Key points of basic dance training in China

Key points of basic dance training in China

The strength of dance body movements affects the strength of dance artistic expression. As an effective means to improve the professional ability of dance, physical training is also the basis of professional training. The following are the basic training points of China dance that I collected for you. You can have a look at what you like. I hope it helps you!

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As we all know, dance is a kind of dance based on human movements. Language? Art form, which has social functions that other art forms can't replace. When people's emotions reach the extreme and words and other expressions can't fully express their emotions, dance is the best expression. Dance comes from life, and the formation of dance movements is inseparable from the imitation and simulation of things in daily life, from the development and changes of human natural forms and movements, from the in-depth excavation and high play of human internal action potential, and from the development law of human movements.

First, guide students to correctly understand the formation of dance movements in dance teaching.

1. The dance action formed by refining the dynamic images of natural scenery is to express some emotions, thoughts or personality characteristics of people by means of simulation and symbol through the dynamics of animals, plants or other scenery. For example, in national folk dances, Mongolian dances imitate the flying movements of flying horses and eagles soaring in the sky, which are used to express the heroic and rough character of Mongolian people; Peacock dance of Yunnan Dai nationality, through careful observation and simulation of peacocks, produces dance movements, which embodies the Dai people's aesthetic pursuit of auspicious, peaceful and happy life.

2. Dance movements formed by the development and change of human body natural form movements, of course, not all human body natural form movements can be developed into dance movements, but those movements formed with regularity and purpose can be developed into dance movements.

3. The dance movements produced by deep excavation and high exertion of the internal action potential of the human body refer to the high-skilled dance skill movements produced by the full development of all aspects of the human body. For example, multi-turn single-leg rotation shows the balance ability of the center of gravity; All kinds of big jumps and air tumbling that give play to jumping ability and control ability; Exert the flexibility of the body? Waist? 、? Rub your waist? Wait; There are also difficult skills to demonstrate various abilities, such as? The stranded column turned into a face grab? 、? Turn over and jump, explore the sea and turn over? 、? Spin 360 degrees? Wait a minute.

4. The dance movements developed from the laws of human movement refer to Laban in Hungary? Human kinematics? Form twelve points in the spherical space formed by the human body up, down, front, back, left and right in space? Twelve directions of human dynamic law? And space, time, weight, fluency? Four elements of exercise? And where to start? Eight elements of action? That is, cutting, pressing, rushing, twisting, sliding, flashing, knocking and floating. Different organizations and changes will produce different? Force effect? All kinds of movements.

Second, the standard of cognitive dance movements

1. Dance movements must be standardized and skillful. In the basic skills of ballet, there are strict rules on the opponent, foot, jump and turn. Folk dance movements of all ethnic groups have their own specific requirements. Artistic dance movements also pay attention to skills, and dancers should have such difficult skills as jumping, rotating, tumbling, softening and controlling. However, performing difficult technical movements in dance works is not an end in itself, but a means to express characters' thoughts and feelings, shape their character and mental outlook.

2. Dance movements must have connotation. As an art, dance is not the accumulation of basic movements, nor the display of simple skills, but the expression of certain content through certain forms. Dance takes action as its artistic language, commonly known as dance vocabulary.

3. Dance movements should pay attention to formal beauty. Dance, as a visual art, its body appears in visual form, including costumes and scenery, but the main factor is body movements. Dance movements have connotations, and graceful body movements reflect some aspects of beautiful spiritual temperament and human feelings. Therefore, the beauty of dance action is the unity of inner and outer, spirit and form.

4. Dance movements should pay attention to style. It is very important to know the style characteristics of movements for dance appreciation. Only by deeply understanding the movement style of a dance can we deeply appreciate its charm. Ballet movements appear? Open, stretch, straight, stand? The movements of China classical dance are basically maintained? Round? The state of; In folk dances, such as Dai dances, the whole body is always in motion? Three bends? Wait a minute. Each dance movement has its own unique requirements. You can't do it at home without mastering the essentials of style.

Third, the method of enriching dance movements

In order to reflect the complex and diverse life contents in dance works, shape people with various thoughts and personalities, and express rich and delicate emotions, students are required to master a wealth of dance art expression means, which is based on mastering and storing a large number of dance movements.

1. Inherit the cultural heritage of Chinese national dance. China's 5,000-year history of civilization has created classical dances and folk dances of all ethnic groups in China, and its cultural heritage is extremely rich. Although it is still impossible to count how many kinds of dances there are and how many kinds of dance moves there are, its extremely rich and colorful is obvious to all. As long as you make up your mind to study China traditional folk dance deeply and practically, it is not difficult to master rich dance movements.

2. Learn from the world dance culture. Today, ballet and modern dance have become international dance art, not belonging to a certain country. Their rich and varied dance vocabulary is of great help to dance creation. National folk dances in various countries provide a very broad learning space. Therefore, we should grasp all possible learning opportunities and learning conditions and constantly enrich ourselves.

3. Constantly innovate in inheritance and reference. In dance creation, new dance movements are mainly created according to the emotional and ideological needs of life and characters reflected. From the perspective of the development of dance art, the most important thing is to make new creations from life, not to deviate from the past tradition of creating from scratch, but to innovate, develop and create on the basis of inheritance and reference.

Dance teaching is all-round and technical skills are very important. The teaching of dance movements is closely related to the teaching of other courses in dance major. I will continue to learn, summarize and innovate in the future teaching.

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