Poems about ancient stories

1. Ancient Poems about Mythological Stories

Chang'e (Tang) Li Shangyin

The candle shadow of the mica screen is deep, and the long river is gradually falling and the dawn star is sinking.

Chang'e should regret stealing the elixir, the blue sea and the blue sky at night.

Read the Classic of Mountains and Seas by Tao Yuanming [Jin]

The spirit guards have a slight wood and will fill the ocean.

The sky is a place where we dance, and the will to be strong is always there.

The same thing has no worries, no regrets.

We have set our hearts on the past, but how can we wait for the good time?

Autumn Evening

-- The silver candle and the autumn light are cold on the painting screen, and the small fan is light to catch the fireflies. The night is as cool as water on the heavenly steps, and I sit and watch the Altair and the Weaving Maiden.

Li Diploma Konghouquan

Li He of the Tang Dynasty

Wu Si Shu Tong Zhang Gaoqiu, the empty mountain condensation cloud decadence does not flow.

Jiang E cries bamboo and vegetative sorrow, Li Diploma of China to play Konghou.

Kunshan jade broken phoenix call, hibiscus weeping dew fragrant orchid smile.

The twelve gates of the city are filled with cold light, and the twenty-three filaments of the city are moved by the purple Emperor.

The Nvwa stone is the place to mend the sky, the stone breaks the sky to tease the autumn rain.

Dreaming into the sacred mountain, I taught the divine crone, and the old fish jumped into the waves and danced with the thin scales.

Wu Qi is a sleepless man leaning on the laurel tree, and his feet are wet with dew.

One of the Ten Cantos of the Song of Kui Zhou

Dufu of the Tang Dynasty

The mountains of Batong in the east of Zhongba, where the river opens up and flows between them.

Baidi is the town of the Three Gorges, and Kui Zhou is more dangerous than the Bailuanguan Pass.

The Two Cliffs of Qutang

Du Fu of the Tang Dynasty

Where are the Three Gorges, and the Two Cliffs?

The two cliffs are the most powerful in the world.

The beard of the legendary Carambola is ancient, and the cave of the dragon is a place of honor.

The winter of Xixihe is near, and I am afraid that the car will turn over in the sun.

Wushan Mountain

Chen Tao of the Tang Dynasty

Twelve branches of the Jade Peak and the green clouds, the Golden Mother and the clouds give Yao Ji.

Flower Palace Lei heap Chu Palace outside, Lixian eight-sided star hanging.

The show has no equal and complains about the Three Gorges, the spring wind a few dreams of Xiang Wang hunting.

The green luan is not lazy to blow, the bamboo inscription poem sent to the river concubine.

The air is floating in the air, and the mossy clothes are in the air, and the red clouds are in the air.

The white emperor covered up the green trivial when he returned, and the Qiongzhi grass was left in the Hunan smoke.

2. Words

Nian Nujiao

Song Cao Guan

The three gorges of Sichuan River, there are high Tang wonders, the gods and immortals.

Boulders and rocks in the northwest facing the water, the waves roar the sound of anger.

Twelve spiritual peaks, cloud steps and moon land, there are Wushan female.

The world's most beautiful city is the city of the clouds and the rain.

We can laugh at the Chu State Huaixiang, divided into strict father and son, Hu Ran no degree.

All the dreams and fantasies are lost, and we should feel the spirits and devils, which we have encountered in the past.

The fairies are ashamed to ask for a matchmaker, but the gods are so pure that they can't afford to be slandered.

The evils of Fengjun are so despicable that Song Yu's words and phrases are not worth mentioning.

The Zhuang Sheng Xiaomeng is a dream of butterflies, and the Emperor's heart of spring is a cuckoo

The Zhuang Sheng is a dream of butterflies and the Emperor's heart of spring is a cuckoo.

The Zhuang Sheng Xiaomeng is obsessed with butterflies, and the hope of the emperor's heart is in the azalea.

The moon on the Canghai Sea has tears in its eyes, and the sun on the blue field has smoke in its eyes.

