Characters in the picture are dressed in Qing Dynasty, which can be further judged to be the scene of the Mulan Autumn Hunt. Mulan autumn hunting party, is the Qing dynasty royal power in the fall hunting event, Mulan for Manchu, meaning deer hunting. In ancient times, the four seasons of hunting have different titles, spring called search, summer called Miao, fall called hunting, winter called hunting. Deer hunting is generally carried out in July and August each year, so it is called "autumn service". In order to hold a "Mulan Autumn Hunt", the Qing government also specializes in Inner Mongolia, Zhaowuda Alliance, ZhuoSuoTu alliance, Xilin Gol League and Chahar Mongolia, four banners set up at the border of the Mulan paddock.

Qing Yongzheng pastel Mulan autumn hunting service map large plate ? Seven Sages of the Bamboo Grove The Seven Sages of the Bamboo Grove refers to seven famous scholars of the Jin Dynasty - Ruan Ji, Jikang, Shantao, Liu Ling, Ruan Xian, Xiangxiu and Wang Rong. In the Southern Song Dynasty, Liu Yiqing's "Shishu Xinyu? Ren Tan (任诞), it is written that "the seven men used to gather under the bamboo grove and enjoy themselves with abandon, so they were called the Seven Sages of the Bamboo Grove." These seven men were regarded as patriarchs of the Taoist hermit sect Myojin Tao because they lived a life free of rituals and pursued tranquility and inactivity. Bamboo Forest Seven Sages is also more common in the Kangxi period of porcelain decorative motifs.

Kangxi Qing dynasty blue and white bamboo forest seven sages figure a pair of plate ? ? Plowing and weaving map "Plowing and weaving map" is China's ancient for the counseling of agriculture and mulberry, using the form of drawing a detailed record of the process of plowing and weaving sericulture series of charts, the earliest by the Southern Song Dynasty during the Shaoxing years of the painters Lou Companions, and since then by the successive emperors of the promotion. Emperor Kangxi of the Qing Dynasty saw the "plowing and weaving map" during his southern tour, lamenting the plowing and weaving labor pains, Jiao Bingzhen, a minister of the inner court, on the basis of the building, repainting the "imperial plowing and weaving map", and personally write a preface to each picture on the handwritten inscription of seven poems, the first Qing Dynasty Emperor personally awarded the "plowing and weaving map" of the precedent. Kangxi "imperial plowing and weaving map" *** counted 23 plowing and weaving map, this product is painted to select the cocoon map for the weaving map of the eleventh map, Jiao Bingzhen painted by the map and the ware painted on the very similar, can be compared.

Qing Kangxi blue and white cultivation and weaving map of the choice of cocoon map bowl

"Imperial cultivation and weaving map" - weaving map - the choice of cocoon map ? West Wing Story As we all know, the West Wing Story is an opera with a wide audience, the full name of which is Cui Yingying Staying for the Moon West Wing Story, written by the Yuan Dynasty's Wang Shifu, and also a common decorative pattern on Ming and Qing Dynasty porcelains, and each of these folds is y rooted in the heart of the people, with a clear and concise storyline presented.

Qing Kangxi blue and white story map long neck bottle ? "Listening to Chanting in the Corner"

Qing Kangxi Qing Hua Xi Kangxian Story of the Western Wing Characters Figure Plate

"Embroidered Image of the Western Wing of the Time and Art" Listening to Chanting in the Corner ? The two of them said goodbye, and there is a pair of chants, "Where is the abandonment of the throw, and at that time, and since the pro. They also say, "I'm sorry for the people in front of me." and "Life is a long time ago." The two of them also recite the following lines: "Life is a long time in parting, and who is the most dear to me? If I don't meet my soulmate, who will pity the one who sighs long and hard." The poem and the two of them have echoed each other before and after the moon, and the love is very strong.

Qing Kangxi Qing dynasty blue and white compartment characters story map folded along the large plate

"Embroidered image of the West Wing of the time art" long pavilion to send off the picture ? The Jade Hairpin This item depicts the picture of a man and a woman, the two of them under the moon, the picture is simple, the back of the inscription of the poem said: "Pine house green lamps flash, cloud hall bells and drums sinking. Dusk alone show lonely coverlet, want to sleep first worry unsteady. A thought of quiet thinking, all over the body is difficult to prohibit the fire of desire. I'm not sure if I'm going to be able to do that, but I'm going to be able to do it," he said.

