Principles of artistic aesthetics

Test questions and answers of aesthetic principles: part I multiple-choice questions

1. Only one of the four options listed in each multiple-choice question (this big question * * 30 small questions, each small question 1 point, ***30 points) meets the requirements of the topic. Please fill in the letter before the correct option in the brackets after the question.

1. In artistic acceptance, the pre-existence of each receiver is called () by modern reception aesthetics.

A. Expectation horizon B. Transcendental schema

C. Subjective experience D. Foresight

2. In artistic acceptance, the process of image reconstruction mainly lies in ()

A. Reading B. Realizing

C. Guan Dingping

3. The difference between artistic conception and image lies in ()

An artistic conception refers to the breadth of aesthetics, while images refer to the depth of aesthetics.

B artistic conception is characterized by the integration of subject and object, and image is characterized by the opposition between subject and object.

C artistic conception belongs to the metaphysical realm, and image belongs to the metaphysical realm.

D artistic conception is an artistic category, and image is an aesthetic category.

4. "The pigeons in Guanguan are in Hezhou. The image type in this ancient poem "My Fair Lady, Gentleman's Pleasure" (The Book of Songs) is ()

A. Imitate the stars

C. metaphor D. abstraction

5. The characters in realistic art generally belong to ()

A. Imitate the stars

C. metaphor D. abstraction

6. The difference between thinking in images and abstract thinking is not reflected in ()

A. The former is mainly a psychological category, while the latter is mainly an epistemological category.

B. the former generally does not use abstract concepts, while the latter needs to use abstract concepts.

C. the former aims at beauty, while the latter aims at truth.

D The former is a spiritual product, while the latter is not.

7. The theory of defining art from the perspective of the origin of art is ()

A. Symbolic theory B. Expression theory

C. Game theory D. Educational theory

8. The ancients said that "thick silk fans are bad, which defeats people's interests". In the hierarchical structure of works of art, the factor that causes this phenomenon is ()

A. Material entity layer B. Formal symbol layer

C. Image world layer D. Artistic conception detachment layer

9. The following aestheticians do not advocate the representative theory is ().

A. Plato Aristotle

C. Horace Schiller

10. Confucius said, "Knowing is not as good as being kind, and being kind is not as good as being happy". The "music" here embodies the aesthetic education ()

A. Image B. Pleasure

C. Creativity D. Logic

1 1. Schopenhauer said, "Kings and beggars can feel the beauty when they look at the sunset from the window." This is to emphasize ()

A. beauty has absolutely consistent standards. B. Universality and super-utilitarianism of beauty

C. Aesthetics is a pure intellectual activity D. Aesthetics has nothing to do with social status.

12. The most important aesthetic way is ()

A. Nature B. Society

C. Life and art

13. In the history of aesthetics, the aesthetician who first proposed that "the harmony of beauty lies in numbers" was ().

A. Pythagoras Socrates

C. Plato Aristotle

14. In Zhu Guangqian's theory of beauty, the difference between "things" and "images of things" is mainly ().

A. the former is objective and the latter is subjective.

B. The former is objective, while the latter is the unity of subjective and objective.

C. the former is real and the latter is illusory.

D. The former belongs to the content category, while the latter belongs to the form category.

15. The discipline most closely related to aesthetics should be pushed ()

A. Philosophy, linguistics, psychoanalysis, sociology

B. Philosophy, literature and art, psychology and ethics

C. philosophy, pedagogy, phenomenology and cultural anthropology

D. Philosophy, literature and art, hermeneutics and semiotics

16. Tao Yuanming believes that when appreciating natural beauty, "there is a real meaning in it, but I forgot what I wanted to say." This means ()

A. aesthetic non-utility B. aesthetic unconsciousness

C. Aesthetic concreteness D. Aesthetic individuality

17. "Red apricot branches are noisy in spring" is mainly () in the psychological composition of aesthetic feeling.

A. Intuition B. Synaesthesia

C. Imagination D. Representation

18. The thinker who regards human feelings as "the product of all previous world history" is ()

A. Hegel Marx

C. Aristotle Rousseau

19. Beautiful spring scenery and ice and snow give people different aesthetic feelings, which shows that ()

A. Subjective differences in aesthetic feeling B. Intermediary role of formal factors in aesthetic feeling

C. General characteristics of aesthetic feeling D. Sensory characteristics of aesthetic feeling

20. "Fat and thin" vividly shows that the aesthetic phenomenon has ().

A.b. nationality

C.d. regional

2 1. Materialist dialectics has () for aesthetic research.