This love can wait to be a memory, but at that time it was already lost. The moon in the ocean has tears in its eyes, and the warmth of the blue sky gives rise to smoke." The two lines of the jaw and neck are based on the word "think" in the first line of the poem, and the poet laments the abandonment of his talent and hurts himself. For Li Shangyin, the past is unbearable to look back, young and talented, but involved in the political whirlpool of the late Tang Dynasty in the dilemma, unrecognized talent and led to a lifetime of scribbling and inactivity, his beloved wife died in the early years of life, now only leaving the poet himself in the lonely and desolate reminiscence of the past. In the fourth line, the poet's feelings are expressed in objects, which are "butterflies" and "azaleas", and "dreams" and "spring". The neck couplet is a scene from the past, and it is a scene from the past. The neck line borrows a scene to write about the sadness of "tears in the ocean" and "smoke in the jade" with the scene of "moonlight in the sea" and "warmth in the blue field". "The moon is full, the moon is full, and the moon is full. The myth says that the moon is full and the pearl is round, but the Canghai Pearl under the moonlight night still has tears, in the boundless sea, each pearl is a tear spot, Lantian Mountain produces beautiful jade, there is jade where the smoke and haze, and people only see the smoke and haze in the mountains, I do not know where the jade, beautiful jade as the Canghai Pearl as no one appreciates it.

3. Stories, Poems, Quotations

The Traveler's Song of Meng Jiao

The thread in the hands of a loving mother, the clothes on the body of the traveler.

The thread is in the hands of a loving mother, and the clothes are on the body of a wandering son.

Who says that the heart of an inch of grass is the same as that of three spring sunshine.

The first time I saw a man in the world, I was so happy to see him, and he was so happy to see me. The first time I saw him, I was so happy to see him, and he was so happy to see me.

The first is a poem that was written by a man of the same name, and the second is a poem that was written by a man of the same name. The first is to be a good example of this.

It is clear that the immortal book is listed in the Qingxu, and it is the first time that the dan has been returned.

It is clear that there is nothing wrong with this.

It's a shame that Jibu made a promise of a thousand pieces of gold, but Liu Hong was unable to fulfill his promise of a single piece of paper.

But the story is still alive and well, and I don't know how it will be.

The first time I saw this is when I was a student at the University of California, Berkeley, and I was a student at the University of California, Berkeley. The first is the one in which the man who is the most important of all, the man who is the most important of all, is the man who is the most important of all.

The first recommendation was a special gift, and the whole family lived near the seal. The first time I saw him, I was in the middle of a movie, and he was in the middle of a movie, and he was in the middle of a movie.

The first time I saw this, I was in the middle of a mountain, and I was in the middle of a river. The first time I saw this was when I was a student at the University of California, Berkeley, and the second time I was a student at the University of California, Berkeley.

The first time I saw this, I was in a state of shock. The first time I saw this is when I was a kid, and I was a kid, and I was a kid.

The snow of Sichuan is with the monks, and the smoke of Thorny Mountain is with the geese. The first time I saw this was when I was a student at the University of California, Berkeley, and the second time I was a student at the University of California, Berkeley.

Although it is late in the day, I am not willing to be lazy in my poetry. The first time I saw it, I was in the middle of a long journey, and I was in the middle of a long journey.

The first time I saw this, I was in the middle of a journey, and the second time I was in the middle of a journey, I was in the middle of a journey.

Thanksgiving book matter sent on the set of Yi Situ Xianggong Li Dong

Jixue peak west encounter award said, half of the family cold bones from the gully carcass.

The scholar of Zhenshi returned to the mirror of man, and the kind relative who repaid his kindness lit the Buddha's lamp.

The battle-axe has already been heard of, and the river is clear.

The first of these is the Touyan Pavilion, and it is still in Zhongnan, full of Duling.

The day I left Que, I was grateful to Li Jianxun

Two years ago, I was in the middle of the stage, and I was glad that I was able to return to the south and quit.

I am not sure if I will be able to get a good deal of money from the government.

I don't know how to repay the favor of heaven and earth, but I can't think of anything else.

The sun is setting, and the distant waves are soaring like moss.

