The reason why traditional drama lost its audience

? Mountain water meets bosom friend, and white clouds and yellow cranes dance in the wind. On the land of China with a long history, there are not only artistic heritages left by the ancients, but also artistic achievements created since the reform and opening up. China is a big country of traditional operas, and there are many kinds of operas. Its main representatives are: Peking Opera, Pingju Opera, Henan Opera, Huangmei Opera and Yue Opera. In addition, there are about 360 operas and tens of thousands of traditional plays in ethnic minority areas. China opera culture is rich and colorful.

However, China's traditional opera culture has fallen into a downturn. In today's society, people have become accustomed to the fast-paced life. Coupled with the influence of European and American culture and Korean culture, China traditional opera with slow narrative style is becoming increasingly unpopular. Until now, only the older generation and few young people can appreciate the charm of China's traditional drama. In addition, there are some problems in communication. At present, the mode of traditional opera dissemination is only a widely dispersed promotion, and it is only a dispersed traditional and rural performance mode in business, and it is a mixed performance with many other arts, without forming an independent institution or commercial performance.

It must be said that for pop songs, the characteristics of opera itself, such as difficulty, completeness and elegance, are difficult to perform and create. The stylization of those operas is slowly polished. However, with the decrease of artists, no one does opera, and the problems of "invisibility" of old works and insufficient connotation of new works lead to the lack of classic works. The drama that has now entered a trough can no longer be compared with the prosperous western drama. In this case, how will China's opera art develop? In recent years, China has vigorously promoted the development of traditional culture in China, but the traditional opera culture has not improved much. In addition to the change of young people's pursuit of cultural forms, the main reason is that the expression is obscure. People can't understand the beauty of China's traditional drama.

How to "save" the lonely opera culture, Jony J thinks, first of all, we must innovate ourselves, and the opera can be reformed, but we can't lose its original meaning, for example, the improved entertainment program "Ding Luo Long Dong Choke" once launched by the Opera Channel. This is a reality show about the cross-border experiences of Chinese and Korean stars. This play is original and forward-looking in the form of expression, overall style and theme presentation. This is an unprecedented move. Opera art is an indispensable part of China culture and an important foundation of Chinese excellent culture. Therefore, in order to develop China's traditional opera, we must know how to reform it and let it move towards the public's vision. Without an audience, traditional Chinese opera will become a "rootless tree". Therefore, opera creation should consider the needs of the public. Only by grasping the needs of the audience and society can China's plays create more glory.