Shenyang big rice-planting song has what kind of characteristics?

Shenyang big rice-planting songs, is the Ming and Qing dynasties in the inheritance of the traditional characteristics of the northeast since the Tang dynasty big rice-planting songs and the formation of local vernacular art. At the beginning, it was a minority of idle folk artists performing on the streets to earn a living, and gradually became an entertainment during festivals or temple fairs.

To the early years of the Republic of China, Shenyang rice-planting song art further development. According to documents, at that time, "most of the front guide wearing a leather jacket, diagonally draped with a string of bells, holding a long whip, marching forward to open the way. After the latter for a military officer, boots shoes and robes, satchel knife. Followed by the sand gentleman, Chinese dress, holding a fan. Followed by the old woman, ear wearing red pepper, holding a fan. Following is the clowns and dancers matched with each other, or dozens of ointment sellers after the temple, rows and columns of ring-shaped, intricate songs and dances, interspersed with the section of Chenbai, drums and cymbals, or drums and blowers".

The current Shenyang rice-planting songs, in addition to the inheritance of the Northeast rice-planting songs of the original traditional art forms, styles, has been integrated with the art of stilts in Liaonan, Liaosi, forming a unique rough, bold, fiery, passionate, joyful, strong and free of artistic characteristics and the spirit of the times. For example, in the dance posture, it is beautiful and free, warm and unrestrained, and can be improvised without the constraints of the footwork; the performers can flexibly use the twisting of the waist and hips and the change of the pace, and adopt the ways of walking, shaking, trembling, jumping, prancing, moving, trembling, flashing, etc., as well as the artistic techniques of twisting, teasing, waving, playfulness and comedy, etc., and the performances are free and lively, and they are full of fun, which can not only express the characters of the traditional stories, but also reflect the spirit of the times. At the same time, there are also many folk juggling skills integrated into the performance, such as stilt rice-planting songs, both high, low, cultural, martial arts, running, jumping, etc., and there are "over the street", "inverted climbing city", "floating upside down "and the stars are cupping the moon", "vertical dragonflies" and other difficult actions.