How to classify Chinese paintings according to the use of color?

Green landscape is a unique style of landscape type, in the ancient art of painting occupies an important position, this kind of painting is mainly green color, neat brushwork, fine brushwork and heavy color, strong color, rich in life. Within the outline line with stone green stone green coloring. Strong colors called large green landscape, color lighter called small green landscape, with gold outlines the texture of the rocks, appearing to be rich and magnificent picture, this is called Jinbi landscape.

2, boneless painting

Ink brush outline line called bone method with, not outline line called boneless method, directly with the color of ink for painting. Later on, the boneless method used in landscape painting was applied to painting flowers and birds, without outlining the outline lines, and painting directly with color.

3, ink landscape painting

Ink landscape is the foundation laid by Wang Wei, a great poet of the Tang Dynasty, without the use of color, the ink intensity, dryness and wetness, the performance of the peaks and rocks scenery. Wang Wei was an outstanding poet and landscape painter. He often wrote his landscapes into poems and painted his poems into paintings, and it was said that his poems had paintings in them, and his paintings had poems in them. To the five generations of ink painting and a leap, began to use the chapped performance effect, making the rocks more majestic and magnificent. To the Ming Dynasty Xu Wei's ink splash capitalism in ink painting developed the technique of ink sprinkled on the paper, a few strokes of the painting to achieve the freedom of movement. His painting method had a great influence on Shi Tao and Zhu Da (Bada Shanren) of the Qing Dynasty. Zheng Banqiao of the Qing Dynasty and Qi Baishi of the modern era were all influenced by Xu Wei.

4, rice point landscape painting

Rice point landscape can also be included in the ink landscape, also known as the Mi family landscape Mi Fu ink points out the mountains, with a hazy tone, with thick and light ink, with the obvious and mold lake ink points to show the mountains and rivers scenery. Yuan dynasty Gao Kegong, Fang Congyi painted better. The Ming Dynasty Dong Qichang, Lan Ying have outstanding achievements.

5, ochre ink landscape painting

Ochre is the color of sauce, also known as light red landscape. Huang Gongwang in the Yuan Dynasty created, thin application of color, depicting the scenery of Jiangnan, in order to express the soft scenery, with shallow landscapes. Ming and Qing dynasties more, especially in the Qing dynasty copying the ancient school of painting Huang's landscape painting school more.

6, white painting

Chinese paintings that use lines to represent objects is called "white drawing". There are two kinds of white drawing: single hook and double hook. With a line drawn once called single hook. Single hook with a color of ink hook, but also according to not back to the object with two kinds of ink hook, such as flowers with light ink hook, leaf with thick ink hook. Repeat hook is first completely hooked with light ink, and then according to the specific circumstances of the decision to repeat part or all. Repeat the hook of the line can not be based on the original line stereotypically overlapping hook a line. The purpose of re-hooking is to emphasize the texture and the change of intensity, so that the object appears to be more brilliant. White drawing is the use of line, ink line thickness, thickness, solidity, lightness, rigidity, flexibility, curvature and straightness of the performance techniques. Li Gonglin in the Song Dynasty, wielded the role of ancient traditional painting line drawing, created the white drawing technique. Yuan Dynasty Qian Xuan, Ming Dynasty Chen Hongshou white painting are very successful.

7, finger painting

Finger painting, also known as finger painting, finger painting so far has a history of more than 300 years is a side branch of China's traditional painting. Finger painting, generally do not use or rarely use a brush. The founder of finger painting is Gao Qipei, who was born during the Kangxi period in the early Qing Dynasty. Later, more and more people painted finger paintings, the outstanding achievement of master Pan Tianshou. His finger-painting is profound and profound, with a novel and elegant pattern.

8, boundary painting

In part or most of the painting, using a ruler to draw ink lines composed of paintings. Mainly expresses the solemn and majestic buildings, such as palaces, temples, pavilions, pavilions and so on. The peak was reached by Wei Xian in the Five Dynasties and Guo Zhongshu in the Yuan Dynasty. Yuan Jiang and Yuan Yue in the Qing Dynasty both painted boundary paintings