Traditional Culture Encyclopedia - Traditional stories - How to practice the cross talk on June 1st in seven days?
How to practice the cross talk on June 1st in seven days?
What are the techniques of cross talk? That is to say, "speak, learn, tease and sing". The following are described separately.
Say: it mainly refers to lip service. As a crosstalk performer, you must have a good "speaking skill". You should keep your mouth sharp, clear pronunciation and mellow voice, and you can't collapse or fall. You should speak fluent Mandarin, master sharp and complex words, articulate, have a spout, and really choose words and sentences. At the same time, the language of crosstalk performers should be colloquial, not stage-like, but it is different from the usual conversation and chat between two people. Crosstalk, its language and tone, should be crisp, fast, loud and sweet, which makes people listen kindly.
Say, it is the basic skill of crosstalk performers. Whether you sink your head, pour your mouth, or pierce your mouth, you must express it in words. Therefore, crosstalk performers must practice this feat well. For example, crosstalk performers can say tongue twisters, which is an important part of learning crosstalk and practicing basic skills. Why do you practice tongue twisters? Just because in our cross talk jokes, you may encounter some wordy words. If you don't have time in your mouth and your tongue is mixed with garlic, you can't say it, and it's easy to make jokes. For example, if you don't have a smooth mouth, you can't say:
Today's kidney bean braised pork is full of oil!
A cowherd and a Niuniang. Cowherd misses Niuniang, and Niuniang misses Cowherd.
One class cadre in charge of another class cadre is really a class cadre in charge of class cadres.
Teasing: refers to an actor's skills of organizing and using "baggage". "Burden" is a means for crosstalk to achieve artistic effect and express ideological content, so the dexterity of actors "teasing" determines the success or failure of a crosstalk performance. "Burden" is produced by the disharmony of language, events and plots, and there are various ways to form "burden". This requires actors to be familiar with the characteristics of all kinds of "baggage" and master the composition rules of different "baggage" in order to achieve good artistic effects.
Some crosstalk performers think it is "amusing" by winking, glib, startled, crying, or using some vulgar performances and actions, but in fact it is just the opposite. This kind of performance shows the incompetence of actors, which shows that they still don't know what "teasing" is.
The humor of cross talk is produced in serious performances. Its smile should be pure, healthy and meaningful. This requires actors to have various qualities, rich life and profound artistic attainments.
If you want to shake the "baggage" clearly and loudly, you must thoroughly understand the work and grasp it accurately. The level of tone and the use of tone should be just right. The use of gestures, changes in posture and changes in eyes and facial expressions should be accurate and vivid. The combination of teasing ratio and teasing ratio is particularly important. When to "build a bridge" and when to "lay bricks",
How to "over the shoulder" should be measured properly. The use of delay, urgency, stagnation and depression should be appropriate.
There is also the problem of communicating with the audience. Because the performance of cross talk is an actor telling stories to the audience, it is necessary not only to make the audience feel amiable, but also to decide how to use the "baggage" according to the specific situation of the theater. This "baggage" rang yesterday, but it may not ring today; It was only three seconds yesterday, but it may get cold in three seconds today. Therefore, although the lines are fixed, the performance needs some flexibility, which depends on the artistic accomplishment of the actors.
Singing: Learn to sing various local operas and songs. Singing and crosstalk are called "Liugong". Not all actors can master "Liugong" well, which requires certain conditions, that is, to have a singing voice. There are many "Liugong" in traditional cross talk, besides the Yellow Crane Tower and Fenhe Bay mentioned above, there are also Xuebangzi, Xue Yue Opera, Xue Ping Opera and so on. An actor must not only have a good voice, but also master the dialect and style of that play in order to reproduce it well.
There are two kinds of "Liugong": "positive singing" and "crooked singing". The crooked singing method relies on misinterpreting homophones to produce a burden, while the correct singing method relies on learning realistically and singing very well, resulting in a "sharp". These two techniques are often used in cross talk. Personally, I like singing, but I don't object to singing, because singing is a skill of cross talk after all. But I think it is worth studying to satirize and belittle the learned operas at will. We should learn to sing with respect, study and publicity, thus creating an appropriate burden.
For example, some actors learn to sing a duet in the Northeast, and they use a crooked song: "A round of red sunshine in the West Chamber-gnome male-female, gnome male-female, gnome male-female-male-female-"while singing a crooked song, they also say: "This smell scares ghosts! Just twist it, because you can shake off lice! " This burden of learning to sing and use is a kind of ridicule and satire, and it is a bad style of disrespect for sister art.
