Who knows the Chinese style elements in Jay Chou's "Porcelain"?

At first listen to "Porcelain" will be y attracted; also almost everyone in listening to the song, the mind will come up with a gentle Jiangnan ink painting, the painting of an umbrella silhouette, in the curling smoke in the hidden, but also step by step. Naturally, such a wonderful landscape also reminds people of Dai Wangshu's "Rainy Lane": "Holding an oil-paper umbrella, alone, wandering in the long, long and lonely rainy alley, I hope to meet a lilac like, knotted with sadness of the girl ......" both. In the mood of the expression is really different and similar, this kind of want to say but not yet, through the scene of the expression of emotion is exactly in line with the traditional Chinese literature requirements of the "beauty of the implicit but not revealed". Fang Wenshan's carefully considered "plain-faced rhyming poems" are so primitive as to be devoid of any punctuation, yet so meticulous that every line rhymes and is catchy. In a frenetic and noisy singing world, he has managed to bring himself completely into the calm of the past, blending the softness and lightness unique to the ancient art, making people sing with a mouth full of fragrance

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