The line to the Yanzhou Shouchang county line to ask for permission to be exempted from the play is still except the official thanksgiving Lu You

Dawn passes the ruler one to the village of the river, to pay tribute to the coat stained tear marks.

I dare not hate the imperial city as far away as the sun, happy to hear the language of the sky like spring temperature.

The first time I saw this, I was in the middle of a long journey, and the second time I was in the middle of a long journey, I was in the middle of a long journey.

The Holy Spirit's favor is so deep that I can't repay it, but I'm looking at the door from the end of the day.

4. Seek to describe the ancient beautiful love story of the famous lines.

-Wang Changling Changxin Autumn Lyrics Five, Heaven and Earth are united, but dare to break with the king.

- Zhuo Wenjun White Headed Songs for Husband and Wife, Love Without Doubt. -Su Wu Staying away from his wife, he only opens his eyes for the rest of the night, and repays the unspread eyebrows of his life.

-Yuan Zhen, the second song of the dispensation of sadness from now on, no heart to love the good night, let it bright moon down the west tower.

- Li Yi Write love star sinking to the bottom of the sea when the window to see, rain over the source of the river across the seat to see.

- Li Shangyin Bicheng Three Songs I hate to find the fragrance to have been late, in previous years have seen not yet opened. -Du Mu, disappointed with the parting poem, the belt is gradually widening, but not regret, for Yi to consume the people emaciated.

-Liu Yong If two loves are long-lasting, is it not in the morning and the evening. -Qin Guan (秦观) The Magpie Bridge Immortal (鹊桥仙) asks what love is in the world, and teaches us to love each other in life and death.

-Yuan Hao Wen Yanqiu lyrics.

5. Poems Containing Allusions

The use of allusions in poems refers to the borrowing of historical stories or stories of gods and goddesses to express emotions in poems. There is another way of saying that borrowing or illuminating the best lines of poetry and literature of the predecessors to express emotions is also called using allusions. As a result, some poets use a lot of allusions and pile up allusions. So a kind of heap of allusions was formed. Piling up allusions is very puzzling, some people say that this is not a good practice, is to deliberately show off the profundity.

In fact, it is not quite true.

Xin Qiji's words, the use of allusion is the most.

He Xinlang ---- green trees listen to shrike, more than that, partridge sound live, cuckoo sound cut! Crowing to the spring return to no place to find, bitter hate Fangfei are resting, counting not against the human parting, immediately pipa Guansai black, more long door Cui chu resigned from the Golden Que, look at Yan Yan, send back to the concubines. The general's name is broken in a hundred battles, to the river and Liang, turning back ten thousand miles, the deceased often end. Yi Shui Xiao xiao west wind cold, full of clothes like snow, is a strong man's sad song is not complete. Crowing birds still know such hatred, I do not cry tears often cry blood. Who **** me, drunken moon.

A *** with seven allusions.

1, "immediately pipa Guansai black" ----- Wang Zhaojun married Xiong Nu peace allusion.

2, "more Changmen Cui chu resigned Jinque-"------ Han Wu Di's empress Chen Ajiao was knocked into the Palace of Changmen allusion.

3. "Look at Yan Yan, send back the concubine"-------- Allusion to Zhuang Jiang, Empress of Wei. Poetry. Yan Yan"

4. "Generals in a hundred battles ---- the old man often end"----- allusion to the Western Han general Li Ling and Su Wu.

5. "Yi Shui Xiao Xiao ---- sad song not yet complete" ------ Jing Ke assassinate Qin allusion. Historical Records

6. "Crowing birds still ----- often cry blood"------ allusion to the death of Shu Emperor Du Yu turned into a cuckoo crying blood.

7, "Who **** me, *** bright moon" ----- with Li Bai "Spring Night Yanyan Peach and Lee Garden Preface", "Gift to Meng Haoran" poetic meaning.

Ancient poets who write poems with a lot of people, can not be listed here. But in the words, Xin Qiji used the dictionary is the most. You can look up Xin's words.

In addition, it is also very common for Yuan prose to use canon.

6. What are the poems that use allusions

1. "Jin Se" - Li Shangyin, Tang Dynasty

Zhuang Sheng Xiaomeng is obsessed with butterflies, and Wang Di's heart of spring is in the form of a cuckoo.

