Uzbek folk songs

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The libretto is a multi-section rhythmic poem, each section has four sentences and each sentence has 13 to 16 syllables.

The content is mostly about lamenting the suffering of life, the pain of lost love, or advising people to stop evil and do good, etc.

It is relatively long and has a multi-stage developmental structure.

The first section often has the nature of the beginning, and each subsequent section has a small climax, a middle climax, a big climax, and finally the end.

Each section has four phrases, and each phrase is more than 10 measures long.

The melody is mainly progressive.

It has a strong narrative quality.

The mood starts from deep, gradually turns to excitement, and finally returns to deep and ends.

The whole song has a wide range of sounds, sometimes exceeding two octaves.

The modal structure is dominated by seven tones. The same folk song, or even the same section, often uses various modal and tonal changes. When singing, echo, vibrato, appoggio, portamento and other decorative techniques are often used, and the old and deep timbre is used.

Unique and charming.

It is mainly sung by folk singers Aixileqi or Apizi at various gatherings.

"Yelai" is a kind of Uzbek folk song, also known as "Yelai".

The libretto is a multi-section rhythmic poem, with four sentences in each section, and each sentence has mostly seven syllables.

The content is mainly about expressing love.

The rhythm is clear and the mood is lively, and most of them can be used as accompaniment for dances.

The music structure is short, the range generally does not exceed one octave, and there are many jumps and various syncopated rhythms at the beginning of sentences and at the joints of each phrase.

Often sang at folk gatherings.

The main tracks include "Bostang" (meaning "Oasis") and "Aria" (meaning "Lover").