81.Zhejiang Conservatory of Music Master's Degree Tutor Introduction

Music Exam/Zhejiang Conservatory of Music Exam/Musicology Exam/Uta Education

Wang Tong

Wang Tong, male, Chinese music historian, professor, master's degree tutor of music and dance (Chinese music history). He is a member of the Chinese Musicians Association, a council member of the Chinese Music History Society, a member of the Chinese Music History Society, a vice president of the Sight Singing and Ear Training Teaching Committee of the Chinese Music Education Society, a council member of the Zhejiang Musicians Association, and a director of the Theory Committee of the Zhejiang Musicians Association. He has been engaged in music education for a long time, and has taught music historiography, traditional Chinese music, music theory and sight-singing and ear training, and harmony. He has published dozens of papers in core journals, and is the author of four monographs and textbooks, including "Practical Sight-Singinging and Ear Training Course", and has completed five teaching reforms and scientific research projects at the provincial level and above.

Yang Jiuhua

Yang Jiuhua, male, doctor, professor, master's supervisor, obtained the study abroad fund with excellent results in 1995, and was admitted to the world-famous music academy - Germany Cologne Conservatory of Music (Hochschule für Musik kln), through the rational and wise study, in 1997, he was awarded the honor of being the first professor in the world to be awarded the honor of being the first professor in the world to be awarded the honor of being the first professor in the world. In 2001, he was admitted to Shanghai Conservatory of Music with excellent results to study for the doctoral degree, and during his study, he went to Germany as a senior visiting scholar in 2003 to conduct research in Germany, and with a practical and rigorous attitude, he conducted an in-depth investigation around the relevant research topics based on the literature and historical materials.In 2004, he graduated from Shanghai Conservatory of Music, and was awarded the Doctor of Literature degree. In 2005, Yang Jiuhua created a network of fine courses on Western music history. 1996, Yang Jiuhua began to participate in academic seminars, and during this period, he has participated in many academic exchanges abroad, and in 2003, he even went to Germany as a senior visiting scholar to carry out half a year's academic research work.

Zhu Ningning

Zhu Ningning, female, PhD, professor, master's tutor of western music history and piano performance, teacher of the Department of Musicology of Zhejiang Conservatory of Music, and the second level of the "Provincial 151 Talent Project". Her academic research mainly focuses on western music and piano teaching, especially on contemporary western musicological theory, representative composers and works. She has been in charge of the key projects of Philosophy and Social Science Planning of Zhejiang Province and the Teaching Reform Project of Zhejiang Higher Education. Undertake the project of Humanities and Social Sciences Research Planning Fund of the Ministry of Education, and the key projects of Humanities and Social Sciences Key Research Bases of Zhejiang Universities and Colleges. He is also the director of the National Innovation and Entrepreneurship Program for College Students.

Meng Fanyu

Meng Fanyu, male, professor, postdoctoral fellow, master's supervisor. He is mainly engaged in the teaching and research of music anthropology (ethnomusicology), traditional Chinese music, music pedagogy, and sight-singing and ear training. He was the dean of the School of Music of Huaibei Normal University, and now teaches at Zhejiang Conservatory of Music, where he was nominated for the National Outstanding Doctoral Dissertation Award in 2009, and received the Special Grant from China Postdoctoral Science Fund, and was awarded the First Prize of Scientific Research Achievements of Universities and Colleges of Zhejiang Province for two consecutive years in 2008 and 2009, and received the "Li Shutong Artistic Achievement Award" in 2009. In 2009, he was awarded the "Li Shutong Artistic Achievement Award".

Lin Lin

Lin Lin, male, postgraduate tutor, professor, serves as the secretary-general and executive director of China Manchu Music and Dance Research Association. His representative papers include: "An Introduction to the Chinese Traditional Seven-Tone "Scale"" (Chinese Music, 2004, No.1); "An Analysis of the Relationship between Liaoning Drum Music's "Han Qu" and Tang Dynasty's Great Songs" (New Sounds of the House of Music, 2004, No.1); "Ethnomusicology from the Perspective of Northeast and Central Plains Music The Artistic Characteristics of Liaoning Drum Music's Hanqu Songs" (Lefu Xinsheng, No.2, 2006); "The Artistic Characteristics of Liaoning Drum Music's Hanqu Songs" (Lefu Xinsheng, No.1, 2006); "A New Perspective on the Study of Ethnic Folk Music" (Bianiannian Literature Record - Music Communication and Resources***); "The New Perspective on the Study of Ethnic Folk Music" (Biannian Literature Record - Music Communication and Resources***). -Music Dissemination and Resource *** Enjoyment Exploration of New" (Popular Literature and Art Publishing House, July 2005); the mingling of tradition and innovation - remembering the 2004 Shenyang Conservatory of Music Music Competition (National Instrumental Music) (Lefu Xinxin Sheng, Issue 4, 2004), and so on. Monograph "Music Aesthetic (Appreciation) Tutorial" (co-author, 2007 People's Publishing House). At present, he is responsible for the project "Research on the Music of Manchu-Tungus Ethnic Groups", and the scientific research project of the Ministry of Culture "Research on the Music and Dance of the Court of Shengjing in the Qing Dynasty" (Deputy Editor-in-Chief).