Translation: Zhuang Zhou actually knew that he was just yearning for the free butterfly, and that the beautiful heart of Emperor Wang Di and his actions could touch the cuckoo.

The allusion is: Zhuang Zhou dreamed that he was transformed into a butterfly, and flew vividly, forgetting that he was "Zhuang Zhou", and then woke up from the dream, he was still Zhuang Zhou, and he did not know where the butterfly had gone.

望帝是传说中周朝末年蜀地的君主，禅位退隐，不幸国亡身死，死后魂化为鸟，暮春啼苦，至于口中流血，其声哀怨凄悲，动人心腑，名为杜鹃。

2, "difficult to travel the road - one" - Tang Dynasty Li Bai

Idle fishing on the Bixi River, suddenly returned to the boat dreaming of the edge of the sun.

Translation: like Lu Shang fishing stream, idle waiting for the east mountain again, Yi Yin boat dream day, hired in the Shang Tang side.

The allusion is that Jiang Taigong Lu Shang once fished on a river gorge in the Wei Shui River, and met King Wen of Zhou, who helped Zhou to destroy the Shang Dynasty. Yi Yin, who dreamed of passing by the sun and moon in a boat, was hired by Shang Tang to help him destroy Xia.

Translation: "I am nostalgic for my old friends and I recite in vain a small song about hearing the flute, but when I return from exile for a long time, I feel that it is not the same as the old time.

Allusion is: "wen flute fu", refers to the Western Jin Dynasty Xiangxiu's "thinking of the old fugue". At the end of the Three Kingdoms Cao Wei, Xiangxiu's friends Jikang and Lv An were killed because they were dissatisfied with the usurpation of power by the Sima clan. Later, Xiang Xiu passed by the old residence of Jikang and Lv An, and heard the neighbors playing the flute, which evoked the nostalgia for the deceased.

"Raggedy Man" refers to Wang Qi, a Jin man. Legend has it that Wang Zhi, a Jin man, went up the mountain to cut firewood and saw two children playing chess, so he stopped to watch. When the game ended, the axe handle in his hand was already rotten. When he returned to his village, he realized that a hundred years had passed and his contemporaries had all died.

4. Jiang Cheng Zi - Mizhou Hunting - Su Shi, Song Dynasty

Holding the festival in the clouds, when will Feng Tang be repatriated?

Translation: To Yunzhong with a talisman conveying an imperial decree, when will someone be sent to the borderland Yunzhong with a talisman, like Emperor Wen of Han sending Feng Tang?

The allusion is: Holding the festival to Yunzhong, referring to the story of Han Wendi and Feng Tang.

The story is that Wei Shang, the governor of Yunzhong, had a good military management, and once the Xiong Nu invaded, he killed a lot of people, but because he reported six more heads, Wei Shang was demoted by Emperor Wen, and Emperor Wen sent Feng Tang to pardon his sins, so that he could be reappointed as the governor of Yunzhong County.

5, "Wild Hope" - Wang Jie, Tang Dynasty

We do not know each other, and we are singing a song.

The allusion is: according to legend, after King Wu of Zhou destroyed the Shang Dynasty, Bo Yi and Shu Qi were unwilling to be Zhou's subjects, and they died of starvation after collecting meadows and eating on Shouyang Mountain.

7. Ancient Poetry with Historical Stories

Jing Ke stabbed the Qin Jing Ke (????) is said to have been a member of the Qi family.

He liked reading and fencing, and lobbied Yuanjun of Wei, but was not used. In the sixth year of Qin Wangzheng's reign (241 years ago), Qin took Puyang, Wei (now southwest of Puyang, Henan Province), as the seat of the Qin East County, and moved Yuanjun, Wei, to Nuwang (now Uyang, Henan Province) to become a vassal of Qin.

Jing Ke then traveled to the four corners of the world and met many great men and women. In Yuji, he discussed swordsmanship with Gai Nie, and when words fell apart, Gai Nie looked at him angrily, and he left.

In Handan, he played chess and gambled with Lu Juguan, who rebuked him, but he ignored him and left quietly. Later, Jing Ke came to Yan and made friends with the local dog butcher and Gao Jianli, who was good at building.

