Traditional Culture Encyclopedia - Traditional virtues - The Creative Techniques of the Classic of Poetry
The Creative Techniques of the Classic of Poetry
There are three kinds of expressive techniques in the Book of Songs: fugue, bi and Xing.
Fu is the direct narrative, narrative description, discussion and lyricism are within it, is the most basic and most commonly used means of expression of the Classic of Poetry, such as the Bin Feng - July, that is, to directly recount the farmers' food, clothing, housing and transportation and describe the changes of the four seasons to be expressed. The "Wei Feng - Rascals" also uses the means of narration and description to write about the suffering of the abandoned woman and her complex psychological emotions.
Metaphors are also commonly used in the Book of Songs. For example, the Wei Feng - Shuo Mouse is a comparison of an overall image, but most of the chapters are specific metaphors, and metaphors in the Book of Songs are widely used and in various forms.
The rise is a reminder of the rise, is the beginning of the poem and cause the following a technique, some only start the role of the beginning, but most of them have some kind of association, play a symbolic, baking, association, metaphor and other roles, such as the "Zhounan - Guan Ju" to the birds and song metaphor set off men and women well, the "Qin Feng" - reed reed "to the fall to create an atmosphere to set off the state of mind, fugue, than the rise of the technique is often manifested as a combination of the use of the.
Expanded Information:
The birth of the Classic of Poetry (including the production, collection and compilation), first of all In the form of poetic genre, it created a new style in the history of Chinese poetry, the four-character style.
Before the Book of Songs, although poetry was born, it did not yet have its own fixed style, and it was still in oral form, generally dominated by the two-word form; by the time of the Book of Songs, Chinese poetry began to lay down its own pattern of creation and formed a relatively stable style, that is to say, the real beginning of Chinese poetry began in the era of the Book of Songs.
The Classic of Poetry not only created the first tangible historical stage in the history of Chinese poetry, the quatrain, but also influenced the poetic creations of later generations: first, the five- and seven-verse poems of later generations, especially the five-verse poems, were breakthroughs and expansions based on it; second, even in the age of the five- and seven-verse poems, there were also authors who composed a number of quatrains, following the form of the Book of Songs.
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