China's most famous which painting is who painted.

Enjoyment, the scroll adopts Yikli printmaking technology, realistic image, perfect reproduction of the original charm.

Nine of the Ten Famous Paintings of Ancient Chinese Paintings: Ming Qiuying "Spring Dawn in the Han Palace"

Ten Famous Paintings Spring Dawn in the Han Palace (Vertical 30.6 cm Horizontal 574.1 cm)

The author of the painting scroll is a well-known painter in the Ming Dynasty, Qiuying, a native of Taicang, and then settled in Suzhou, one of the most representative painters of the Ming Dynasty, the Qiuying's paintings are generally only a simple name paragraph, unlike other painters in the Ming Dynasty in the paintings, Qiuying's painting is generally only simple, unlike other painters in the Ming Dynasty in the painting. Qiu Ying paintings generally only a simple name, unlike other painters in the Ming Dynasty on the paintings of poetry, Qiu Ying is good at depicting ladies, known far and wide, the Han Palace Spring Dawn is Qiu Ying's most outstanding masterpieces, scrolls depicting the grandeur of the Han Dynasty palaces and gardens, the use of stunning ink and pen to show the daily life of the concubines in the palace living situation, his Han Palace Spring Dawn in the history of Chinese ladies painting occupies an extremely important position.

The theme of Han Palace Spring Dawn is the court life of the Han Dynasty, depicting the state of life of the court beauties, the entire scroll is complicated, strong brushwork, elegant and magnificent colors, the scroll has a strange wood, strange stone, gorgeous palace, constituting the beautiful scenery of the fairyland on earth, in addition to the portraits of the beauties, the scroll also focuses on the concubines to play the qin and play chess, depicting paintings and drawings, antiques, flowers and other recreational and leisure activities. The scroll also focuses on the concubines playing chess, painting and calligraphy, enjoying antiques and flowers, and other recreational activities. The scroll begins with a beautiful view of the exterior of the palace, where the willows are sprouting and spring is in full bloom, and outside the palace walls there is a water pool where mandarin ducks and pheasants are swimming and playing. A palace maid and three children are watching the pheasants with their wings spreading.

Top Ten Famous Paintings of the Northern Song Dynasty: Wang Ximeng's Thousand Miles of Rivers and Mountains

The Thousand Miles of Rivers and Mountains, 51.5 centimeters in length and 1,191.5 centimeters in width, on silk, with blue and green coloring, and with no mark, is known to have been made by Wang Ximeng according to the inscription and treatement of Cai Jing on the back of the scroll, and it is now kept in the National Palace Museum. The work is in the form of a long scroll, depicting the rolling hills and the vast rivers and lakes, with pavilions, houses, villages, watermills, long bridges, fishing, boats, travelers, birds, and so on, in the mountains, slopes and banks, and between the waters, all of which are finely detailed and vividly depicted. Scenery, weather, composition in the sparse and dense in the pursuit of change, momentum and coherent, to Phi Ma and axe chapped together, showing the texture of the rocks and veins and changes in light and darkness; color uniformity and purity of clear, in the middle of the green ochre, rich in change and decorative. The works are majestic and magnificent in mood, with grandeur, fully expressing the beauty of natural landscape.

Top Ten Famous Paintings in Ancient China, No. 5: Fifth Generation-Gu Ma-zhong's Han Xizai Night Banquet

Han Xizai Night Banquet is painted on the anecdotes of the life of Han Xizai, a minister of the Southern Tang Dynasty. Han Xizai (907---970 AD), a scholar at the end of the Tang Dynasty, fled southward because of the war and was retained by the Southern Tang court. When the later lord Li Yu succeeded to the throne, the power of the Southern Tang Dynasty was weak, while the Song Dynasty in the north was rapidly rising. Li Yu was worried about the survival of his small court. Li Yu was ambivalent about Han Xizai's decision to appoint him as his minister, but he was not at ease with him. Han Xizai also realized that although he was ostensibly a beneficiary of the Southern Tang court, he was a northerner and had no intention of becoming an official. Han Xizai, who was in an adverse situation, had to avoid political conflicts with the court in order to save himself from the possible bad luck. He also tried to divert the attention of his peers and blind the court by indulging himself in his life in the way of being wild and indulging in his passion. Li Yu only thought that Han Xizai's life was too debauched, out of "cherish his talent", and wanted to play a persuasive role to Han Xizai through pictures. Therefore, when he learned that Han Xizai "much good sound and theater, designed for night drinking, although the guests tree miscellaneous, cheering wildly free, no longer restrained," the news, they "order Gu Ma-tezhong night to its first, stealing a peep, the eye knows the heart to remember, picture painting above." ("Xuanhe painting") This is "Han Xizai Night Banquet" of the creation of the original cause.

