The development trend of national dance since 1950s.

In the early 1950s, the construction and development of dance culture was paid attention by the state, which made the development of dance enter a new stage. Dancers in our country collect, excavate, screen and sort out the dances of these local nationalities, and then move these dance elements into the classroom and put them on the stage after artistic processing. In this way, self-entertainment dance has become a professional stage performance form. These folk dances are deeply loved by people because they are more vivid, closer to life and can convey emotions. For example, Yang li Ping's Soul of the Sparrow is a classic of national dance. It breaks away from the usual pattern of describing and reappearing life in national dance, and does not express its activity procedure according to the routine of peacock life. Instead, it mainly grasps the word "emotion" and lets the audience see the "ode to life" created by the choreographer's "dance with heart" through dance.

After entering the 2 1 century, with the rapid development of economy, the development of culture is also very rapid. Especially in this era, everything emphasizes modernization, and dance is no exception. In this era, folk dance seems to be an unearthed cultural relic, which is very old. With the influx of western culture, many western concepts have penetrated into our lives. The situation of worshipping foreign things and flattering foreign countries is becoming more and more serious. Christmas is always more lively than Spring Festival, and Valentine's Day is always more emotional than Tanabata. In the eyes of modern people, China's tradition represents rustic, backward and outdated, and it is an antique. The development of dance is the same, which makes many people feel that national dance is very backward. So in modern times, many of our choreographers are constantly innovating national dances according to the direction of the times. This bold taste is a manifestation of the combination of national dance and modern dance, that is, modern dance elements are integrated into traditional national dance. For example, the work "Love in Kangding" by Sichuan Song and Dance Theatre is a typical example of this kind of work. It combines the basic elements of Tibetan dance with modern modeling, composition, costumes and music, giving people the feeling of "modern Tibetan dance".