What are the classic cross talks in Degang Guo?

Degang Guo's classic crosstalk is as follows:

1. Now referring to Degang Guo's most classic works, the first thing that most viewers think of is "On the Status Quo of Crosstalk in Fifty Years". Why? Because this work embodies Degang Guo's initial sense of mission to crosstalk art, he is really afraid that crosstalk will end, so he reveals the embarrassing situation of crosstalk industry with extremely spicy language, satirizes the ugly faces of many practitioners and shows the ugliest side of this industry to the audience; In doing so, he didn't want to nail crosstalk completely on the shame column, but wanted to wake up a group of people, spur a group of people, and drive a group of people to really take crosstalk to the right path.

2. Degang Guo's crosstalk is very interesting. Will there be a tragedy? In fact, many works are comedies from the perspective of the audience, but tragedies from the perspective of the actors. For example, Degang Guo's classic "My Life", the main content is about his past tragic life experience, learning nothing and doing nothing; Thirteen years in primary school and nine years in junior high school; It is extremely unreliable to finally get an appointment with someone. The family moved without even telling the new address, and finally ended in suicide. It's really sad.

3. The most classic work adapted by Degang Guo is Xizhengmeng, and the template for its adaptation is Shooting the White Wolf. As a matter of fact, the traditional crosstalk of "White Wolf" was almost lost before Degang Guo adapted it. Only individual actors such as Bai Quanfu in Tianjin still remember the general outline, which is equivalent to a copy. Without Degang Guo's second adaptation, this work would surely disappear now.

4. I believe most people have heard of Degang Guo's "Learning Radio", in which the classic line "Sister Wang, what should I do if I get pregnant unexpectedly? The sentence "Looking for the director of the big iron bar hospital, having surgery today and going to work tomorrow" is widely circulated and has become one of the symbolic burdens of Degang Guo. In addition, the classic burden in this work is the Xihe drum version of Forgetting Water; No sooner had I taken off my cotton trousers than Miss Chun came and so on.

5. Finally, I want to mention the work "I want to cross", which is the last work that Degang Guo has created so far with both the main story and the internal logic, and it is also an epoch-making work, which has drawn a perfect full stop for his creative career.