What are the brushwork characteristics of Dai Hua's lady paintings?

In the whole picture, the figures of the ladies with flowers are simple, round and powerful, and the colors are rich and colorful. Can accurately express various gestures with concise and powerful lines. The description of clothing lines and patterns is written in a letter, which seems to be regular but smooth. As for the bun and sideburns of the characters, they are too thin, and the pen tips are easy to fly. Although the coloring is complex, the layers are distinct and the overlapping relationship between silks is very clear. Gauze is light, soft and transparent, and the skin is smooth and moist, which is very realistic. The whole picture is composed by tiling and painting. Ladies' gauze skirts and flower buns were the costumes at that time. Big peonies and jasmine flowers are popular in the tall bun, which looks elegant and beautiful against the background of black hair. You Simiao is the main way to describe characters. His brushwork is light and gentle, even and peaceful, especially with the help of color, which successfully shows the texture of gauze and skin. The gauze on the artist's arm is dyed light, which is deeper than bare skin and lighter than gauze. It only reproduces smooth skin and transparent gauze, conveying a soft and quiet aesthetic feeling.

This painting was painted during the Tang Zhenyuan period (785-805 AD) and was recorded by predecessors as Zhou Fang's work. This painting was collected by Emperor Gaozong Zhao Gou of the Southern Song Dynasty and stamped with the word "Shaoxing". There are also ancient collections such as Jia Sidao's "Moon Rise" gourd seal. After that, it was recorded in the sequel of "Shiqu Baodi" and handed over to the hidden line. Zhou Fang, a famous Jingyuan native named Zhong Lang, was born in a noble family and lived in Chang 'an. He is the chief history of Xuanzhou. Good at writing, poor beauty, good at drawing portraits, especially good at ladies. The Song Dynasty's "Xuanhe Painting Spectrum" contains: "Writing about women is the highest in ancient and modern times, and its reputation is widely spread, which is more common in the poems of celebrities." According to Shen Congwen's Research on Ancient Chinese Costumes, Chapter 80 is a picture of a beauty hairpin, which is regarded as a non-Zhou Fang original. It was the first time that Song people painted the Tang Dynasty in Song style. According to the old draft of the Tang Dynasty, the possibility of decoration is greater. His character is still Tang, and his clothes are Tang-style, but the patterns are not up to standard. This hairpin pattern appeared in the Tang Dynasty by accident, and it must have appeared in the Song Dynasty.