Wudang Dan Sect swordsmanship?

Fencing has a long history. Also, Gong and others, the white ape, lived in the mountains and practiced swords, and were the ancestors of fencing. Wulin is known as

Fencing has a long history. Also, Gong and others, the white ape, lived in the mountains and practiced swords, and were the ancestors of fencing. Wulin is known as Wudang sword, Shaolin stick and Emei gun. It can be seen that Wudang Taoism is famous for its swordsmanship and has been passed down for thousands of years. Wudang swordsmanship has the meaning of emptying inside and the image of four spirits outside, which is also called "Ice Charming Four Spirit Sword". Because it was handed down by the founder of Chunyang, it is also called "Chunyang Sword". The following is what I have arranged for you:

On Wudang Jianfa Spectrum

Zhang Sanfeng, the master of Yu Xiudong, handed down the Song of Sword-refining General Tactics;

The virtual sword is expensive and easy to cover as the next sword, so the real sword should be light, which makes people unprepared. Advance and retreat to show the steps of drawing lines between east and west, so that scholars can understand that north and south can also draw lines between north and south, and so on. But when practicing, there are three lines inside and outside. If you learn from it, you can learn to follow the footsteps of your body. In wartime, you can recover everything in one battle, and the line advances and retreats. You can do whatever you want, and change will come from your heart in battle. Although you can't learn numbers, you will win fast if you score late, and lose if you are slow. It is easier said than done to think about your own troubles: a gentleman thinks about his own troubles, and fencing is the same. Don't slack off when you have nothing to do. Practice perfectly to win. Zhang Songxi's Notes on Siming

Six tips for learning sword from wild Heshan.

First of all, ideologically

Be open and aboveboard, avoid favoritism, be calm and frivolous. Honesty is not seduced by bandits, and calmness is not taken away by anger. Otherwise, relying on yourself will make a move. When you meet a strong enemy, it will be too late to know that there is someone outside. In the past, Nie Weiniang's swordsmanship was not high, but she was able to subdue people. She was quiet and lost, but she was empty and did not observe.

Second, about bile.

Sword and shadow, war crisis, we must be cautious. However, it is ok to be cautious, but not timid. It should be noted that if we have met, if I take a step back, we will take another step back. If I don't hurt him, he will hurt me. Although I am extremely cautious, I can avoid it. Therefore, we should put death out of the way, follow the trend, and take what is desirable. But you must see with your ears. In short, we must be careful and courageous.

Third, in the eyes and ears.

Audio-visual officer. That is, I am in a dilemma. If Dan recognizes the number of people, the strength of the enemy and the length of the weapon. Madam, if you can do it, you must calm down. All the skills, the use of moves, and the actual situation of the stab are preset outside the sound shape, and then you can * * *.

Fourth, about hands and feet.

Hands should be soft and long, feet should be fast and far. Soft and slender hands can surprise and attack them unprepared; If you are fast, you can attack and defend. But practice regularly every day, and it is impossible to do it temporarily.

Five, about the method of the body

Sword is also a weapon, short and light, so it can't get close to the enemy and can't open the weapon hard. Therefore, to turn the posture round and flexible, whether it is forward or backward, sideways or astride, depends on the source of its weapons and the reasons for its use. If you can make that weapon inferior, you can protect yourself; If we can avoid his weapon, we can win more.

Sixth, about power.

Gu Jian's fairy sword, or only a few inches long, is hidden in a bag, or rolled into lead pills and put in the abdomen. Whoever can get this sword can't use it even if he gets it. Those who cover the sword fairy are faster than apes, sicker than birds, or invisible, silent and instantaneous, and can fly thousands of miles away. So although the sword is short, it can also hit everything. Being a layman should be short rather than long, light rather than heavy. If you practice in North Korea as a teenager, the weight of the sword will gradually increase. If you can use a few kilograms of epee, no matter what kind of weapon you have, you can win the battle, and then turn your posture around, and your hands and feet will be handy. Jiang Youye and Dao Renhuan Danzi wrote.

Note: The above wonderful theories are all taken from our old family tree.

Action description

In the primary stage, the left hand holds the sword, the right hand holds the sword finger and sets the east-west line. When playing from the west, you should face forward. Figure 1

1. Stand in one step, Yangchun's sword faces south, step on the center line of Sancai Line, and lift the palm of your right hand to the right. Please look at Figure 2 on the right. Bend the elbow on the right shoulder, rotate outward, and stretch to the right and front through the chest. At the same time, the left hand sword is raised horizontally to the left, and the yin and yang hand plates are crossed on the chest. Figures 3, 4, 5, 6, 7

Sword solution: face south, face north, close your head and step on the ground, empty your mind, gossip about the human body, naturally swing the gossip between heaven and earth, live together with white tiger and Qinglong, and mobilize the four spirits according to the day.