Size: 28.7cm*33.55cm

A courtesan looks out through a window at a dancing peacock, which is flanked by two courtesans, one of whom feeds the peacock, the other relies on the door, and another walks down the steps with a kettle. A concubine stands in the garden, looking around at the palace maids watering the peonies, next to the concubine's companion, who is flanked by two maids, one of whom is watering the peonies, while the other accompanies her with a fan. In the courtyard, there is a pear tree blooming with beautiful white flowers. Some palace maids pick pear flowers and put them in pots, while others pick pear flowers and stick them on their temples.

Top Ten Famous Ancient Chinese Paintings of: Yuan Dynasty Huang Gongwang Dwelling in the Fuchun Mountains

Dwelling in the Fuchun Mountains is one of the ten most famous heirloom paintings in China. Paper, ink painting. Dwelling in the Fuchun Mountains was first painted in the seventh year of the reign of the Emperor (1347), and was completed in the tenth year of the reign of the Emperor. Dwelling in the Fuchun Mountains" was once in the Qing dynasty during the reign of Shunzhi was burned, broken into two sections, the first half of the volume was mounted separately, renamed "Dwelling in the Fuchun Mountains, the remaining mountains," is now housed in the Zhejiang Provincial Museum. It is now in the Zhejiang Museum. It is regarded as the treasure of the Zhejiang Museum. The second half of the scroll, Dwelling in the Fuchun Mountains, is now in the National Palace Museum in Taipei. The first half of the scroll, Dwelling in the Fuchun Mountains The Remaining Mountains, is 31.8 centimeters longitudinally and 51.4 centimeters horizontally. The second half of the Dwelling in the Fuchun Mountains Useless Master Scroll is 33 centimeters longitudinally and 636.9 centimeters horizontally.

One of the remaining scrolls of Dwelling in the Fuchun Mountains. It was first painted in the seventh year of the reign of Emperor Zhizheng (1347) and completed in the tenth year of the reign of Emperor Zhizheng. The painting was burned during the Shunzhi period of the Qing Dynasty, and was broken into two sections, with the first half of the scroll being mounted separately and renamed Dwelling in the Fuchun Mountains, which is now in the Zhejiang Provincial Museum. It is now in the Zhejiang Provincial Museum. It is regarded as the treasure of Zhejiang Museum.

"Dwelling in the Fuchun Mountains" is the Yuan dynasty famous painter and calligrapher Huang Gongwang popular a masterpiece, the world is Huang Gongwang paintings of the crown. Ink painting on paper, 33 centimeters wide, 636.9 centimeters long, is Huang Gongwang's masterpiece in his later years. Huang Gongwang, word Zijiu, No. Yifeng, work calligraphy, through the music, good poetry, young ambition, youthful, middle-aged implicated in prison, full of trials and tribulations, more than 50 years old, living in seclusion on the banks of the Fuchun River, the master of the Dong Yuan, Ju Ran, study landscape painting, famous, is already more than eighty years old man. Huang Gongwang put his life savings into the creation of paintings, vomiting blood, after several years, and finally in his eighties, completed the scroll "Dwelling in the Fuchun Mountains", which can be called the highest state of landscape painting. It is in the form of a scroll, depicting the beautiful scenery of the Fuchun River on both sides of the early autumn, the peaks and mountains, pine and rock show, cloudy mountains and smoke trees, Shading village, the layout of the sparse and dense, changing, with clear ink and brush, simple and far away from the mood of the vast and continuous Jiangnan mountains and water performance, to achieve the mountains and rivers are thick, the grass and trees Huazhi's realm.