Nan Hongyan

Nan Hongyan, female, ethnomusicologist, PhD, professor, master's tutor of music and dance (ethnomusicology). Her main research interests include religious music, rap music, and musical intangible cultural heritage. She is a member of Chinese Traditional Music Society and Chinese Folk Literary Artists Association.

Xue Luojun

Xue Luojun, male, famous ethnomusicologist, doctor. Associate Professor of the Department of Musicology of the Zhejiang Conservatory of Music, he graduated from the Department of Musicology of the China Conservatory of Music in 1991, and holds a Master's degree in Education (Musicology) from the Tokyo Gakugei University and a Doctor's degree in Literature (Art) from Osaka University in Japan. He is the secretary-general of the Asian Art Education Society and the director of the Japan Rhythm Association. He has worked for the Media Education Development Center of the Ministry of Education, Culture, Sports, Science and Technology of Japan, the Faculty of Literature of Osaka University, Kobe Women's College University, the National Museum of Ethnology's Ethnocultural Research Department, and Taiwan's National Cheng Kung University, etc. His representative works include Music and Culture in Asia, and the Static and Dynamic of the Dong Ethnic Group's Music and Culture.

Hong Yan

Hong Yan, female, Tujia, ethnic soprano, Doctor of Fine Arts, Associate Professor of Zhejiang Conservatory of Music, Master's Degree Tutor. She is a member of Zhejiang Province "Zhijiang Young Scholars of Social Sciences", and a member of Zhejiang Province "151 Talents of the New Century", and a member of Chinese Traditional Music Society, and a member of Chinese Minority Music Society. He is a member of the Chinese Traditional Music Society, a member of the Chinese Minority Music Society, and a master's degree tutor and guest professor of Chinese Minority Arts (Chinese Traditional Music Theory) in the School of Music and Dance of Hubei University of Nationalities. She has received many awards from the Provincial Talent Fund. She was awarded the Gold Medal of China Star National Vocal Competition and the title of "King of Chinese Folk Songs" in China's She Mountain Song Competition, and the works she sang were awarded the Ninth ****Youth League Spiritual Civilization Construction "Five One Project" Outstanding Works Award. For four consecutive times, she has won the "Excellent Instructor Award" in Zhejiang University Students' Art Exhibition, and the students she has trained have won the Gold Medal in the National Competition, and she has been honored with the "National Excellent Instructor Award". Main research directions: Chinese traditional music, ethnomusicology, minority music, vocal performance teaching.

Wang Yang

Wang Yang, male, born in January 1976, a member of the Chinese **** Party, Professor, former President of Huzhou Normal College, Chairman of Huzhou Musicians Association. He published 5 monographs, dictionaries, etc., published 14 academic papers, presided over and participated in 7 provincial, ministerial and municipal level projects, won the Ministry of Education, the province and the city of the second prize of art research achievements 3, the third prize. He has been selected as one of the first batch of "five batch of talents" in propaganda and culture of Huzhou City, the third level of "151 Talents Project of the New Century" of Zhejiang Province, and was awarded the title of "Rookie of Teaching Forum" of Zhejiang Province Universities, the title of "Rookie of Teaching Forum" of Zhejiang Province. He was awarded the title of "Rookie of the teaching world" in Zhejiang universities and the title of "Top Ten Young Teachers and Five-star Teachers" in the first session of Zhejiang Province.

Qin Xu

Qin Xu, professor, doctoral supervisor, was born in 1948. Born in 1948, he grew up in Kunming and worked in a factory and the Yunnan Provincial Song and Dance Troupe. 1982, he was admitted to the Graduate School of the China Academy of Arts, where he studied the history of ancient Chinese music under the tutelage of Mr. Li Chunyi. He was a member of the Academic Review Committee of the China Academy of Arts and a researcher of the Music Research Institute. His research interests include the history of ancient Chinese music and the protection of intangible cultural heritage. He has edited the treatises "History of Chinese Music" and "Research on the Music Culture of the Six Dynasties", as well as the collection of essays "One Reed Overflowing Waves". He has participated in the major national art research project "A General History of Chinese Art", serving as the executive deputy chief editor and chief editor of the sub-volume. In recent years, he has also been involved in the protection of intangible cultural heritage, as an expert in the evaluation of China's declaration of the United Nations Intangible Cultural Heritage List, and in the "Theoretical and Practical Research on the Protection of Musical Intangible Cultural Heritage", a major scientific research project of the Ministry of Education's Humanities and Social Sciences Base, where he was appointed as the executive deputy editor-in-chief.