Qing Dynasty Shunzhi Qing Dynasty Jade Hairpin Memorial Character Poetry Brushpot ? The Jade Hairpin Story, written by the Ming Dynasty opera writer and bibliophile Gao Lian, is known as one of the top ten traditional comedies, and is based on Guan Hanqing's The Jade Hairpin Story of the Xuan Cao Tang (萱草堂玉簪记). The story describes how Chen Jiao Lian, the daughter of the Chancellor of Kaifeng Province, converted to nunnery at the Female Chaste Cultivation Center outside of Jinling to avoid the Jingkang Rebellion, under the name of Miaoshang. Pan Bizheng, a scholar, is reluctant to return to his hometown after failing in his exams, and because his aunt is the master of the Maiden Chaste Temple, he stays in the temple. In the course of getting along with each other, the two broke through the rituals and Buddhist teachings, and ended up being united. The Story of the Three Kingdoms The Romance of the Three Kingdoms The Romance of the Three Kingdoms (三国演义) is China's first full-length historical novel in chapters, one of the Four Great Classical Novels of China, and one of the most familiar works of classical literature in China. The author Luo Guanzhong to the end of the Eastern Han Dynasty to the early years of the Western Jin Dynasty for more than a hundred years as the time background, to describe the Wei, Shu, Wu three forces between the political and military struggles, shaped a number of powerful heroes, staged a magnificent war scene, but also reflects all kinds of social struggles and contradictions in the transformation of the historical changes of the era summarized.

Ming Chongzhen blue and white porcelain 'Three Kingdoms' storytelling figure tube vase ? "two Qiao and read" The picture depicts two young girls, *** sitting on the same couch, *** reading a book, is quite common porcelain decorative subject matter - two Qiao and read. Two Qiao refers to the end of the Eastern Han Dynasty Qiao Xuan's two daughters Da Qiao and Xiao Qiao, "Three Kingdoms Zhi-Wu Shu-Zhou Yu biography" recorded "when the Qiao Gong two daughters, all national color. Ce took Big Qiao and Yu took Little Qiao." The size of the two Qiao often appear in the image of parallel reading, there are many poems have been praising the two Qiao Jiangdong, such as the Ming Gaoqi "over two Qiao House" mentioned "two Qiao although married still know the festival, day **** poetry and books since the pleasure." is to describe the two Qiao and read the scene. It is to describe the two Qiao and read the scene.

Qing Yongzheng famille rose enamels two Qiao and read the story of the characters Figure plate mouth vase ? "Three Heroes Battle Lu Bu This product depicts the picture of Lu Bu in the front, galloping, holding a square sky painting halberd, and walking and fighting, behind Liu Guanzhang three people each holding a weapon, driving the horse to catch up, is widely rumored for the Hudongguan three Heroes Battle Lu Bu storyline. The plot of the three British war Lu Bu from the "Romance of the Three Kingdoms" the fifth "send imperial decree of the towns should be Cao Gong break Guan Bing three British war Lu Bu", Cao Cao joint eighteen road vassals crusade against Dong Zhuo, General Lu Bu after a series of defeat of the generals, Liu Bei, Guan Yu, Zhang Fei, three brothers in the Huduiguan Pass and Lu Bu war story.

Ming Chongzhen blue and white Three Kingdoms story of three Ying war Lu Bu character story map goblet In addition to the above, there are a number of works on the subject failed to identify, now also one by one, for everyone to study and explore together. Blue and white character story pen container Ming Chongzhen 1628-1644, height 19.9 cm foot diameter: 18.5 cm, Shanghai Museum collection, you study what the story is.

? Blue and white figure story brushpot Ming Chongzhen 1628-1644, height 17.2 cm, diameter of mouth: 10.4 cm, diameter of foot: 10.1 cm, Shanghai Museum. This is a slender brushpot with a straight body and a flat foot. The foot is slightly concave. The base is slightly concave. There are radiating jumping knife marks. Inside and outside the vessel white in the glaze color, the vessel outside the upper and lower floral pattern, water wave pattern dark flower border decoration, all show a clear Chongzhen product features, you study research what is the story.

The picture painted pavilions and pavilions, three men on a high building looking down, downstairs, a number of women on horseback, delicate and martial coexist, quite characteristic.

Late Qing dynasty famille-rose vase with figures The picture is painted in five colors, two people in the inner room covered their faces and weeping, one of them is about to hang himself, the outer hall there is a monk-like person intends to stop. The content of the picture is quite rare, should be a long story a fold.

Qing Guangxu five-color figures jar

The picture to the riverbank as the scene, three high priests standing on the bank, a few attendants are holding a long hook, rescue a man in the water, the river, a woman holding a baby for the wooden basin, a few magpies are struggling to catch the basin edge so that it does not sink. There are many characters in the picture, and the content is quite peculiar and complex.

Mid Qing Dynasty five-color figures on a large plate

Works side recording of the Tang Dynasty poet Chang Jian "title broken mountain temple after the Zen garden" a: "Early in the morning into the ancient temple, the first day of the sunshine in the high forest. The winding (bamboo) path leads to a quiet place, the Zen room is deep in flowers and trees. The light of the mountain pleases the birds, and the shadow of the pool empties the heart. All the music is silent, but the sound of bells and chimes remains." Marked "Tongzhi jiaxu (1874), late winter, Laohin Bisan" and inscribed "Bisan". The picture is divided into two parts: on one side, a scholar is seated on a car, with someone bowing in front of him; on the other side, a general is riding on a horse, with several people kneeling in front of him. The whole picture is very delicate, the number of characters, and vivid image, but the story does not seem to be related to the poem, it is worth studying.

Thirteenth year of the Tongzhi period of the Qing dynasty (1874) Bisan painted famille-rose enameled figures paved with heads

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