Comrade Hou Linbao's "Changing careers" has been used three times, but it is all sung, so the effect is good, and actors who have learned to sing will not express their opinions. In short, we should attach great importance to the "derogatory" effect of bad singing. Singing requires the efforts of actors. With the development of the times, more and more people learn to sing, and songs are also divided into folk songs and foreign songs. Therefore, when learning to sing, actors are required to cultivate their voices, pay attention to the characteristics and styles of the actors they have learned, and distinguish folk songs from foreign songs. In this way, the audience can not only hear the image, but also not spoil the art of The Scholars.
Here are the keys.
Xu Dong: Audience friends from all over the country, I will give you my five senses.
Qi: Happy New Year!
Eyes: I am Ma Dong's eyes. I wish everyone a bright smile!
Xu Dong: Hey, how happy my eyes are!
Ear: I'm Ma Dong's ear. I wish everyone all ears!
Xu Dong: Blessed are the big ears!
Mouth: I am Ma Dong's mouth. I wish everyone a smile!
Ma Dong: My mouth can talk.
Nose: I'm Ma Dong's nose. I wish everyone # @&; ……@#@! L 1: Happy Spring Festival! )
Xu Dong: Hey, why did you change your foreign nose in my generation?
Nose: foreign noses are big. You can breathe happily!
Eyes, ears and mouth: (Laughter) Yes, you breathe happily!
X: What am I happy about? Please.
Eyes, nose, mouth and ears: What's the matter?
Ma Dong: I was drunk driving last night. The police caught me and my driver's license was impounded. What should I do?
Eyes: I didn't see it!
Ear: It has nothing to do with me!
Ma Dong: Stop! What's the matter? Once again, no one can escape, one by one. Come on, who says first? What about you? You! Eyes, you can see best. You go first.
Eyes (staring at ears): What am I talking about?
Ma Dong: Drunk driving!
Eyes (still staring at ears): Hey, did you drink and drive?
Xu: I said, can you look at me and say?
Eyes: I'm looking at you!
Xu Dong: Is this looking at me? I am here.
Eyes (turning to nose): Oh, there you are. Hey, hello.
Xu Dong: Hey, what are my eyes like?
Eyes (turning to the audience): You don't know, there is something wrong with Ma Dong's eyes.
X: What happened to my eyes?
Eyes: strabismus
Xu Dong: I squint?
Eyes: Not too old,
Xu Dong: When will it tilt?
Eyes: When he saw the woman, he tilted a little.
Xu Dong: Even if I squinted, you could see the police yesterday!
Eyes: It's a male policeman. I closed my eyes, hehe. ...
Xu: Hey, he's hiding.
Nose: Push it down.
Ma Dong: What did you say?
Nose: He is simply shirking!
Xu: Listen, listen, alas, this attitude of others, as a foreign nose, jumped on our faces not far from Wan Li. What spirit is this? This is the spirit ... staring at your nose and face.
Nose: Hi. ...
Xu: Tell me about the nose.
Nose: What did I say?
Ma Dong: Drunk driving.
Nose: Did you drink and drive?
Ma Dong: You were there!
Nose: Alas, this is an internal disease of China people, so I won't take part.
Xu Dong: Hey, he's not involved now?
Nose: Everyone knows that Ma Dong has a problem with his nose.
X: What happened to my nose?
Nose: No holes.
Xu Dong: Please show me my four lengths (pronounced like this here, but I don't know the exact word). I have eyes!
Nose: It's no use having eyes. I was sneezing all the time that day. I don't know anything. I
Xu Dong: Hey, he's hiding, too. It doesn't matter. Let me ask this, ear!
Ear (mouth to mouth): Yesterday's Yanghe Daqu was not bad!
Mouth: looking for you
X: You, me and you. ...
Ears: Not Ma Dong's ears.
Ma Dong and Joel: Something is wrong!
X: I know what you mean, so you must say it.
Ear: What did you say?
Xu Dong: Let me tell you something!
Ear: What did you say louder?
Xu Dong: Let me tell you something!
Ear: Well, why don't you talk?
Xu: Did I speak?
Ear (to mouth): What are you talking about?
Xu Dong: Whose wallet?
Ear: mine!
Xu: Eh, you can hear it.
Ear: no ... what did you say?
Ma Dong: Here we go again. You, don't pretend not to hear.
Ear: Are you going to court tomorrow? What's the New Year's Day for?
Ma Dong: Do you really mean it?
Ear: You want a divorce? Why?
Xu Dong: You don't know the word sincerity?
Ear: The third party is Feng Gong? How much do you think Feng Gong hates you?
Xu Dong: I can't believe you can't hear clearly!
Ear: Are you going to marry Dong Qing after graduation?
Xu Dong: You are faking it!
Ear: Is Zhu Jun alive or dead?