Wen Wen

Wen Wen, Associate Professor of the Department of Musicology of Zhejiang Conservatory of Music, PhD, is a special expert of the Eco-Musicology Team of the Shanghai Conservatory of Music's High Peak Plateau Construction Project, and was selected as a young and middle-aged academic leader in Zhejiang Universities in 2017 and sent to Germany as a post-doctoral fellowship by the Scholarship Council of the State Council of China. In the same year, he was sent to Germany by the National Scholarship Council for Postdoctoral Study.

Yang Chengxiu

Yang Chengxiu is a doctor of musicology and associate professor of the Department of Musicology of Zhejiang Conservatory of Music. He has published more than ten academic papers, including On the Types and Contexts of the Northern Song Elegant Music Theory, Ritual and Music: The Concept of Ritual and Music in the Changes of the Northern Song Jili and Music, and Fanzhen Elegant Optimism Study. He has also participated in the editing of the Collection of Essays on the Study of the Song Dynasty's Musical Culture and Chinese Music Theory of Chinese Dynasties - Song Dynasty Volume.

Yao Yaping

Yao Yaping is a professor and doctoral supervisor. He is a native of Chengdu, Sichuan Province. He graduated from the Composition Department of the Sichuan Conservatory of Music in 1984, and stayed on as a teacher in the technical theory courses of harmony, etc. In 1989, he was admitted to the Department of Musicology of the Central Conservatory of Music, and successively studied for the master's degree and doctoral degree of the history of Western music under the tutelage of Huang Xiaohua and Yu Runyang; he received his doctoral degree in 1995, and taught in the teaching and research room of the Department of Musicology of the Central Conservatory of Music, where he successively held the post of professor in the Department of Western Music. In 1995, he received his doctorate and taught in the Western Music Department of the Central Conservatory of Music, where he successively served as deputy head of the Department of Music, director of scientific research, and executive director of the Chinese Society for the Study of Western Music. In the research of western music history, he focuses on the history of concepts and ideas, and is the author of such monographs as The Concept of Western Music, The Generation of Polyphony, and Gender Anxiety and Conflict.

Li Pengcheng

Li Pengcheng is an associate professor, a young composer and planner, and a member of the third "Road to Success" National Music Composition Workshop of the China Musicians Association. He is a member of the Third "Road to Success" National Music Composition Workshop of the China Musicians Association. He is also a young talent in China's culture and art, an advanced individual in China's popular literature and art revitalization, a first-class musician in China's Culture and Art Talent Management Center, and a candidate for the "Yanzhao Cultural Star Project" of the Propaganda Department of the Party Committee of Hebei Province. He has planned a number of books for the National Library collection and participated in the planning of more than ten large-scale national music exhibitions and performances.

Qu Feng

Qu Feng is an Associate Professor at the Department of Musicology, Zhejiang Conservatory of Music, and a Doctor of Music in Western Music History. He received his bachelor's, master's and doctoral degrees from the Shanghai Conservatory of Music in 2009, 2012 and 2015 respectively. She is mainly engaged in the research of western music history and the translation of music literature. During her doctoral studies at the Shanghai Conservatory of Music, she completed her doctoral dissertation "Schubert's "Late Style": 1827-1828", and at the same time translated more than 30 academic lectures both inside and outside the university, and completed a 300,000-word academic translation of "Nineteenth-Century Piano Music". He has published several academic papers in core music journals such as Music Research, Music Art, Journal of Xinghai Conservatory of Music, and New Sounds of Music. He has participated in many important academic conferences in China. In 2015, as a representative of young scholars, he took part in the "2015-Hangzhou-Western Music Society Second Young Scholars' Forum"; in October 2013, he participated in the multidisciplinary thematic forum of "Nibelungen Ring" held in Shanghai Conservatory of Music; in September 2013, he participated in the fourth conference of the Western Music Society held in Shenyang Conservatory of Music. In September, 2013, he participated in the Fourth Annual Conference of the Western Music Society held in Shenyang Conservatory of Music.

Xia Ruizhou

Xia Ruizhou, male, Ph. Mr. Xia is the director of the Western Music Society of the China Music Association, the deputy director of the Theory Committee of Shaanxi Musicians Association, and a former teacher of the Music Department of Xi'an Conservatory of Music, and in October 2008, he was appointed as an expert of the 2008 edition of the Chinese Core Periodicals List by the Peking University Library. He graduated from the Department of Musicology of Wuhan Conservatory of Music, Xi'an Conservatory of Music, and the Department of Musicology of Shanghai Conservatory of Music. Since 1992, he has published more than 60 papers, 3 monographs and 2 textbooks (including 1 national planning textbook). His main research interests include music historiography, music aesthetics, and music sociology.

Wang Rui

Wang Rui, male, professor, born in January 1969, Han nationality, originating from Hefei, Anhui Province, full-time graduate student, Doctor of Letters, researcher, participated in the work in July 1992, in June 2003 to join the Chinese ***** Party. He has served as director of the Music Research Institute of the Shanghai Conservatory of Music, director of the Office of Discipline Planning and Construction, deputy secretary of the Party Committee of the Shanghai Conservatory of Music, vice president, etc. He is currently deputy secretary of the Party Committee of the Zhejiang Conservatory of Music, president.