In the creation of landscape paintings, which masters have very high attainments?

The life and soul of Chinese landscape painting, its charm lies not only in the outside of the paper, but also in its ink and brush outside, invisible but perceptible charm, landscape painting to create the mood is not only a beautiful scenery, mountains and rivers of the landscape, but more is the pursuit of the painter's ideal state, is free from the tedious and vulgar society of the residence of the mind.

No.1 Gu Kaizhi's "Female Historian's Map Volume" (Song copy)

"Female Historian's Map Volume" (Song copy), Eastern Jin Dynasty, paper, ink brush, 600.5cm longitudinally, 27.9cm horizontally

This volume is a copy of the Song dynasty, the whole picture has 11 sections of the picture, the characters are drawn in white, the penmanship is fluent, the line is fine, strong, continuous and the characters have ancient meanings, this volume of the Song dynasty copy, there are 11 sections of the picture, white drawing characters, fluent brushwork, fine line is continuous and the characters have old ideas. There is an ancient meaning, this volume of Song copy than the Tang copy of the picture content of more than two paragraphs, to understand the "Women's History" mother and its circulation, as well as the evolution of the early figure painting method has an important reference value.

No.2 Zhan Ziqi's Spring Scroll

Spring Scroll, Sui Dynasty, silk, color, 43cm longitudinally, 80.5cm horizontally

The entire painting is dominated by the natural scenery, with the figures dotted in between. A winding path beside the lake leads into a quiet valley. People on horseback or on foot are enjoying the scenery of green hills and flowers along the way. The use of fine but powerful lines to outline the objects, the characters, although as small as a grain of pea, but meticulous, the form is obvious.

No.3 Li Sixun "Pavilion with River Sails"

"Pavilion with River Sails", Tang Dynasty, color on silk, vertical scroll, 101.9cm longitudinally, 54.7cm horizontally

This is a painting of the Tang Dynasty, which was created by the Tang Dynasty artist Li Sixun in the style of "Green Landscape and Gold Landscape". This picture makes people far away from the world, love nature, look at thousands of miles, giving people a fresh and "transcendental" feeling.

No.4 Li Zhaodao "Ming Emperor Fortunate Shu Figure"

"Ming Emperor Fortunate Shu Figure" Tang Dynasty, silk paintings, 55.9cm longitudinal, 81cm horizontal

The first seascape landscape. In this way, a lineage was formed in China's landscape painting with the characteristics of the school of green landscape painting.

No.5 Dong Yuan's Xiaoxiang Picture

Dong Yuan's Xiaoxiang Picture Volume, Fifth Generation - Southern Tang Dynasty, color on silk, 50cm longitudinally, 141.4cm horizontally

The picture depicts a lakeshore and mountains, with gentle and continuous mountains, and a large expanse of water where sandbars and reeds and islets are reflected in the water endlessly. Ink and wash are mixed with light colors, and the mountains are mostly chapped with dots, almost no lines, and the vegetation in the distant mountains is expressed with ink dots, shaping a blurred and textured outline of the mountains.

No.6 Ju Ran "Autumn Mountains"

"Autumn Mountains", Song Dynasty, ink on silk, 165.2cm longitudinally, 77.2cm horizontally

This is an autumnal landscape painting, the whole picture is ethereal and full of vitality, the main peak of the painting is at the top, and a few out of the painting, the comb-shaped mountains are heavily embracing each other, the more the more heaps. It should be, the structure is clear, the level is clear, the main peak in the center shows the five generations of the early Song Dynasty typical composition method.

No.7 Li Cheng's "The Clear Mountain Range and the Xiao Temple"