X: Who are you?
Sui: I can't marry Xu!
X: What a mess!
Ear: Oh, my father-in-law is Bi Fujian!
Xu Dong: You go!
Xu: Mouth, you can't run away! Tell me.
Mouth: Isn't it just drunk driving?
Ma Dong: Yes.
Mouth: I don't need to say it.
Xu Dong: Huh?
Mouth: Besides, everyone knows that there is something wrong with Ma Dong's mouth.
Ma Dong: Wait a minute. I admit that the three of them said I had a problem. I, uh, asked what I was doing. There is nothing wrong with my mouth.
Mouth: Yes, there must be something wrong with your mouth when you speak.
Xu Dong: Right?
Mouth: But as soon as you finish drinking.
Ma Dong: What's the matter?
Mouth: @ # RMB% &;; * & amp
Xu Dong: I what?
Mouth: # # #% ...
X: What did he say?
Ear: He said you couldn't speak clearly.
X: How did you hear this sentence?
Xu (to the mouth): Keep your tongue straight. What happened last night? Make it clear
Mouth: #&... RMB ... #& ... # @ @! ¥@%@#%#%……%%! # & amp**~! @¥#
Xu Dong: Am I? If my tongue is like this, the police will take it away if I don't drink. Look at the four of you. At the last minute, you all want to hide? How can we get this book back with your attitude? ...
Eyes: Hey, boss.
Ma Dong: Huh?
Eyes: Your attitude is wrong.
X: What's wrong with my attitude?
Eye: You have to tell the police.
Xu Dong: Well, what should I say?
Eyes: police uncle
Xu Dong: Uncle?
Eyes: It's our fault to drive after drinking.
Ma Dong: Yes.
Eye: But the responsibility is yours.
Ma Dong: Eh, how are the police responsible?
Eyes: We have bus lanes on the road.
Ma Dong: Yes.
Eyes: There is an Olympic special line.
Ma Dong: Yes.
Eye: Why not set up a special drinking line?
Ma Dong: Set up a drunk driving line?
Eyes: You are easy to manage.
Ma Dong: How to manage this?
Eyes: When you see a wobbly car coming, hurry (salute). Hey, drink, don't panic, please go, just get drunk!
Ma Dong: Why not just drink and drive?
Eye: Oh, no, it will cause new traffic jams.
Ma Dong: What should we do?
Eyes: divided into even and odd numbers.
X: There are even and odd numbers.
Eyes: one, three, five, white, two, four, six, beer drinkers.
Xu: Hey-that mixed drink can only leave on Sunday.
Eyes: That's right. Really can't. We can also group.
Xu Dong: We can still divide into groups.
Eyes: Go for Erguotou on Tuesday and Wuliangye on Friday.
Xu Dong: Hey, people who drink Jinliufu can only leave on Saturday.
Eyes (patting Ma Dong on the shoulder): How clear is it?
Xu (hands off eyes): What a mess?
Nose: OK.
Xu Dong: What a great idea!
Nose (walks up to Ma Dong): Don't listen to him!
X: You can't listen to him.
Nose: That's what you have to say when you see a policeman.
X: What can I say?
Nose: Uncle Police.
Xu: Uncle Police ... Why did you call my uncle?
Nose: I am an international student, nephew.
X: Yes, nephew. Nephew should be called uncle.
Nose: It's really our responsibility to drive after drinking.
Ma Dong: Yes.
Nose: But the police speak the law.
Ma Dong: Law.
Nose: What about this law? English name is law.
Ma Dong: Law?
Nose: Of course, how to catch more depends on your skill.
Ma Dong: You used to fish in Canada.
Nose: I said the law.
Ma Dong: Law?
Nose: The law is about evidence.
Ma Dong: Yes.
Nose: The evidence is logical.
Ma Dong: Yes.
Nose: Logical and reasonable.
Ma Dong: Yes.
Nose: The truth can be unknown.
X: Yes ... No, no, no.
Nose: Ah, the fact is that we have to find out.
Xu Dong: Hey, this sentence is right.
Nose: That's right. how do you say that in English?
X: Ah, yes ... Ah, I really can't tell the truth.
Nose: Look, look, you can't even understand-
X: Ah!
Nose: Then how do you make sense? !
Xu: Hey, I let this big nose turn around for me.
Ears: head, head
Xu Dong: Huh?
Ear: Never listen to him.
X: Don't listen to him.
Ear: Did the police say it was useful?
Xu Dong: It's no use!
Ear: You should emphasize the national conditions of China!
Ma Dong: Then how should I emphasize it?
Ear: You say so.
X: Ah!
Ear: Say that-the police are big.