2. Swing your right hand against the wind to catch the sword, turn your right foot back half a step to the east to step on the center line, hold the sword in your right hand and swing from left to right in front of your head. The tip of the sword is too high. Turn your left hand to the left front of your left shoulder to be symmetrical with your right hand, so that you can see the tip of the sword intuitively. Figure 8, 9

Sword solution: this feeling is the external sword in fencing, which means breaking the door of chaos, opening Tai Chi and dividing it into two instruments, and receiving the purple gas from the East to fix the truth for me.

3. Fairchild picked up the curtain, with his right foot forward and right, his toes facing east, and his left foot stuck behind his right foot. His right hand is turned outwards, obliquely truncated to the lower right and forward, his left hand is centered forward, his left finger is attached to his right wrist, and his left foot is centered. After the left foot is retracted, the right foot takes an imaginary step, and the inner wrist of the right hand turns to the chest and faces southeast. Numbers 10, 1 1

Jian Jie: Go against the wind. In practice, it is compared to Jin Mu Gong, which means full of wood.

4. The Jade Emperor blows his right foot horizontally to the left front cover for eight steps, and the right-hand sword moves horizontally to the right with the previous step and then holds it on his chest. The body of the sword is flat, the tip of the sword faces west, and the upper body is slightly inclined to the left and front, and the visual view is right and west. Figure 12

5, the bottom of the leaf wears flowers, and the left foot moves forward to the left. The right-hand sword sticks to the west, the body is south, the eyes are west, and the sword finger is on the left forehead side. Figure 13

6. Lift your right foot slightly to the west, keep your left foot from landing, and quietly move to your right calf. After the right sword is folded, it points to the right, the wrist is higher than the shoulder, the tip of the sword is lower in the west and slightly south, and the side faces south. Look at the tip. Figures 14 and 15

7. Reach out and ambush your left foot and step behind your right foot. After turning left, the body turns to the east, and the right foot retreats to the west in a left high lunge. Right-handed sword stab from the right leg side to the east, right hand on the chest, palm inward, tip higher than left hand, with right wrist attached. Figure 16

8. Phoenix nods, with its head facing north, its left foot facing west of its right foot, and its right hand rotating inward and pointing to the northeast. The hand is higher than the shoulder and the tip of the sword is lower than the hand. Visually, the tip of the sword is on the left forehead side. Figure 17

9. Flying snow sweeps the fallen leaves, the left foot is buckled on the east side of the midline, and the body turns sideways. The right foot is lifted on the inside of the left leg to the south, the right sword is inclined to the lower right, and the right rear is lower visually. Figures 18 and 19

65438+ Figure 2 0

1 1. Step on the northeast with your left foot and slightly span between the center line and the outside line, and stand upside down to the southeast. The right foot is retracted with imaginary right steps, the tip of the sword is slightly tilted to the right, and the right foot moves to the lateral line of China and foreign countries. The left foot falls on the west side of the right foot, standing in a north position, with the right hand everted and the palm facing upwards, so that the tip of the sword is higher than the hand in the northeast direction. Figure 2 1

12. Oolong swings his left foot to the north, steps on the inside of the center line, turns sideways, retreats his right foot to the northwest of his left foot, and the inside line lunges to the southeast. The right-handed sword turns from the lower left to the upper southeast, with the tip higher than the head. Visually inspect the tip of the sword. Figure 22

13 The king of Qin moved back to the right with his whip, his right leg slightly flexed, his left foot raised on the inside of his right leg, his toes stepped forward, and his right hand led to the northwest, facing southwest and looking at the right northwest. Figure 23

14, Jinlong wraps his left foot around his waist, puts it on the center line, and turns left. At the same time, his right foot swept to the outside line and lunged northeast to the right. At the same time, raise your wrist with your right hand, lift your sword horizontally for half a circle, the sword is flat with your chest, the tip of your sword faces northeast, and look forward. Figure 24

15, hanging on the moon in the sky, the center of gravity moves to the knees of the right leg, the left foot moves slightly south to show the left imaginary step, and at the same time, the sword is twisted over the air and faces southeast. Figure 25

16. The center of gravity of scarab moves to its left foot and takes off. At the same time, the right foot enters the inside line to the left, and the right hand raises the sword and returns to the front of the right rib. The left foot falls on the inside of the inside line and moves one step to the right, and the right sword leans against the southwest and faces southeast. Figure 26, 27

17, at the beginning of the day, the right foot moved slightly, and the left-footed person turned right and west with a right imaginary step. The right-handed sword swings horizontally from left to right, with both hands symmetrically placed on both sides of the waist, and the tip of the sword is at the same height as the throat. Figure 28, 29

18, Dapeng Mokong entered the horizontal center line with his right foot in the west. After his left foot was inserted into his right foot, he pulled up the overpass at the right front and cut off his right hand. His left foot was pushed up to the left, his right heel was lifted, and his body turned to the southeast. Hold the sword upside down with your right hand at the right rear of your right leg, shift your center of gravity to your left foot and take off. Your body rotates in the air, your right foot goes east, and your left foot goes west. Your sword is raised in the right front figure 30,31

19, the center of gravity of the outer headland sinks by a right imaginary step, and the right hand rotates outward to stir the sword counterclockwise, then the headland turns to the left and then to the right, north and west. Figure 32