Jing Ke liked to drink, and he drank all day long in the market with Dog Butcher and Gao Jianli, and then Gao Jianli beat the drums, and he sang along with the music, and cried when he sang. Tian Guang also became close friends with Jing Ke and knew that he was not an idle man.

Tian Guang decided to use his own life to inspire Jing Ke to serve Crown Prince Dan, and told Jing Ke about recommending him to Crown Prince Dan, and hoped that he would come to the Crown Prince's palace very soon, and after that, he killed himself. Jing Ke met Prince Dan and told him that Tian Guang was dead.

Prince Dan knelt down again and again, in tears and regret. Prince Dan said to Jing Ke, "The king of Qin is greedy to annex all the lands of the world and subjugate the people of the sea.

Now, Qin has destroyed Korea, and is attacking Chu in the south and Zhao in the north. Zhao can't support it and will surely surrender to Qin, and Yan will be next.

Yan is a weak state with a small population, so it is no match for Qin. The Qin king's fear of the vassal states has prevented them from combining their forces.

In my private opinion, it would be best if a warrior could go to Qin, and with a lot of money, take the king hostage and force him to return all the land to the vassals. If this is not possible, simply kill him, and then take advantage of his internal turmoil, and the vassals will be able to defeat the Qin people by combining their forces.

But I still don't know who is the right person to send, so please ask Jing Ke to keep an eye out for me." Jing Ke thought about it for a while and replied, "This is an important state matter, and I am afraid that I am too incompetent to fulfill the task.

" Prince Dan bowed hastily and asked him again not to refuse.

In the 19th year of Qin's reign (228 BC), Qin's general Wang Jian led his troops to break through Handan and captured Zhao Wang Qian, and then marched north to the Yishui River to prepare for the attack on Yan. The first thing I want to do is to get my hands on a new pair of shoes, and then I'm going to go back to my old one.

Jing Ke said, "If you want to go to Qin, you have to have a token, otherwise the king won't believe you. The king of Qin has offered a reward for the capture of General Fan with a thousand kilograms of gold and ten thousand houses of Eup, and he wants to give me the head of General Fan and a map of the Yan State, which he will take and offer to the king of Qin, who will be happy to receive me, so that I can realize my plan.

" Prince Dan said, "General Fan has come to me in a time of danger, I cannot bear to kill him, please think of another way." When Jing Ke saw this, he went to see Fan Yuqi by himself, and said, "The Qin state is also too cruel, killing all the general's parents and clansmen, and begging for the general's head with a great amount of money. Fan Yuqi looked up to the sky and sighed long and hard, and said with tears in his eyes, "I hate the king of Qin so much, but I don't know what to do.

" Jing Ke then said, "I have a way to avenge the king's death and relieve the Yan state of its troubles. "What is it?"

What does the general think?" Knowing that his revenge can be avenged, Fan Yuqi resolutely killed himself. When Prince Dan heard the news, he rushed here, cried over the corpse, and then put Fan Yuzhi's head into a box.

Jing Ke took a dagger coated with a highly poisonous drug, and with Qin Maoyang, a warrior who had been killing people since he was thirteen years old, as his deputy, he set out from Jidu (present-day Beijing). Prince Dan and his guests wore white to see him off.

When they arrived at the edge of the Yishui River and sacrificed to the god of the road, they were about to embark on their journey, when Gao Jianli struck the building and Jing Ke sang the song of the change of journey with the sound of the building, and the people were all in tears and pain. Jing Ke sang: "wind Xiao Xiao Ruoxi easy water cold, strong man a go Ruoxi not to return ......" The musical tone from the mournful to sad, send off the people are angry hair, blood boiling.

Jing Ke resolutely boarded the car to go west. After arriving at Qin, Jing Ke gave Meng Jia, the king's favorite minister, a generous gift of a thousand gold, and asked him to report to the king the news that the Yan envoys had come to present the head of Fan Yuqi and the map of Ducang.