Xu: The police are big shots ... What's wrong with you?
Ear: I'm definitely different.
X: Ah, what do you say?
Ear: That's what I said!
X: Ah!
Ear: The police listen to me very much. Don't be angry.
Xu Dong: Sing!
Ear: This drunk driving has nothing to do with me. Our boss came to treat us and asked me to accompany him.
Red drops, yellow drops, beer drops, two boxes of Daqu.
Xu Dong: Here comes the wine!
Ear: No matter far or near, I am a guest. I'm not welcome.
Xu Dong: Yes!
Ear: Since we are sitting together-
Ma Dong: How about it?
Ear: I drank it all-
Xu Dong: Drink!
Police, I'm telling you-
Xu Dong: Hmm!
Ear: I can drink very much. I have bad luck today. Let me meet you, policeman. I'm telling you-
Xu Dong: Huh?
Ear: Anyone who has a dream is great-
Xu Dong: Wow!
Ear: Dare to fly a plane after drinking-
: all right, all right.
Xu Dong: Go, go, fly that way! How irritating!
Mouth: I have something to say.
X: You have to talk about it.
Mouth: Don't come back with your driver's license if you have this attitude towards all three of them.
X: I'll never come back.
Mouth: You must tell the police.
X: What should I say?
Mouth: police master,
Ma Dong: The police always-
Mouth: What about my question-
Xu: Does your Excellency have a point? ! Comrade! Comrade!
Police ... police and ... comrades! Drunk driving must be our fault.
Ma Dong: Good attitude.
Mouth: But drinking and driving are two problems.
Ma Dong: Two questions.
Mouth: Don't talk about drunken problems.
Xu Dong: Isn't it ... eh?
Mouth: Tell me again why I want to drive.
Ma Dong: Why?
Mouth: Why should I drive?
Xu Dong: Huh?
Mouth: Because I want to go home.
Ma Dong: Yes.
Mouth: Why did you drive home?
Ma Dong: Why?
Mouth: Because my family lives far away.
Ma Dong: Yes.
Mouth: Why does the family live far away?
Ma Dong: Why?
Mouth: Because I bought a house in the suburbs.
Ma Dong: Yes.
Mouth: Why do you want to buy a house in the suburbs?
Ma Dong: Why?
Mouth: Because the housing prices in the city are too expensive.
Ma Dong: Yes.
Mouth: Why is the house price too expensive?
Ma Dong: Why?
Mouth: Because of the American subprime mortgage crisis.
Ma Dong: Yes.
Big mouth: Why is it a capital loan crisis?
Ma Dong: Why?
Mouth: Because of his economic depression.
Ma Dong: Yes.
Mouth: What about his economic recession? ...
Xu Dong: Why not wait? Wait, where do you want me to go? What is this? You are such a big mouth! Just talk about drunk driving!
Mouth: # @! # % % * & amp& amp*+——@%#¥¥@! #¥%! %¥……
Xu Dong: Right, right, right, you see? Push, hide! Let me tell you what the environment is now. Accountability, someone has to be responsible for something! You say, who is in charge?
Chorus (except Ma Dong): Head!
Xu: Ah, yes, I am responsible for leadership. Tell me who is mainly responsible for it!
Ears, eyes and nose: mouth!
Mouth: Huh? Why should I take the main responsibility?
Eyes: Drink. Drink it. If you don't drink that wine, can we drink it?
Ear: It's all your fault!
Mouth: Blame me me?
Ear: Hmm!
Mouth: Your ears are not soft. Can I have the last glass of white?
Ear: This is ... drinking is drinking. Let you blow when the police ask questions. What are you doing so hard?
Nose: Ah, yes!
Mouth: You are talking nonsense. What would I blow out if your foreign nose didn't breathe so well?
Eyes: Hmm!
Nose: Your eyes. If you had seen that policeman earlier, I would have bypassed him!
Eyes: The policeman who talks nonsense is not a woman and I won't make do with it!
#@%¥%@! @#¥%#¥##¥%@#¥! # & amp* & amp¥%……
Ma Dong: Stop it! What are you doing? Let's have a look. Is that so? You push me, I push you, that's it? Can you push it clean?
Ears, eyes, nose and mouth: no!
Ma Dong: Can you completely solve the problem?
Ears, eyes, nose and mouth: no!
Xu Dong: At the critical moment, you have to rely on me!
Ears, eyes, nose and mouth: huh?
Xu Dong: I tell you, no one needs to go to the traffic team tomorrow!
Otorhinostomy: What's the matter?
Xu Dong: I gave that driver's license to the police.
Otolaryngology: Ah!
X: It's free!
Ears, eyes, nose and mouth: all pushed!
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