Why is Chang 'an Three Wan Li Fire?

Chang 'an Three Wan Li is sought after, which is a microcosm of the surging excellent traditional culture. In recent years, from the dance "Only Green" to the variety show "National Treasure", and then to the popular song "Liang", which skillfully combines Song ci and opera, more and more traditional cultures are accelerating the "breaking circle" in the "fashion cross-dressing".

The film uses the memories of the poet Gao Shi to string together dozens of "top-stream" memories of the Tang Dynasty, such as Li Bai, Du Fu and Wang Wei. Let the audience cross the desert frontier and roam the south of the Yangtze River in the "silver saddle shines on a white horse, whispering like a meteor", and feel the splendid China poetry art in the perfect integration of ink and wash artistic conception and the latest light and shadow technology.

"It's as if I had a lesson in Chinese studies in A Thousand Miles of Scenery", "This is a romance that only belongs to China people, and some cultures have been engraved into our DNA" ... Among many praises, netizens commented that "China culture is the greatest strength of the film" and won over 65,438+million praises.

"The purpose of this film is to explore the brightest moment in China culture," said Xie, one of the directors of Three Wan Li in Chang 'an. "We draw inspiration from precious works of art such as Tang figurines, murals and landscape paintings, and creatively attract contemporary audiences with animated forms and imaginative stories on the basis of conforming to historical facts."

Three Wan Li in Chang 'an cultivate one's morality by pursuing fame and profit.

As an animated film, "Three Wan Li in Chang 'an" may not be suitable for young children, because it does not pursue children's interests, but shows Gao Shi and Li Bai's wasted half lives, and incorporates profound vicissitudes and years of emotion.

At the same time, in the plot setting, the film is not obsessed with the simplicity of the causal linear structure, but lets Gao Shi, who is in his twilight years, tell his father-in-law Xu, the supervisor of the Tubo army, about the past, and then start a double-line roundabout entanglement: the plots are one after another, and Gao Shi sometimes reviews the whole process of his gathering and parting with Li Bai.

The story goes forward, and the audience sees how Gao Shi skillfully arranges, saves the day, defeats Tubo and ushers in a comeback of life. When the plot constantly jumps between "present" and "past", it puts forward certain requirements for the audience's viewing threshold.