A. Overall guiding significance B. Significance of specific methods

C. Important enlightenment D. Practical significance

22. The basic law of creating beautiful things in labor practice is ()

A. build according to the objective laws of objects

B. according to the internal scale of the main body.

C. the essential strength of human beings is manifested in the aesthetic image.

D. project the subject's emotion onto the object.

23. Marx profoundly revealed two aesthetic meanings of alienated labor in capitalist society, namely ()

A. criticize ugliness and affirm beauty. B. create ugliness and beauty.

C. it sublates ugliness and dispels beauty. D. there is beauty in ugliness and ugliness in beauty.

24. When discussing the essence of art, Marxist aesthetics first emphasizes ()

A. The aesthetic reflection of art as an ideology on life

B. The dependence of art as a superstructure on the economic base

C. Art, as an ideology, is bound to have a class nature.

D. art must serve the liberation struggle of the working class.

25. The core of beauty is ()

A. the relationship between human nature and the essence of beauty

B. the relationship between aesthetic subject and aesthetic object

C. the relationship between human aesthetic feeling and world history

D. How are the aesthetic attributes of things generated in practice?

26. Thomas Aquinas thought: "Things are beautiful not because we love them, but because they are beautiful and beautiful." This view shows that the author understands beauty from the perspective of ()

A. the attributes of objective things themselves B. people's subjective mentality

C. The aesthetic relationship between man and reality D. People's aesthetic needs

27. Although hunting peoples in primitive times lived in a land rich in flowers, they never used flowers as decoration. This phenomenon shows that ()

A. beauty depends on people's subjective mentality. B. Beauty lies in empathy

C. Beauty depends on people's life practice D. Beauty depends on distance.

28. In the history of western aesthetics, the aesthetician who really strictly distinguishes beauty from pleasure is ().

A. democritus

C. Bok Kant

29. Hegel's "beauty is the perceptual manifestation of ideas" is different from Plato's "beauty lies in ideas", and its main feature is ().

A. it highlights the perceptual factors of beauty. B. emphasize the rational content of beauty.

C. inject the spirit of dialectics.

30. The perfect combination of technology and Taoist thought in artistic operation is often called: () in ancient Chinese painting and calligraphy theory.

A. Heart-to-hand correspondence B. Carving is invisible

C. there is an answer. D. vivid charm

2. Multiple-choice questions (this big question is ***5 small questions, 2 points for each small question, * *10). Two to five of the five options listed in each small question meet the requirements of the topic. Please fill in the letter before the correct option in the brackets after the question. Multiple choices, fewer choices, and wrong choices all have no scores.

3 1. The artistic conception contained in the following poems is () no self.

A. "I asked the flowers in tears and flew over the swing."

B. "The lonely pavilion is closed in the cold of spring, the cuckoo sings and the sun sets."

C. "Under the hedge of picking chrysanthemums, you can see Nanshan leisurely."

D. "From the cold wave, Bai Niao is leisurely falling."

E. "The desert is lonely and straight, and the long river sets the yen."

32. Blake said: "See a world in a grain of sand", which shows that aesthetics is ().

A. perceptual concreteness B. seeing the big from the small C. the unity of individuality and universality

D. See the essence through the phenomenon E. Intuitive personal image

33. Diderot thinks that "beauty lies in relationship", and the relationship he said mainly includes ()

A. the order, arrangement and symmetry of things themselves in their internal structure.

B. the relationship between one thing and other things

C. the relationship from imagination to objects

D. the relationship between things and people

E. Relationships established in the virtual world

34. Li Zehou believes that the characteristics of beauty mainly include ()

A. Typical B. Conceptual C. Objective sociality

D. Unity of subjective and objective E. Concrete visualization

35. Aesthetic thinking is different from aesthetic consciousness mainly in ()

A. it exists in people's psychological consciousness in an intuitive form.

B it exists in ancient books and documents in the form of language.

C. it is a grasp of people's own aesthetic needs.

D. it is a reflection of the aesthetic attributes of objective things.

E. it has theoretical viewpoints and conceptual categories.

Part II Non-multiple choice questions

Iii. Explanation of nouns (this big question is ***4 small questions, 36 and 37 small questions each have 3 points, 38 and 39 small questions each have 4 points, *** 14 points)

36. Education through fun

37. The object of aesthetic research

38. Mechanization of life

39. Theory of collective unconsciousness

Four, short answer questions (this big question ***3 small questions, 40, 4 1 small questions each 7 points, 42 small questions 6 points, ***20 points)

40. Why does Chernyshevski's "beauty is life" conform to the common sense of life, but not to the dialectics of life?

4 1. Briefly describe the comedy effect

42. Briefly describe the differences and connections between aesthetic education and physical education.

Verb (abbreviation of verb) essay topic (this topic is entitled ***2 small questions, 43 small questions are 12 points, 44 small questions are 14 points, and ***26 points).

43. Taking Li Yi's Jiangnan Qu as an example, this paper analyzes and compares the role of association in aesthetic activities.

Attached poem: Since I married Qutang businessman, he has not kept his promise every day.

If I thought the tide was so regular, I might choose a boy by the river.