Dwelling in the Fuchun Mountains is a six-panel paper scroll, which is made up of six sheets of paper. Huang Gongwang (word Zijiu) for the Yuan Dynasty, the most prestigious painter, in the history of painting has a great influence. In his "landscape tips", he explicitly mentioned molding. He said: "When you put a brush in a leather bag, or when you see a strange tree in a good place, you should write it in a mold". Not many of Zijiu's works have survived, the best of which is Dwelling in the Fuchun Mountains. In order to create "Dwelling in the Fuchun Mountains", he carried a pen and paper in his sleeve when he was enjoying the victory of the rivers and mountains and fishing beaches, and whenever he encountered a scene, he would drop out of his work and write down the scene in the mold. This painting was completed in the first seven years (1347), at this time Zijiu nearly eighty years old, the inscription in the painting text shows that he completed the painting and the observation, speculation for three or four years. Zhang Geng in the "fine sense of painting" recorded Dong Qichang's praise of this painting, Zijiu painting champion of the Yuan four schools; such as the Fuchun Mountain scroll, its charm, body prepared for all the methods, off the melting, not fall into the path of the border.

Top Ten Famous Paintings of Ancient Chinese Paintings: Tang Yan Liben - The Steps of the Emperor's Chariot

The Steps of the Emperor's Chariot, silk, color, vertical: 38.5 cm, horizontal: 129.6 cm.

The painting of the emperor's carriage takes the major event of the marriage of Princess Wencheng to the king of Turfan by Emperor Li Shimin of the Tang Dynasty as the background, and shows the scene of the 15th year of Zhenguan (641 AD), when the envoy of Turfan, Ludongzan, came to the Tang Dynasty to welcome the bride and was summoned by the Emperor of the Tang Dynasty. There are 13 figures in the painting including Tang Taizong***. Although Tang Taizong is not in the center of the picture and is partial to the first half of the horizontal scroll, but the author in the composition of the clever handling, so that the group of characters mainly Tang Taizong is actually in the center of the picture visual, but also to his main composition of the picture from the inside to the outside of the combination of radial relations. Tang Taizong is surrounded by nine ladies-in-waiting, and his broad physique and dignified look contrasts sharply with the slender and dynamic molding of the ladies-in-waiting, thus constituting the visual centerpiece of the picture. The same idea is also reflected in the three ambassadors in front of Emperor Tang Taizong, although they are farther away from him than the maids of honor, their line of sight corresponds with that of Emperor Taizong's, which puts them in a more important visual position. The stylistic choice of the bowing motion, along with the slight shift in the center of gravity of all three, also gives the visual impression of instability. In contrast, not only shows the respect of the envoys, but also set off the elegant and noble style of the emperor of the Tang Dynasty.

The author's painting skills have also reached a very high level, not only in the unique composition of the arrangement, the specific characters are also very wonderful, smooth lines, rounded, delicate features shaping the personality of the characters of the temperament. Especially the three ambassadors are dressed in appearance reflecting the rich exotic flavor. Li Zizhen commented on Yan Liben's paintings in the "Record of Continuing Paintings", saying: "If ten thousand countries come to the court, the jade and silk of Tushan are offered; a hundred barbarians pay tribute, and the bit order of the Yingmen is received. The folding of the rectangular degree, the end of the hairpin serving watts of etiquette; Kui sly strange, nose drink head flying custom; all the millimeter yet, times to get the human feelings." The first is a very good one, and the second is a very good one, and the third is a very good one.

The right half of the volume is in the palace surrounded by sitting in the carriage of the Tang Emperor Taizong, the left side of the three before the ceremonial officer, in the Ludongzan, after the interpreter. In the image of Tang Taizong is the focus of the whole picture. The author took great pains to vividly and meticulously portrayed, the painting of the Tang Emperor Taizong handsome face, deep eyes, dignified, fully revealing the style and majesty of a generation of Tang Emperor. In order to better emphasize the supreme dignity of Emperor Taizong, the author skillfully uses contrasting techniques to set off the performance. First, the court ladies are small and tender, and they either hold the fan or carry the carriage, or side or positive, or tend to or line of the body to reflect the Tang Emperor's stout, deep and calm, is the counterpoint; Second, the Ludongzan's sincerity and humbleness, and the importance of the polite to set off the Tang Emperor's dignified and calm, amicable attitude, is the positive counterpoint. The figure does not have a background, the structure from right to left, from close and gradually sparse, focused, rhythmic.