The king of Qin was so pleased with the news that he put on his court dress and set up nine guests to receive the Yan envoy at the Xianyang Palace. Jing Ke walked in with a box containing the head of Fan Yuqi, and Qin Maoyang with a box containing the map.

In front of the palace steps, Qin Maoyang suddenly changed his face in fear, and the ministers were surprised. Jing Ke looked at Qin Maoyang with a smile and said, "The northern barbarian villain has never seen the Son of Heaven before, so he is afraid.

I beg the king's forgiveness." The King of Qin said to Jing Ke, "Bring the map that Qin Maoyang is holding.

" Jing Ke delivered the map, and when the king opened it, a dagger was revealed. Jing Ke grabbed the king's sleeve with his left hand, and with his right hand, he took the dagger and stabbed the king in the chest.

The King of Qin was startled and stood up, breaking his sleeve. The king of Qin tried to pull out the sword, the sword was too long and hard, and he could not pull it out at once.

Jing Ke chased and stabbed the king of Qin, who ran around the pillar. The ministers were all stunned for a moment and did not know what to do, and the guards with weapons Langzhong are all in the temple, can not go to the temple without an edict.

The situation was so sudden that it was too late to summon the grooms to the palace, so Jing Ke was still chasing the king. Xia Wou and the doctor was the first to come to his senses, lifting the medicine bag in his hand and smashing it at Jing Ke, while the others shouted, "The king is carrying his sword! The King of Qin violently turned his sword behind his back, drew it and cut off Jing Ke's left leg.

Jing Ke knelt on the ground and threw his dagger hard at the King of Qin. The King of Qin dodged and the dagger embedded itself in the bronze pillar.

The king cut Jing Ke eight times. Jing Ke leaned on the pillar and laughed, saying, "The reason why I did not succeed is that I wanted to capture you alive in order to force you to return the land of your vassals.

"The langzhongs rushed to the palace and killed Jing Ke. In anger, Qin Wangzheng issued an edict to increase the army and send generals under the command of Wang Jian to attack Yan.

In the twenty-first year (226 BC), the capital of Yan, Ji, was conquered, and the king of Yan and Prince Dan retreated to Liaodong, pursued by the Qin general Li Xin. King Jia, the acting king, sent a letter to King Xi of Yan, saying, "The reason why the Qin army pursues so closely is that they want to get Crown Prince Dan.

If the king can kill Crown Prince Dan and offer him to the king of Qin, the state of Yan can be preserved." Crown Prince Dan.

8. Seek poems about ancient folklore

A long way to the Altair star, a bright river girl.

The slender hand that touches the loom.

The day is over, and the weeping and the sniffing are like rain.

The river is clear and shallow.

The water is full of water, and I can't say anything about it.

Autumn Sunset (Tang) Du Mu

The red candles and the autumn light are cold on the painting screen, and the small fan is light to catch the fireflies.

The night is as cool as water on the heavenly steps, and I sit and watch the star of the Altair and the Weaving Maiden.

The Magpie Bridge Immortal (Song) Qin Guan

The slender clouds are delicate, and the flying stars transmit hate.

The first time they met, they were better than the rest of the world.

The softness of the water is like water, and the good time is like a dream, so I can't bear to look at the magpie bridge and return to the road.

If the love is long lasting, it is not in the morning and evening.

Although it's not a fairy, it's not a fairy, it's a fairy, it's a fairy.

A cry can teach the collapse of the Great Wall.

Fa Hai's bowl to suppress the demons,

Hsu Hsien's mistake of drinking wine before the shock,

Xiao Qing's protection of the Lord to give up his life,

mother White Snake a thousand years of locks.

The old dream of the old man has been turned into a sad one.

Why is love not a breeze? The first thing you need to do is to get your hands dirty.

It's hard to get through the thunder pools, and I don't think you'll ever see it again, because it's so cold and the sand is so cold.

How many sorrowful strings are there? The first thing you need to do is to get your hands dirty.

9. Stories about ancient poems

The title of the city of South Village Cui Gu last year today in this door, the face of the peach blossoms reflect each other red.

The face of the people only now where to go, the peach blossom is still laughing at the spring breeze. Cui Gu, a native of Boling (county in Ding County, Hebei Province) in the Tang Dynasty, was a scholar of Zhenyuan, and an official minister of the Lingnan Festival.

