The longest day in Chang 'an women's wear is a treasure flower. How to use the grass pattern?

The open and diverse cultural environment in the Tang Dynasty made its costume patterns colorful. The costume patterns in the Tang Dynasty not only inherited the costume patterns of the previous generation, but also integrated the pattern characteristics of various ethnic minorities in cultural exchanges. Flower patterns and animal patterns were widely used in the Tang Dynasty. Julian pattern, Tuan Zhen pattern, Bao Xiang pattern, loose pattern, Julian Tuan Zhen pattern and Cao Juan pattern frequently appeared in women's wear in Tang Dynasty. The longest day in "Chang 'an Women's Skirt" mostly uses precious flowers and grass patterns.

First, the phase mode

As one of the traditional flower patterns in China, Bao Wen has a beautiful auspicious meaning. Its patterns are mainly rotated and deformed by some common patterns. The smaller the rotation angle, the richer and finer the pattern structure. The simplest treasure pattern is an eight-petal treasure pattern with a "m" shape, which is formed by rotating a four-petal painting with a "cross", some of which contract inward and some radiate outward. On the whole, it presents rich and full characteristics and is unique. 1968 The pattern on the precious flower brocade shoes unearthed from Astana tomb in Turpan, Xinjiang, is a popular precious flower pattern in the Tang Dynasty. In The Longest Day of Chang 'an Women's Wear, the treasure pattern is frequently used, especially the "rice" treasure pattern scattered on the skirt during Xu's performance, which is more abundant when paired with Feng Huangwen. The precious floral patterns and phoenix patterns on the skirt worn by Xu refer to the clothing patterns worn by the customers of the murals in Cave 98 of Mogao Grottoes to a great extent.

Second, the rolling grass pattern

Curled grass pattern is one of the traditional fabric patterns in China. Because it was popular in the Tang Dynasty, it is also called Tang grass pattern. In the Tang Dynasty, the grass scroll pattern mostly refers to the branches and leaves of peony flowers, which makes the leaves curl into an "S" shape with the veins. Its structure is smooth, spreading continuously, full of integrity, brilliance and vitality, which embodies the exquisite pattern style of Fu Lihua in Tang Dynasty. Straw roll pattern is widely used in clothing because of its decoration. In the dance screen unearthed from No.230 tomb in Astana, Turpan, Xinjiang, the pattern on the half arm painted by maiko is grass scroll. In the play, the pattern on Tan Qi's dark green Khufu's collar is a grass scroll pattern, which is more exotic than Khufu's.