Tian Qinxin, director of Red Starting Point: What do you think of putting the study of party history on the stage?

202 1 year is the100th anniversary of the founding of China * * * production party. With a firm belief, it is jointly produced by China National Theatre, the propaganda department of Shanghai Songjiang District Federation, the producer of China, Shanghai Songjiang District Cultural and Artistic Heritage Bureau and Shanghai China Grand Theatre Co., Ltd., and jointly performed by China National Theatre and Shangxi Youth Theatre. Tian Qinxin, president of China National Theatre, directed the stage play "Red Starting Point", which was one of the performances of China National Theatre to celebrate the founding of New China for nearly a hundred years. It has been performed at the National Theatre since June 30th.

Based on Ye Yonglie's novel The Starting Point of Red: A Documentary of the Birth of China * * * Production Party, the director adjusted the linear scene scheduling of the original novel and selected 19 19, 1920,192/kloc-0. From June 20438 to February 2020, The Red Starting Point was successfully toured in China Grand Theatre. The first round of provincial tour was completed in the first half of 2020, which was well received by the audience.

On June 30th, the stage play "Red Starting Point" was staged in Beijing. On the same day, Tian Qinxin, president of China National Theatre, said that the release of the stage play "Red Starting Point" on July 1 Sunday was a dramatic performance to present the epoch-making historical moment of Pangu's producer, China and China. "Please put the study of party history on the stage, closely combine it with literary and artistic creation, and give full play to the unique cultural, educational and aesthetic advantages of literary and artistic creation.

Yu Haihong, member of the Standing Committee and Deputy Secretary of Shanghai Luwan District Committee, sent a video to congratulate him. She especially thanked the National Theatre of China for opening the stage play "Red Starting Point" to the audience on July 1 day. Songjiang District of Shanghai is the birthplace of the Party. One hundred years ago, the first grass-roots party organization in China was established in Songjiang District, and the first national congress was held in Songjiang District. Songjiang District is also the birthplace of the Youth League Committee, and it is also the singing place of the International Song March of the Volunteers. Rich red accumulation and colorful performance resources endow the creation of The Red Starting Point with unparalleled standards. "We should make good use of the red resources, renew our red blood for a long time and be an old-timer.

In order to better vividly show the capital content of Ye Yonglie's original novel 46 yuan on the stage, the elite team of the creative staff of the stage play Red Starting Point refers to many valuable historical materials and historical time content, selects the recording skills that closely combine historical time with reality, integrates many valuable historical materials and historical time content, and presents the whole historical time process of the birth of the Shanghai Production Party in China by combining various forms of expression such as poetry, historical time, recording and multimedia system.

Directed by Tian Qinxin, the book pays attention to historical facts with today's aesthetic concept, attaches importance to the depiction of historical time, not only pays attention to the dynamic reform atmosphere, but also pays attention to Pangu's epoch-making historical time analysis and poetic historical layout. In addition, the creative staff of the elite team also brought together many young artists. The young film director, Ou Fan, has several works, and this time he cooperated with the Tian Qinxin film director with great care. Stage art designer Shen Li, lighting designer, Wen Xiaonan, multimedia designer Hu Tianji, pop musician Sun Dawei, fashion designer Wei Wei, product stylist Jiang Heping, body design scheme Xu, etc. Together with the core idea of writing today and the aesthetics of plastic arts, this red theme track shows a dynamic sense of the times.

The stage play Red Starting Point is a new force with a unique stage design style. Stage art design does not pursue the perfect restoration of real-life shooting, but only divides the indoor space of the stage with tables, chairs and benches, reflecting the simple and enjoyable design scheme. More than a dozen electronic display rings of multimedia systems constitute the key visual effect elements on the stage, which present historical time scenes for a while and contrast the feelings of drama performances for a while, giving the audience a novel visual effect feeling. Yellowing visual effect materials are like a long memory of historical time, and artists in action seem to have crossed historical time. The stage elements of diagonal wireframe symbolize the firm belief of revolutionaries, and the stage with red and gray-black as the main colors symbolizes the bright road opened by the party with red as its original intention in the dark natural environment.

Judging from the on-the-spot watching by the reporters of the paper network, the starting point of red can be said to be hot and dynamic, tight and round, very contemporary and very China. The LED big screen mounts the world situation, the life in the concession market is even shaded by willows, and it is raining and snowing. A table with N tables and chairs is basically all the game props on the stage. Traditional French opera has quite a lot of meanings. To put it bluntly, it is "three or four people with a million soldiers, six or seven steps to Qian Shan."

In the stage play Red Starting Point, the artist plays multiple roles at the same time, and plays or shows the actual scene when jumping in and out. Artists use different places of tables and chairs, or stand or sit in a swaying or orderly way, and describe and reproduce this magnificent red historical allusion for the audience in a fiery red way. They often switch between the real identities of historical time commentators and historical celebrities. Pushing the audience to grasp the historical time of the initial stage of the * * * production party in China, China, just like the commentator of the Museum of the History of the Party's Development, showed a vivid "lesson on the history of the Party's development". The audience was impressed by their personal visit to the venue, and at the moment when the connection point was opened at the critical historical time, warm cheers broke out several times.

