Traditional Culture Encyclopedia - Traditional culture - The general director responded to the "Tang Palace Banquet" out of the circle. Should China's traditional culture move towards the trend?

The general director responded to the "Tang Palace Banquet" out of the circle. Should China's traditional culture move towards the trend?

The general director of Henan Spring Festival Gala responded to the program, revealing the dance before and after the Tang Palace banquet. A wave of hot topics, such as Wang Fried in Henan Spring Festival Evening, exploded the social platform. This dance program "Tang Palace Banquet" is even more popular on the Internet. The netizen said that she danced with her little sister for a second through the Tang Dynasty. Do you appreciate it? The clouds on the temples want to smell the snow on the cheeks, and the clothes are fragrant. Is the shadow on the temples a prosperous Tang Dynasty? The scene. Chen Lin, the director of Tang Palace Banquet, and two actors in the program reveal the secrets of the actors? Cotton in your mouth? Clothes stuffed with sponges? Waiting for the wonderful behind-the-scenes tidbits. The general director responded that "The Banquet at Tang Palace" was out of line. Should China's traditional culture move towards the trend? The following is a detailed analysis:

1. Chen Lei, the general director of the party, introduced that "The Banquet at Tang Palace" was adapted from the entries of Zhengzhou Song and Dance Theatre in the 12th China Dance Lotus Award, and its overall style was humorous without losing its cultural heritage. After communicating with the original choreographer of this dance, the party did not make much changes to the dance content itself, but only slightly compressed the duration, trying to add points to the presentation effect of this dance from the perspective of TV packaging. We used the technology of 5G+AR, combined the virtual scene with the real stage, and integrated the song and dance into the museum scene, creating a feeling of wonderful night in the museum? In the program, the ladies-in-waiting attending the banquet are like walking through ancient paintings. They sometimes laugh, play and dress up. When the scene was switched to the formal court performance, the ladies-in-waiting dance was magnificent, which fully demonstrated the cultural characteristics of the Tang Dynasty. In order to reflect the plump image of the Tang figurines, the actors wore jumpsuits stuffed with sponges, with cotton in their mouths and two crescent-shaped makeup around their eyes, which was popular in the Tang Dynasty. Inclined red? .

Secondly, the creative team of "Tang Gong Banquet" thought many ways, and the actors all put on jumpsuits filled with sponges. In addition, how to make the actor's face plump has been bothering him, which made him put forward the idea of stuffing cotton into his mouth. Chen Lin, director of the Tang Palace Banquet, said that it all came from an experience of eating grapes. It is reported that Chen Lin went to a makeup artist's house to try on makeup to see how to make the actor's face look fuller. At that time, the makeup artist took out grapes from home. When Chen Lin ate them, he suddenly found his mouth full of grapes, and his inspiration came at once. However, because the grapes are hard and the filling behind them is not round enough, then the creative team experimented with various materials. Later, I thought that the doctor would put cotton in the patient's mouth when pulling the tooth, and finally chose to let the actor put cotton in his mouth. ? We actors all keep cotton, more than one or two stuffed. ? Yi said, chief dancer of Zhengzhou Song and Dance Theatre. In order to make an actor's whole face look round after being filled with cotton, every actor needs to adjust in front of the mirror before going on stage to achieve a perfect and natural effect.

3. Chen Lin, director of the banquet in Tang Palace, said that this dance was inspired by the dance images in the tri-colored Tang Dynasty. The whole dance shows the interesting things that happened to female musicians in their youth during the banquet and dancing, and shows the image of a young, lovely and naughty girl. When the court performance officially began, the female music official changed her naughty appearance and became a little fairy in a fluttering jacket on the stage. Clothing and modeling use distinctive three-color elements to restore history to the greatest extent and bring the audience into the atmosphere of the prosperous Tang Dynasty.