The influence of the small translation of Father and Son on the traditional culture of China?

The Xiao family in Lanling was a very prominent family in China in the Middle Ages. In the Southern Dynasties, Xiao Daocheng and Xiao Yan successively established the Qi and Liang Dynasties, which promoted the profound changes in the social, political and economic systems at that time. Not only that, this family also accumulated a certain culture, and Xiao's children made achievements in various cultural fields, which had a positive and comprehensive impact on the development and progress of academic culture in the Southern Dynasties.

Mr. Lv Simian once pointed out in "A Study of Confucianism and Metaphysics in the History of the Jin Dynasty and the Southern and Northern Dynasties": "Liang Wudi, Jian Wendi and Yuan Di are the best metaphysicists of emperors." It can be seen that metaphysics is the basic content of Xiao Liang's ideological and cultural field, which deserves attention.

Palace poems flourished in Liang Dynasty, which was closely related to Xiao and his son. During the reign of Liang Wudi, Xiao Yan respected Confucianism and Buddhism, which brought social security. The idea of inclusiveness and "creating new sounds" created a space for the free development of literature at that time, paving the way for the emergence of palace poems. Xiao Tong's literary aesthetics of "enriching the country with things" and enjoying entertainment laid the foundation for the emergence of palace poems from the aesthetic mechanism. The new wave school, represented by Xiao Gang and Xiao Yi, put forward the concept of "literature must be obscene" and established an innovative theory for the content and form of palace poetry. ZSZSZSZ deeply influenced Xiao Tong and Xiao Gang with his own aesthetic taste and creative practice. Under the careful cultivation of Xiao Yan, Xiao Tong and Bachelor of Oriental Palace compiled Selected Works, which had a great and far-reaching influence on later generations. Xiao Yan also influenced Xiao Gang in aesthetic taste and poetry creation, and under the leadership of Xiao Gang, he set off the climax of palace poetry. Therefore, in the process of the transformation from the climax of Yongming poetry to the climax of palace poetry, ZSZSZSZ played a decisive role in connecting the preceding with the following.

Emperor Xiao Yan is a strange historical figure. He was fascinated by Buddhism and even dedicated his life to the temple three times. Some people say that he died because of worshipping Buddha, but he kept the precepts until he died without regret. He has formed an indissoluble bond with Buddhism all his life. During his reign, he overhauled Buddhist temples, extensively shaped Buddha statues, formulated commandments for monks, and debated with those who did not believe in Buddhism. Liang Wudi has unique views on Buddhist classics, especially the Prajna Sutra, and put forward a unique thought of "Buddha-nature as the deity". He made great contributions to the further spread of Buddhism in Han Dynasty.

Although Xiao Yan became a monk, he made great contributions to the revival of Confucianism in the Southern Dynasties. In view of the disadvantages of the Jin Dynasty, Liu Song and Xiao Qi advocated Confucianism and education, which opened the door to Confucianism. However, due to the frequent changes of dynasties, the construction of Confucianism is only a matter of words. After Liang Wudi ascended the throne, he did not abolish Confucianism while worshiping Buddhism, but adopted the policy of integrating the three religions. He believes that although there are differences among the three religions, Buddhism includes Confucianism and Taoism in origin. During Liang Wudi's reign, he worked hard to restore and develop Confucianism.