Traditional culture needs more national expressions.

Behind the "out of the circle" of Chinese style programs is the creator's sincerity to meet the aesthetic needs of contemporary audiences and the respect for inheriting and carrying forward traditional culture. China people have the mentality of China people, while China people have the aesthetics of China people. It should be a trend of variety show creation to be based on local conditions, keep up with the times, be kind to tradition and preserve the cultural and emotional memory of the Chinese nation. (Guangming Daily, June 17)

During the Dragon Boat Festival, a series of outstanding literary and artistic works of "A Wonderful Journey to the Dragon Boat Festival" once again made Henan Satellite TV receive rave reviews. Looking back on the previously well-received Banquet at the Tang Palace, Night at the Lantern Festival and Riverside Scene at Qingming Festival, we can see that the extensive coverage of national wind programs makes people feel the vigorous vitality of Chinese excellent traditional culture. These artistic presentations with local cultural colors are highly recognized, which also proves that traditional culture needs more national expressions.

At present, traditional cultural content programs have gradually become an important sub-category of cultural film and television works. The reason why the audience is keen on chasing the national wind is that they can find the destination of national feelings and the voice of * * * in the cultural expression of the program, and rise with a grand sense of collectivity. For example, Miss Tang Gong, created by Henan Satellite TV, is an expression of excavating the excellent traditional cultural content of the nation, which gives the audience a deeper sense of substitution and identity and enhances the appeal of the cultural festival.

From the perspective of cultural carrier, China's traditional culture mainly relies on traditional festivals, ancient cultural relics, local traditional handicrafts and so on, which has a strong national color. Therefore, in order to better carry forward traditional culture, we must express our feelings and create literature and art according to the historical reality and cultural characteristics of our nation. On the one hand, it can preserve the ancient charm of culture to a greater extent, protect the cultural core of the Chinese nation in the course of history, and inherit the true national memory and feelings; On the other hand, it can show the unique charm of Chinese culture in the world cultural forest, promote cultural exchanges and enhance national cultural self-confidence.

To make traditional culture have more national expressions, first, we should deeply cultivate the national core, base ourselves on the country and the people, explore the key points that distinguish our national culture from other national cultures, and enhance our recognition of Chinese culture. The second is to give priority to cultural aesthetics, abandon the thinking of binding traffic and following the trend, give priority to showing the connotation and connotation of traditional culture, and conquer the audience with artistic beauty. Third, we should strike a good balance between innovation and retro, innovate in the form of expression and retro in the content of expression, so as not to let the external form overwhelm the internal essence, but also to be eclectic and keep pace with the times, empower the traditional culture with the help of advanced technology and give the audience a fresher and more contemporary cultural experience.

If excellent traditional culture is the treasure of Chinese civilization, then national expression is undoubtedly the best key to open the cultural treasure house. What is national is the world's. High-quality national expression can make China's traditional culture on a broader platform, and when it lands, it can send out China's national voice and show the beauty of China's culture to the fullest.