Cui Gu's poem is simple, natural and understandable, and has been recited for hundreds of years, and the phrase "peach blossom on the face of a man" has been widely quoted as an allusion and idiom. This poem has a legendary ability, which has been recorded in the Tang Poetry Chronicle and the Poetry of the Functions.

Tang Poetry Chronicle contains this poem ability to cloud: "Protecting the failed bachelor's degree, Qingming solo tour south of the city, the village residence, flowers and trees. The door was closed for a long time, and a woman asked the question from the doorway.

Said: 'Looking for spring traveling alone, wine thirst for drinking.' The woman opened the door, to the pot of water to.

Alone leaning on a small peach slanting Ko stand, and the intention is very thick. The first time I saw this is when I was a little girl, and it was a little girl, and I was a little girl.

After never come back.

He wrote a poem entitled 'Last Year Today at this Door' on the left title of the bibimbap.

Perhaps there was a poem first, and then according to the perfume into the above "ability", is not impossible.

It is not impossible that the poem came first, and then it was perfomed into the "skill" mentioned above. However, regardless of whether this "skill" is true or false, there are two things that seem to be conclusive, that is, the poem has a plot, and the second is that this "skill" is helpful to the understanding of the poem.

Cui Gu's poem, the whole of which is about the feeling of the past and the present, contains only four lines, one before and one after the two things are not in sight, but also interdependent, interactive contrasting scenes. The poem's feeling of the present and the past is aroused from the memory of a young girl who was beautiful and pretty as peach blossom, whom he saw at first sight and then left in a whirlwind. Thinking of the past from the present, the poem utilizes the technique of retrospection by writing "last year" first, which gives rise to the first scene of the spring encounter--"Last year today in this door".

"Last year", "this door" point out the time and place, said very sure, no ambiguity, can be seen to recognize the image of the deep, the memory of the exact. At that time, "this door" was spring breeze, peach blossom, stood a beautiful girl, its face and peach blossom interactive reflection, really beautiful.

Here the poet did not directly describe the peach blossom and the beauty of the woman, but to seize the "spring encounter" in the whole process of the most beautiful and touching scene, only with the "reflecting the red" three words a little bit, and then put the face of the flowers and the light of the interactive reflection, each other as a companion and competing for supremacy. The beautiful scene of the competition between the face and the flowers is vividly sketched out. "Peach blossom faces reflect each other red", not only for the colorful peach blossom "face" set a beautiful background, set off the girl's radiant face, but also implicitly expressed the poet's fascination with the eye, the intention to capture the love of the situation and the two sides of the pulse of love, the scene of the unspoken words.

This is a very good idea.

Through this touching scene, which inspires the reader to before and after the love affair of many beautiful imagination, leaving the reader a broad space for imagination. The flower is a metaphor for a beautiful woman, which has been used for a long time and has become a common practice.

But the poem has a few differences, one is that the poet did not directly to describe the peach blossom is how colorful and the girl is how beautiful and beautiful, but only with everyone is familiar with the gorgeous peach blossom as a contrast, with the "reflecting red" indirectly to set off the girl's beautiful image of the scenery and the people are well melted together; second, the poem Fu wrote the story of the girl's life, the girl's beauty and the scene. The second is that this poem is written in front of the actual scene, the so-called "local scenery, hand in hand". The poet could have continued to write about the scene of last year's encounter, but he didn't. Instead, he went straight to "today".

And so the second scene is sketched out: the search is not met.

This is the second scene in the book: the search for the girl who was not found.

It is still the season of spring, the season of flowers, flowers and trees, Peach Ke covered portal, however, so that all the colorful and the peach blossom "reflecting the red" of the beautiful "human face" but do not know "Where to go", the only remaining peach blossom tree is still in the spring breeze, condensing love with a smile. Peach blossom in the spring breeze still smiling, more evoked the poet on the "last year" "face of the peach blossom red" thoughts and pity, so that the poet's return to his hometown feel incomparable disappointment and despair.

