Traditional Culture Encyclopedia - Traditional stories - There is an urgent need for "after-school feelings of music appreciation"! ! !
There is an urgent need for "after-school feelings of music appreciation"! ! !
In all kinds of art forms, music is probably the most subjective art, and the same music, everyone may hear different connotations and get different feelings. However, music, as an art appreciated by human beings, still has a * * * rule in its subjective color. For example, we say that a certain piece of music is either loud and magnificent, relaxed and cheerful, or beautiful and lyrical, and so on. This is the feeling of our communication. My own feeling is that the biggest function of music is to make people relax, to make people extrapolate from those soothing or high-pitched melodies, and to get the edification and enjoyment of beauty. Symphony and some lyric light music, in particular, sound intoxicating.
To write a symphony, you must first know what a symphony is. In my memory, the first impression of symphony is "noisy". After listening to the master's wonderful performance, the idea disappeared immediately. In fact, the symphony is very interesting, which can be mixed with the cries of various animals, and can also describe the birds, flowers and flowing water in nature. As long as you feel it with your heart, you can appreciate the good intentions and artistic attainments of music masters. Their performances brought me into a colorful sound world. In fact, symphony is not China's thing, but a foreign culture, which was introduced to China only for nearly a hundred years. In the 1920s and 1930s; Shanghai and Harbin have established two symphony orchestras, mainly composed of foreigners. In the early days of the founding of New China, the Central Orchestra was established, which was the predecessor of China's diplomatic relations. Later, several orchestras were established in provinces and cities, but not many. After the reform and opening up, with the prosperity and development of economy and society, dozens of symphony orchestras have been established in various places. But most of the works performed are foreign. Before the founding of New China, only a few foreign students studied symphony writing abroad, with few works. After the founding of New China, several conservatories set up composition departments, sent students to study in the Soviet Union, trained a number of professional composers and produced a number of influential works. After the reform and opening up, a large number of talents emerged, a large number of works were born, and a number of works with considerable professional level were produced. I learned these materials from the library and listened to many performances similar to the Central Orchestra. What I like and remember best is the Yellow River Chorus. Although the history of the Central Orchestra is not long, it is indeed an excellent orchestra. After the founding of New China, several conservatories set up composition departments, sent students to study in the Soviet Union, trained a number of professional composers and produced a number of influential works. After the reform and opening up, a large number of talents emerged, a large number of works were born, and a number of works with considerable professional level were produced. Only in 200 1 year, the first China Golden Bell Award won 12 1 symphony works and 2 1 works, which can be said to be remarkable achievements and should be fully affirmed. However, due to the creative concept, economic conditions and the level of works, these new works are rarely played by symphony orchestras. For a long time, most orchestras often performed foreign works. Foreigners, foreign works and foreign music culture still occupied the music stage in China, and we in China had to try our best to catch up. Our generation shoulders a great responsibility. We have an obligation to feel it and to promote it.
Many people may think that symphonies are appreciated by "nobles" and dare not touch them too much. In fact, symphonies are not difficult to understand. In symphony, we should give up those "excessive respect" and don't need "boldness" and "courage". There is only one thing you have to start and stick to, and that is to listen, listen again and feel with your heart! Symphony, like other music, can also express people's feelings, and feelings may be stronger than other music. Symphony is based on people's daily life and is higher than life. Many themes are familiar to people, which brings the distance between art and audience closer.
Symphony made me realize the importance of coordination and cooperation. Imagine, if there is a distraction between the players, then the result can be imagined. On the contrary, only when everyone goes all out can the infinite charm of music be displayed. Similarly, in our study and life, when we emphasize independence, we can't forget cooperation. Only unity can play a better life movement.
Russian composers hit the nail on the head: "The difficulty of music appreciation is that people always have too much respect for music". He thinks the first thing is that "they should be taught to love music". For symphonic music, there is no distinction between knowing and not knowing. Understand when you feel, and different feelings are understanding. In the face of those music masters who have already passed away, you don't have to worry about whether your feelings are completely in line with your original intention. It is better to listen freely than to study deliberately. Music is completely open to people, so it is infinitely inclusive. Listening freely and letting go of your thoughts, your personalized feeling is a new interpretation, isn't it just another enrichment and expansion of the music connotation? What you feel is what you get, what you and your master have. Your feelings don't need other people's approval. In front of music, everyone is equal.
On weekdays, I like listening to Beethoven's Destiny best. This song has been in my MP3 player, and I have been reluctant to delete it. The shortness of slamming the door in the tune and the author's cry of "grabbing the fate by the throat" will immediately remind me of such a picture: the god of fate is ferocious everywhere, approaching Beethoven's hut with a power battle, Beethoven is alert, quickly grabs a long sword, and fate begins to slam the door, with a louder voice. Finally, the door was knocked down. Although Beethoven was beaten into ear disease and dysentery by him, he did not flinch and resolutely fought against fate. The whole song "Destiny" sounds passionate and tense, but we have to admit that the above story belongs to the fantasy category. A poem wrote (I think it best reflects my feelings about fate, quote)
Look up at this unpredictable note.
Ring through my ears
Camel bell-Song Like sounded a clear thought.
At the moment, I pay attention.
Look at this beautiful melody.
Desert rumors in Gobi wasteland
A flowing excitement.
Decorate my chest
The life will of this westerly hunting
As agile as an eagle
Shining with the brilliance of the flame
I really hope he can
The fleeting years
Fly with ideals
The pulse of this yellow skin
Make a broad and affectionate oath
Play the joy of praying for peace
How many times in the flight association?
sigh with emotion
Life motto
Life is a struggle, a struggle.
Is to look for the eyes of dawn in the dark
That's right, so "fate", can we not listen? This article represents some of my superficial views and feelings about symphony. May everyone in the world enjoy the endless fun brought by symphony and music!
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