44. Zheng Banqiao, a painter, once described his creative process as follows: "The river view pavilion is clear in autumn, and bamboo is seen in the morning. Smoke, sun shadows and dew are all floating between sparse branches and dense leaves. The chest is full of vitality, so it is picturesque. In fact, the bamboo in the chest is not the bamboo in the eye. " As a result, the ink polished and spread the paper, the pen suddenly disguised, and the bamboo in the hand was not the bamboo in the chest. "Please talk about your understanding of this passage in combination with the gestation and production process of artistic images.

Reference answer of aesthetic examination paper

First, multiple-choice questions (30 small questions in this big question, 65438+ 0 points for each small question, * * * 30 points)

1.A 2。 D 3。 C 4 explosive B 5。 A

6.D 7。 C 8。 A nine. D 10。 B

1 1.B 12。 D 13。 A 14。 B 15。 B

16.B 17。 B 18。 B 19。 B 20。 A

2 1 .22. C 23。 B 24。 B 25。 A

26. A handful of 27. C 28。 D 29。 C 30。 A

Second, multiple-choice questions (this big topic ***5 small questions, each small question 2 points, *** 10 points)

3 1.CDE 32。 ABCE 33。 ABD 34。 CE 35。 exist

Iii. Explanation of nouns (this big question is ***4 small questions, 36 and 37 small questions each have 3 points, 38 and 39 small questions each have 4 points, *** 14 points)

36.( 1) was put forward by Horace of ancient Rome.

(2) Aesthetic education is regarded as the unity of entertainment and moral education.

(3) literature and art are required to be charming and give people lessons through moving.

37. The object of aesthetic research: (1) Take art as the main research object; (2) Studying the aesthetic relationship between man and reality through art; (3) Studying various aesthetic objects, aesthetic experiences, aesthetic consciousness, aesthetic categories and aesthetic thoughts.

38.( 1) French scholar Bergson put forward.

(2) He believes that the essence of life lies in continuous creation, and the opposite of life is rigidity, slowness and mechanization.

(3) The reason of comedy lies in the mechanization of action, posture and body.

(4) This statement cannot cover all the causes of comedy.

39.( 1) The theory of collective unconsciousness was put forward by Swiss psychologist Jung.

(2) He believes that "collective unconsciousness" is a hazy spirit, which is ubiquitous in human beings and hidden in the depths of consciousness.

(3) Artists create under the drive of "collective unconsciousness", from which art originates.

(4) This is a theory to define art from the perspective of origin.

Four, short answer questions (this big question ***3 small questions, 40, 4 1 small questions each 7 points, 42 small questions 6 points, ***20 points)

40.( 1) There are beauty, ugliness, sadness and joy in life. We can't simply regard all life as beauty, let alone define beauty as life.

(2) On the one hand, Chernyshevski said that everything that can express real life is beautiful. On the other hand, he said that life is beautiful only according to our understanding, so there is a contradiction in the same proposition.

(3) Subjective liking and physical satisfaction are the two pillars of "beauty is life" in theory. On the one hand, it is easy to slide to subjective idealism, on the other hand, it is easy to move towards vulgar physiological views.

4 1.( 1) Funny laughter is a unique psychological phenomenon of human beings.

(2) The feeling of laughter must have nothing to do with the judgment of right and wrong, and it is incompatible with strong hatred.

(3) Laughter should have a * * * sound, which is generated in a certain social circle.

42.( 1) Variance:

① Different ways: Physical exercise is the main form of physical education, and emotional education is the main form of aesthetic education.

② Different purposes. The purpose of physical education is to strengthen healthy physique, and the purpose of aesthetic education is to cultivate aesthetic ability.

(2) Contact information:

① Modern health is characterized by physical and mental coordination. Physical education has not only physiological characteristics, but also psychological characteristics. Physical exercise promotes the development and perfection of psychology.

② Emotional activities in aesthetic education promote the all-round development of body and mind.

③ Physical education itself is also a way of aesthetic education, which makes athletes and spectators have a strong aesthetic experience.

Verb (abbreviation of verb) essay topic (this topic is entitled ***2 small questions, 43 small questions are 12 points, 44 small questions are 14 points, and ***26 points).

43.( 1) Lenovo makes the sense of beauty more colorful than the pleasure of ordinary animals.

(2) Association makes existing objects rich and vivid aesthetic images.

(3) Lenovo expands the aesthetic feeling in time and space.

(4) Analyze the comparison and association between Qu Tangjia and Runner.

44.( 1) The core of artistic creation is the generation of images, and Zheng Banqiao's words describe this process.

(2) The process of artistic image formation can be divided into two stages: image gestation and image generation.

(3) The conception of image comes from the perceptual encounter between subject and object. In this encounter, objective things show themselves from the perspective of beauty, while the subject stimulates the impulse of creation.

(4) The generation of images means that the images in the artist's mind are materialized, and the internal meaning is transformed into external formal symbols.

It should be hand-painted on the spot.