Top Ten Famous Paintings of Chinese Ancient Paintings: Northern Song Dynasty Zhang Zeduan Qingming Riverside Scene

Qingming Riverside Scene, Northern Song Dynasty, Zhang Zeduan, silk, light color

Top Ten Famous Paintings of China Heirloom Qingming Riverside Scene, Full Map Reproduction of the Original Ancient Paintings, color darker, 100% faithful to the original

Total size of the picture length:24.8cm horizontal length:528cm

The Qingming Riverside Scene, Full Map Size Length:24.8cm horizontal length:528cm

The Qingming Riverside Scene is a painting of the Qingming Festival. >Qingming Riverside Painting depicts the bustling scene inside and outside the East Jiaozimen Gate and on both sides of the Bianjiang River in Bianjing, the capital city of the Northern Song Dynasty (present-day Kaifeng, Henan Province), at the time of the Qingming Festival. The whole painting can be divided into three sections:

The first section is about the suburban scenery, thatched roofs, roads and paths, and the people in between.

The middle section is centered on "Shangtuqiao", and the scenery on both sides of Bianhe River is painted. In the middle of the spacious scale, like a rainbow of wooden bridges, generally known as the "Rainbow Bridge", the name "on the soil bridge", for the land and water transportation convergence point. The bridge is a meeting point for land and water transportation. The bridge is crowded with carriages and horses, vendors and pedestrians.

The latter part of the description is the city streets, stores lined up in the city, the big stores are tied with colorful buildings at the head of the door, the small store is just an open shed. In addition, there are light houses and temples. The streets are crowded with pedestrians, and there is an endless stream of carriages, horses, sedans and camels. Pedestrians are gentlemen, officials, servants, peddlers, foot soldiers, car and sedan chairmen, workshop workers, storytellers, barbers, doctors, fortune-tellers, women in your family, walking monks, naughty children, and even beggars. Their identities are different, different clothes, the same street, but busy and idle, bitterness and happiness. The city's transportation means of transport, sedan chair, camel caravan, cattle, horses, donkeys, rickshaws and so on. Vehicles have string car, peace car, flathead car and other kinds, reproducing the prosperous scene of Bianjing city market. The tall gate building named Dongjiaozimen is located in the southeast of the inner city of Bianjing.

The whole volume is rich in vivid content, and centrally summarizes the life of Bianjing, the capital city of the Northern Song Dynasty in the 12th century.

This painting is different from the general boundary paintings by using both brushwork and writing, and the colors are light and elegant, which is the so-called "unique style". The composition adopts the bird's-eye view panorama method, which realistically and centrally depicts the typical area of the southeast corner of Bianjing at that time. The author uses the traditional hand scroll form and adopts the "scattered perspective method" to organize the picture. The picture is long but not redundant, busy but not chaotic, tight and compact, like a single breath. The scenery taken in the painting ranges from the silent wilderness, the vast rivers, and the towering citadels, to the characters in the boats and carts, the goods on the stalls, and the words on the market posters, all of which are not lost in any way. In the picture of up to more than 500 characters, interspersed with a variety of plots, organized in a methodical manner, but at the same time with interest.

The rear panel is inscribed by 13 families, including Jin Zhang Zhuo and Ming Wu Kuan, with 96 square seals.

Top Ten Famous Paintings of Chinese Ancient Paintings: Qing Dynasty - Lang Shining - Hundred Juns

Qing Dynasty - Lang Shining - Hundred Juns

Vertical 94.5cm Horizontal 776.2cm Silk Scroll

Lang Shining Painting "Hundred Juns Scroll" for the Qing Dynasty paintings of the Divine on the, the original drawing of the Silk Scroll of the Vertical 94.5cm Horizontal 776.2cm, the hidden Palace Danei people could not view. The Qing dynasty dingge Puyi out, the Qing dynasty palace for the Palace Museum, Fang can browse. Since then, the Palace Museum in the Palace Weekly published in the world, so open to the world, famous in the world of art. Now hidden in the National Palace Museum in Taipei.

This painting depicts the posture of the different steeds of a hundred horses, grazing in the grassland scene. Horses or lying or standing, or play, or foraging for food, free and leisurely, gathering and dispersing; in the specific expression, Lang Shining played the Western painting method commonly used in the front and back light, the front and back false, the front and back small and other methods of writing, so that the picture produces an open and far-reaching scene, grass, trees, landscapes, people are realistic and exquisite. The whole picture is rich in color, complex composition and realistic image. Such as horses, figures, trees, soil slope in the painting are applied to the principle of light, so that the object is very rich in three-dimensional sense; and such as pine needles, bark, grass and leaves of the ink line outline, stone soil slope chapped, etc. still contains the traditional Chinese method, even the horses and tree trunks on the shadow performance, is also the traditional Chinese rendering method to complete. Painted in the sixth year of the Yongzheng reign (1728), this is one of Lang's typical early works.

