Traditional Culture Encyclopedia - Traditional culture - Li Xiaoming work brush lotus painting step by step
Li Xiaoming work brush lotus painting step by step
Li Xiaoming work brush painting lotus tutorial as follows:
1, complete the white draft (also known as line drawing). Blend two ink colors, medium ink and light ink, then use a long stroke hook brush to dip the light ink and outline the flower head with a wandering stroke. The branches of the grass, the stems of the lotus, and the rosette are outlined with a wire stroke using a brush dipped in medium ink. The leaves of the lotus and the grass are outlined in medium ink, and the lines of the lotus leaves are relatively firm and smooth, paying attention to the pause and the back-and-forth relationship of the lotus leaves in the process of outlining.
2, the first overall brush a layer of light emerald green (phthalocyanine blue and vine yellow with a little ink), when painted flat, remember to leave the heart of the flower part of the white slightly dyed (mainly around the rosette to leave white). Then again with the emerald green flat paint background.
3, with emerald green (flower green plus vine yellow with a small amount of ink) and then flat paint the background of the front of the lotus with emerald green overdye again, the front of the lotus leaves and grass leaves with emerald green from the veins of the leaf part of the outward dyeing (remember to leave the water line). The reverse side of the lotus leaf with light green (flower green with a little vine yellow) along the leaf veins, the branches of the grass with emerald green flat paint. The stamen part of the flower with light yellow (ochre plus vine yellow) from the inside out.
4, the background continues to be painted with emerald green (Fujiwara plus a little ink) once, the front of the lotus leaves and the front of the lotus cover with emerald green dyeing 1 to 2 times, the lotus leaves along the veins of the leaves reserved for the waterline. Grass leaves, branches, the reverse side of the lotus leaves and lotus petioles are overdyed with medium green (garcinia plus a little phthalocyanine blue), and the veins of the leaves are reserved for the waterline. Stamen (i.e., around the bottom of the lotus) followed by light yellow dyeing 1~2 times.
5, with emerald green flat paint the whole painting (the heart of the flower part of the white is not painted), leaving a little white color. The front of the grass leaf tip with ochre dyeing 2~3 times, with a hook brush dipped in stone green on the reverse side of the lotus leaf painting texture. The petiole of the lotus flower and the lotus seed are dotted with medium ink, and the texture on the front side of the grass leaf is outlined with light ink. The petals of the flower head are dyed in white 2~3 times, then the outer petals of the flower head are re-colored in white, and finally the stamen column is filleted in white.
Painting lotus notes are as follows:
1, the lotus stalk with ink color painting flower stalks and leaf stalks, to achieve heavy flowers, heavy leaves, stalks are also heavy; flower light, leaf light, stalks are also light.
2, embellished items to reflect the richness of the work, can be supplemented by reeds, calamus, water plants and moss points and so on, in order to create a point, line, surface changes, but pay attention to the sparse and dense, light and dark, wet and dry, long and short of the changes and unity.
3, the lotus leaf painting method for the first painting lotus leaves, take the medium-sized Tidou pen dipped in ink or three green, three green, the tip of the pen dipped in blue and light ink, a breath of fresh air, attention is paid to the size of the pen arrangement, can not be uniform. To be staggered. The ink color should be thick and light changes, the shape is not too round.
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