In which dynasty did China's painting begin?

Freehand brushwork is the scientific name of Chinese painting. It is a painting method to show the texture of rocks, peaks and bark. Draw the outline first, and then draw with light dry ink. Rocks and peaks are mainly represented by horses, raindrops, cirrus clouds, Jie Suocun, Niu Maocun, hatchet and hatchet. Scales, ropes, crosses and hammers represent the epidermis of trees.

From the landscape painting before Sui and Tang Dynasties to the landscape painting in the Five Dynasties, the painting method experienced a long historical evolution and became an important symbol of the synchronous development with China landscape painting. The Five Dynasties and the Song Dynasty are the peak periods of the development of landscape painting, and also the peak periods of the finalization and development of landscape painting techniques. From "Axe Split" (prototype) and "Horse Split" by Dong Yuan to "Raindrop Split" by Fan Kuan, "Cirrus Split" by Guo, "Axe Split", "Maya Split" and Xia Gui. Since then, the painting techniques in Ming and Qing landscape paintings have been developed and created to varying degrees. Modern landscape painting masters Huang, Li Keran and Fu Baoshi also made new creations on the basis of traditional painting methods. Among them, Fu Baoshi combined his own brushwork on the basis of the traditional "disorderly firewood" and created the famous "bouldering group". These methods have also become valuable wealth in the history of China landscape painting.