Energetic artists wear contemporary suits with a sense of new China design, showing the youthful and idealistic appearance of historical celebrities. The background music containing pop music and other elements makes this book full of layers. A guitar ballad "Coming Out" makes people really cry at the end. The stage play "Red Starting Point" is a dialogue between contemporary young people and historical time nearly a hundred years ago, a wave of hands and a sincere spiritual encounter. As Dong Chang, a young actor of China National Theatre, said, "As an artist, I feel honored to be in this drama in such a dignified life as the 0/00th anniversary of the founding of China * * * Production Party. I hope that when this drama is performed, the audience can feel the war youth of 192 1 year. " Earlier, Tian Qinxin, president of China National Theatre and director of Red Starting Point, was interviewed by this newspaper reporter.

Newspapers. Com: Can you tell me in detail which master you are, and have you touched the documentary literature "Red Starting Point"?

Tian Qinxin: In 20 17, I was hospitalized due to illness. During the treatment, I listened to the radio and heard that china national radio played the novel documentary literature "The Red Starting Point" written by Mr. Ye Yonglie, which attracted me and kept listening, and authorized my friend to buy this book for me. During the break, the book was kept at hand. After a friend's detailed introduction, I met Mr. Ye Yonglie in Shanghai and promised him to make this book into a stage play. Unfortunately, Mr. Ye passed away in the first half of last year. ...

Tian Qinxin: China, the production party of China, led the people of China through the growth process of nearly a hundred years, expressing their feelings with bloodshed, perseverance, hardship and tenacious struggle. On the occasion of the party's centenary birthday, as a drama performer, we should use our own words to show the historical period of party building on the stage. This is everyone's cultural and artistic obligation, and it is also the original intention of dedicating their theatrical performances to Red.

Tian Qinxin: The * * * Production Party in China, China is a convention venue in Hongkou District. Yu Haihong, Minister of Propaganda Department of Songjiang District, devoted a lot of energy to this drama, giving you the application of historical materials and specific assistance. In addition, the southern industrial base of the National Theatre is located in Shangxi Youth Theatre, and many young actors of this drama come from here-as described in detail just now, this drama is destined to Shanghai, so everyone distributed the tour performances all over the country in Shanghai, and then toured in coastal areas at the end of last year. On July 1 day, 2020, China China * * * returned to Beijing to perform in the theater of the National Centre for the Performing Arts and meet the Beijing audience.

Tian Qinxin: Is this historical period reflected in the old drama performance procedures? I think independent innovation is necessary. This historical period has been reflected in the past, whether it is drama performance or film and television production, other art schools have experienced a lot. As an artist in the new era, we should dare to respond to the research on the theme of the times and capture the design inspiration of independent innovation, so as to ensure "the portrait, biography and wisdom of the times." So at that time, I considered making the film "Red Starting Point" a director structure method that closely combines nonlinear narrative, political and cultural style and role narrative, and then made corresponding independent innovation in stage presentation. You two film directors and the elite team of directors have written ten drafts, during which they have been constantly scrutinizing and revising.

Tian Qinxin: Writing should either start from the starting point, go back to the scene and talk to the playwright with understanding. I have always believed that in July of 192 1, a group of outstanding young people gathered together in the name of the congress and with the hands of faith to find the development direction of China and made an epoch-making event. Since then, China's reform has taken on a new look. Under the Party's organizational construction, the people of China have found their own way to liberation, prosperity and a strong army. When I am still writing this drama, I will think of the revolutionary ancestors, whether it is "Nan Li (Chen Duxiu, Li Dazhao)" or Chairman Mao who was only 27 years old, including Yang Mingzhai, the first producer of * * * in China. This role is all new to me. Nineteen-year-old Liu Renjing is the youngest member of a congress, and all the members of a congress are only in their twenties. They are all energetic and enterprising young people. So this time, everyone is looking for young actors to interpret the century-old elegance and infinite youth with "youth".

Tian Qinxin: We all expect young actors to use their aura, their spiritual essence and their hearts to interpret and shape a great representative, the producer of that period, instead of completely recovering that period from their looks and clothes. I hope that in today's new era, according to everyone's performance, a large number of today's young people can watch a vivid and lively class on the development history of the party on this stage.

This kind of young artists, in the play, not only means a certain character or a certain role in the characters' short stories, but also means the people of China who didn't want to be oppressed at that time, and means a group of people with passion and classic inspiration for saving the country and the people. At the last moment, they seem to have become themselves again, and they have become a group of college graduates whose age structure is no more than 25 years old on the stage. They have turned to reform.

Tian Qinxin: That's what I thought when I started writing the script, such as my understanding of Shakespeare's Taiwan Edition. Directors of drama performances all over the world have different interpretations and expressions of Shakespeare's words, so I think understanding and expression are very important. China's short stories are beautiful and his keynote works are beautiful. There should not be only one way. Today's high-tech in China is so developed that the digital age has already arrived, which is the same as the times and the people's earthquake. China's Party Construction Army and China's Party Construction Army are epoch-making initiatives. It is not only unique but also the most important to write with today's drama performance consciousness and show it with today's stage way.

One of China's oriental aesthetic wisdom is not only to be similar in shape, but also to be similar in spirit. In the past, my plays were all realistic, but most of them were freehand. This time, I mainly want these young people on the stage to dedicate them to the hot-blooded men in 192 1 China, so that they can wave and collide with each other in a fancy way for nearly a hundred years. At the same time, the spirit of the Chinese nation 192 1 year, which is realized and understood by today's young actors, is passed on to the current young audience, so that we can have a profound understanding when looking back at that period of history and experience the process of that generation of advanced elements looking for a way out together in old China.