Ming dynasty folk kiln blue and white porcelain has been how to develop

1, in the early ming dynasty, that is, from ming hongwu, yongle, xuande to ming zhengtong, jingtai, tianshun period, this is the development of folk kiln blue and white porcelain gestation period, from the decorative aspect of the composition is also more monotonous, basically to single line depiction. This is a simple and light style, but it is not an isolated phenomenon, but in good observation, through the identification of abstract or figurative things, to summarize it, this is a simple and rustic painting style. From the aesthetic level, the decoration of early Ming folk kiln blue and white is extremely characteristic. First, the decoration is extremely atmospheric, whether it is the composition or the painting method is basically a single stroke, the picture is generalized. Secondly, although the painting method is single, but it is also so that will cause the painting technique of high level, in the picture there are some strokes plus a stroke is redundant, minus a stroke is the lack of charm. Third, the painting brush caused by the overall picture of the momentum is very coherent.

2, from the middle of the Ming Dynasty, that is, the Chenghua, Hongzhi, Zhengde three dynasties, the folk kilns blue and white has been rapid development, on the one hand, decorative subject matter than before, the second is the painting techniques have been constantly innovative, the third is to create and the blue and white color and lustre is extremely harmonious with the glaze of the tire, the blue and white porcelain unique ceramic art features from the simple painting is completely broken down. The mid-period blue and white decorative style than before the early Ming dynasty blue and white decorations have obvious changes, from the picture of the outline, the outline of the middle of the Ming dynasty gradually become rounded and subtle, without the previous rough and full of flamboyant atmosphere. However, the mid-Ming dynasty folk kilns in blue and white porcelain has a unique flavor of elegant and clumsy, although the brushwork is not very smooth, but can give a person a kind of tea like a good taste of the inner depth of the indefinable.

3, late Ming dynasty folk kilns blue and white porcelain, that is, Jiajing, Longqing, Wanli, Tianqi, Chongzhen dynasties, from the point of view of the decorative subject matter of this period, almost every type of subject matter has its very wonderful representative works. This period is China's Ming dynasty kilns blue and white porcelain development of the most comprehensive period, the subject matter from reflecting the folk life, farmers labor scene to the literati, the gods and goddesses have, very rich.