Top Ten Famous Ancient Chinese Paintings: Tang Han Hwang's Five Cows

The Five Cows, a treasure in the collection of the Palace Museum, Beijing. On linen paper, 20.8 centimeters longitudinally, 139.8 centimeters horizontally, no mark. The author is Han Hwang, a famous prime minister of the Tang Dynasty.

Tang - Han Hwang's Five Cattle Picture (723-787) [Tang] character Taichong, a native of Chang'an (present-day Xi'an, Shaanxi), was the son of Shao Shi Huo. At that time, Han Gan was famous for his paintings of horses, and Han Hwang was famous for his paintings of cows, and was known as the "Cows and Horses Two Han". This picture, "Five Cows", is one of Hwang Hwang's most vivid paintings, in which five sturdy old yellow cows were "personified" by the prime minister, conveying a spiritual message of practicality and hard work.

After its release, it was collected by famous figures such as Zhao Shou, Zhao Bo'ang, Zhao Mengfu, and Qianlong. During the Ming Dynasty, it changed hands several times. After the Qing soldiers entered the customs once the whereabouts of unknown, until the Qianlong years, only from the folk collection to the palace collection. 1900, the Eight-Power Allied Forces ransacked the Forbidden City, the "five bulls" was robbed out of the country, and since then nowhere to be found. In the 1950s, it was found by a patriot living in Hong Kong.

In early 1950, Premier Zhou Enlai received a letter from this patriot, which said that the Tang Dynasty Han Hwang's "Five Oxen Drawing" has recently appeared in Hong Kong, and the owner of the painting asked for 100,000 Hong Kong dollars, which he could not afford to buy, and he hoped that the central government would fund the recovery of the national treasure as soon as possible. Premier Zhou immediately gave instructions to the Ministry of Culture to appraise the authenticity of the painting and purchase it back at all costs, and instructed that reliable personnel be sent to specially escort the painting to ensure the safety of the cultural relics. Ministry of Culture received instructions, immediately organized experts to Hong Kong, identification of "five bulls" is authentic, after many negotiations, and finally sold for 60,000 Hong Kong dollars. The five bulls figure" back to the Palace, the picture is full of holes, tattered. The Forbidden City Museum organized experts and spent several years to restore it. Today we finally have the honor to see this "five oxen", its fine brushwork, depiction of the god, the ox attitude of the palpable, a few can be called out. Its precious also lies in the ancient Chinese survived in this world for the bird and flower figures, to the cattle into the painting, and so vivid, "five cattle" can be called the only one.

Top ten famous paintings of Chinese ancient paintings: Song copy Gu Kaizhi Luoshen Fu Figure

Luoshen Fu Figure scroll Song dynasty, 51.2cm longitudinal, 1157cm horizontal Song copy Gu Kaizhi Luoshen Fu Figure original 27X677cm

One of the top ten heirloom paintings in China. Original Luoshen Fugu scroll, the famous painter of the Eastern Jin Dynasty Gu Kaizhi painted (Song facsimile), silk, color

Name: Luoshen Fugu (Song facsimile)

Category: painting and calligraphy

Cultural relics of the original belongs to: the original belongs to the Yuanmingyuan treasures

Cultural relics of the status quo: the painting now has four facsimiles, respectively, hidden in the Liaoning Provincial Museum, the Palace Museum, the U.S. Freer Museum of Art and other

Cultural relics status: the painting now has four facsimiles, respectively in the Liaoning Provincial Museum, the Palace Museum, the United States, the Freer Gallery of Art, etc.

The Luoshen Fu painting, based on Cao Zhi's famous Luoshen Fu, is a masterpiece of Gu Kaizhi's heirloom. This Song copy retains some of the characteristics of Gu Kaizhi's art to a certain extent, and under a thousand years, you can also get a glimpse of his ink and brushwork. The whole scroll is divided into three parts, depicting the sincere and pure love story of Cao Zhi and Luo Shen in a detailed and layered manner. The characters are sparsely arranged, naturally alternating, overlapping, and exchanging in different time and space, and in the depiction of the mountains and rivers, they all show a kind of spatial beauty.