Imagine, last year today, the unexpected girl stood under the peach blossom tree staring smile, pulse, and peach blossom; and now, people are gone, the peach blossom is still smiling in the spring breeze, which, in addition to evoking fond memories of the past and the good scenery is not always the feeling, but also what can there be? The word "still" implies the poet's infinite disappointment, regret and frustration. The first two lines are from the present to the past, and the second two lines are from the past to the present, and the two lines are similar to each other.

In spite of the drastic change in mood, the tone of the poem is consistent and downward, with no trace of transition.

The main writing technique is to use "reflection and contrast", using "human face" and "peach blossom" as the thread, and "last year" and "last year" and "last year" as the clues to the "peach blossom", and "last year" and "last year" as the clues to the "peach blossom". Last year" and "today" at the same time and the same place, people go to the scene of the reflection of the contrast, the two different travel encounters and feelings, back and forth, the twists and turns of the full expression. The contrasting images play an extremely important role in this poem.

Because it is in the face of the reality of the memories written in the beautiful things that have been lost, so the memories will be particularly precious, beautiful, full of feelings, which is why there is the "face of the peach blossoms reflecting each other red" of the divine depiction; because there is such a beautiful memory, it is particularly feel the loss of the beautiful things of the disappointment, and thus there are It is precisely because of such beautiful memories that I feel particularly disappointed at the loss of beautiful things, and thus have the feeling of "Where does the human face go now, the peach blossom still smiles in the spring breeze". Although this poem has a certain plot or even with some dramatic colors, and there are rich in legendary "ability" records, but it is widely recited, in addition to these and the above language, structure, writing techniques, I think the poem itself expressed a certain experience of life is the most important one of the aspects.

The "ability" of the poem may have contributed to its widespread popularity, but the typical significance of the poem for readers does not lie in the fact that it describes a story that interests people. Readers may not have had a story or encounter similar to the one contained in The Skills, but they may have had a similar life experience, i.e., encountering something beautiful by chance or by accident, and not being able to get it back again when they went after it intentionally.

This is perhaps one of the main reasons why the poem has maintained its enduring artistic vitality over the centuries.

10. Ancient Poetry Stories About 200

Jia Dao of the Tang Dynasty was a famous poet of the Bitter Minstrel School. The Bitter Minstrel School is a school of poets who are willing to go to great lengths to make a line of poetry or a word in a poem. Jia Dao once spent several years making a poem. After the poem was finished, he wept hot tears, not only for joy, but also for heartache. Of course he didn't spend so much effort on every poem he made, if that were the case, he wouldn't have become a poet.

Once, Jia Dao rode a donkey on an official road.

He was pondering a poem called "The Question of Li Ning's Residence", which reads as follows:

I live in a house of leisure with few neighbors,

The grassy path leads to the deserted garden.

Birds sleep in the trees by the pool,

The monk knocked on the door under the moon.

The bridge is a wild color,

The stone is moved to the root of the clouds.

I'm not sure if I'm going to be able to do that, but I'm sure I'm going to be able to do it, and I'm sure I'm going to be able to do it.

But there is one thing he can't decide, and that is, he thinks that in the second sentence, the word "push" should be replaced by "knock" in the phrase "Birds stay in the trees by the poolside, monks push the door under the moon". But he also felt that "knocking" is also a little inappropriate, not as good as "push". I don't know whether "knock" or "push" is better. He was chanting as he pushed and knocked. Unconsciously, riding a donkey into the honor guard of Han Yu (one of the eight greats of the Tang and Song dynasties).

Han Yu asked Jia Dao why he broke into his honor guard. Jia Dao read the poem he made to Han Yu, but he couldn't decide whether it was better to use "push" or ""knock"" in one of the lines. Han Yu listened and said to Jia Dao, "I think it's better to use '敲', even if it's late at night and you're visiting a friend, knocking on the door means that you're a courteous person! Moreover, the word 'knock' makes more noise when the night is quiet and deeper. Besides, it also reads louder," Jia Dao heard and nodded his head in praise. He was not only not punished this time, but also made friends with Han Yu.

From then on, knocking has become a popular word, which is used as a metaphor for doing articles or doing things over and over and over again.