The Fading Culture of Beijing Opera Essay

Turning over the vast scroll of history, many historical figures stand out, whether they are famous poets or popular famous dancers, are the object of people's pursuit. The poet is the improvisation of the creator, while the children of the pear orchard is the interpretation of the sweat. That has been passed down for thousands of years the national essence, that unique classic culture, is our country's precious embroidered feathers, it is called Beijing opera.

I love Mei Lanfang's "Tai Zhen Wai Wai", the Tang Xuanzong and Yang Guifei's poignant love makes me lament; I love Shang Xiaoyun's "Modenjia Women", my Buddha's great compassion, the four emptiness of the free state of mind is admirable; I love Cheng Yanqiu's "Red Whisker Biography", Zhang Linghua disguised as a man chasing Li Jing to get the hero's story makes me obsessed; I love Xun Huisheng's "Du Shuniang", the beautiful Du Shuniang last I love Xun Huisheng's Du Shinniang. I love Xun Huisheng's Du Shinniang, the beautiful Du Shinniang's final tragic . But nowadays, the essence of the four famous dancers has been slowly sinking. The image of the four famous dancers has been slowly sinking, and the image of the dancers has been gradually fading in people's minds.

Too many young people hate the "babbling" of Peking Opera, and only love to listen to "Hip-Hop" rock music. Too many young people hate the heavily made-up Peking Opera girls, and only like the singing and dancing stars on the stage with a little light make-up. Too many young people crazy pursuit of Europe and the United States, by the Korean stream, but do not know is intentionally or unintentionally trampled on the Beijing opera culture, really chilling.

I remember the 2014 Spring Festival Gala was most of the netizens of the "spit", have called boring to the top of the boring to the extreme, Feng director may be looking forward to more than one Peking Opera program, but in exchange for the netizens of the bad language, it is really sad.

Perhaps people's current avant-garde thinking has separated them from their historical culture in a way that's hard to overcome. At this rate, Beijing opera may be forever submerged in the river of history, buried deep in the hearts of this generation under the grave. Hey! The first melodious repertoire, the sound of the sharp and unique singing voice, the unique and complex musical instruments, the passionate Liyuan children, just

so disappeared? No. The Peking Opera is the head of the theater! Peking Opera is the head of the theater, is the pearl of China, is the treasure of art, is the cultural world of the oddball! We must protect it, we must cherish it!

Perhaps because of the development of modern technology, people began to follow the trend, addicted to TV dramas, rock and roll, resulting in the charm of the Peking Opera greatly reduced.

Perhaps it is the strange singing of Peking Opera actors that causes teenagers to loathe it, and most people don't want to go deeper to recognize it and understand it for this reason. So the image of Peking Opera in people's minds is becoming more and more vague and abstract.

Perhaps the Chinese media do not publicize the theater enough, so people do not know anything about it.

No matter what the reason is, it can not be separated from man-made, and it all stems from the fact that people hate Peking Opera. They ultimately can not enter the hearts of people, ultimately can not become a topic of conversation. The ditch that roams along the coast of history is about to be filled in, but while it still exists, the state, society, the collective, and the individual should all contribute to the protection of this piece of cultural heritage that still exudes its splendor--Peking Opera.