Traditional Culture Encyclopedia - Traditional stories - Full text of Spring
Full text of Spring
Spring
Looking forward, looking forward, the east wind came, and the footsteps of spring were close.
Everything looks like it has just woken up and opened its eyes happily. The mountains are moist, the water is up, the sun's face is red.
The grass peeked out of the earth, tender and green. The garden, the field, look to go, a large area full of. The first thing you need to do is to sit down, lie down, play a couple of rolls, kick a couple of balls, race a couple of times, and play a couple of times of hide-and-seek. The wind is gentle and the grass is soft.
Peach trees, apricot trees, pear trees, you do not let me, I do not let you, are full of flowers to catch up. The red is like fire, the pink is like the sun, and the white is like snow. Flowers with a sweet smell; closed eyes, the tree seems to have been full of peaches, apricots, pears. Thousands of bees buzzed under the flowers, and butterflies of all sizes flitted about. The wildflowers were everywhere: miscellaneous, named, unnamed, scattered in the grass, like eyes, like stars, and winking.
"Blowing face not cold willow wind", good, like a mother's hand caressing you. The wind brought some of the newly turned earth's breath, mixed with the smell of grass, and a variety of flowers, all brewing in the slightly moist air. Birds will nest in the flowers and young leaves in the middle of the happy, calling friends to show off the crisp throat, singing a melodious tune, and the light wind and running water to echo. The short flute of the cowherd boy on the back of the cow, this time also all day loud and clear sound.
Rain is the most common, a one is three or two days. Don't be annoyed. Look, like cow hair, like flower needle, like fine silk, densely woven diagonally, the roof of the house is covered with a layer of thin smoke. The leaves of the trees, however, are so green that they shine, and the grass is so green that it forces your eyes. In the evening, on the lamp, a little yellow light, baked a quiet and peaceful night. In the countryside, on the path, stone bridge, there are people walking slowly with umbrellas, and farmers working in the field, wearing straw raincoats and hats. Their houses, sparse and silent in the rain.
There are more kites in the sky and more children on the ground. The city and the countryside, families, old and young, also rush like, one by one, all out. Shuffling the muscles and bones, shaking the spirit, each doing their own a thing to go. "A year's plan is in the spring", just the beginning of the head, there is a lot of work, there is a lot of hope.
Spring is like a doll that just landed on the ground, from head to toe is new, it grows.
Spring is like a little girl, blossoming, smiling, walking.
Spring is like robust youth, with arms and waist and feet of iron, leading us on.
The thematic idea of the article is the yearning for the realm of freedom. Although Zhu Ziqing was in the dirty and dark old China, his spiritual world was clear and clean, and his spirit was still upward. Zhu Ziqing put his healthy and noble aesthetic interests, his infinite love for beautiful things, his relentless pursuit of life's ideals into the article. Melt into the beautiful language like poetry. Thus, the whole article is full of strong poetic meaning, resulting in a long-lasting artistic charm.
"Spring" - in this "poetic" "spring hymn", in fact, full of the writer's particular period of thought and emotion, the pursuit of life and personality, showing the writer's bone of conventionality.
After 1927, Zhu Ziqing always searched for and created an ideal world in his soul, the world of dreams, in order to put his "rather unquiet" heart against the disturbance of the outside world, and to keep him "alone" in his secluded study. The world of dreams is the world of the dream to put his "rather unquiet" heart against the chaos of the outside world, so that he can "be alone" in the seclusion of the study and to achieve his learning.
Zhu Ziqing (November 22, 1898-August 12, 1948), formerly known as Zhu Zihua, was born in Shaoxing, Zhejiang Province. Originally from Shaoxing, Zhejiang Province, he was born in Donghai County, Jiangsu Province. Modern prose writer, poet, scholar and democracy fighter ? Prose has "rush", "spring", "you and me", "green", "back", "lotus pond moonlight", "London miscellany", etc., author of a collection of poems "snow dynasty", poetry and essay collection "traces", literature and art treatise "poems in the words of Zhi discernment", "on the elegance and vulgarity of the *** appreciation" and so on.
Expanded Information:
Spring, a text that captures the characteristics of the spring landscape and depicts the spring scene in a hierarchical manner.
The text of "Spring" captures the characteristics of the spring scenery and depicts it in a hierarchical way. The whole text is centered on the word "spring", and is written in three parts: "Looking forward to spring", "Painting spring", and "Singing spring".
Spring is a work of Zhu Ziqing, a modern essayist. It was first published in July 1933, and since then it has long been used in Chinese secondary school textbooks.
Zhu Ziqing's prose "Spring" is full of endless poetic feelings and pictures. He blended the "feelings" of the beauty of personality with the "scenery" of natural beauty, creating an artistic realm in which the feelings and the scenery are blended together.
The text "Spring" describes, eulogizes a vigorous spring, but it is more Zhu Ziqing's spiritual world of a realistic portrayal.
"Spring" describes, eulogizes a vigorous spring, but it is more Zhu Ziqing's world of mind a realistic portrayal. Zhu Ziqing's "Spring Scenery", not his hometown of Jiangsu and Zhejiang area of the warm and humid spring scenery, not the northern suburbs of the kind of magnificent and full of spring scenery, and not as a painter of the kind of realistic copying of the sketches, but the writer in the nature of the enlightenment and inspiration, by his mind brewing out of the art of a picture. In this picture, he hides too many spiritual codes.
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