Appreciation of the music of the animated film "The Great Pandemonium

"The Great Pandemonium" even pushes the completion of the national style to the extreme, which perfectly expresses the traditional Chinese art style. The national style of is a kind of heavy and gorgeous withering, just like the joyful music of Chinese folk, which gives people a cheerful, active and enthusiastic mood. The action is based on the national essence of Chinese opera - Peking Opera, and a full set of Peking-accented music and drums add to the icing on the cake of "Pandemonium in the Palace of Heaven". The music effect especially adopts folk music to match with gongs and percussion, which produces a strong national flavor and reaches the highest achievement ever. Magnificent scenes, peculiar images, brilliant colors, etc., all give the audience a strong sense of formal beauty, which is mainly expressed in the shape of the decorative beauty. As the designer Zhang Guangzhi said, "Do not do ink-sucking paper, light sucking without melting, learning without using, into useless." In terms of acting style, "The Greatest Show on Earth" mainly uses a programmatic style, emphasizing exaggeration and normality. The film not only draws on the programmed movements of Peking Opera in the performance of the characters' movements, but the characters' dialogues are neither exactly like the dawning of Peking Opera nor like the dialogues of a drama, in which the dialogues are rhymed and the endings are sometimes stretched out, which expresses the animation? Characteristics. At the same time in the music to take a national color music, the use of opera percussion to strengthen the effect of the music, so that the drums and gongs with the character movements and camera articulation, transition complement each other, but also to make the character action has a strong sense of rhythm, there are ups and downs, a natural body, a very strong national flavor. The movie draws rich nutrients from ancient Chinese bronze lacquer ware and other excavated artifacts, Han Dynasty statues, Six Dynasties statues, Dunhuang murals, temple art, folk paintings, folk shadows, toys and even Indian paintings and other related art forms, creating characters with specific historical and regional styles, as well as distinctive national characteristics and personality traits. It creates an artistic style and modeling law that is both national and novel. The film has received a strong response both at home and abroad, and the famous film critic Kane Raskin commented: "This film is comparable to the mythological stories in the Bible and Greek folklore. They are equally full of endless originality, fascinating events, heroic behavior, and remarkable witticisms. The movie is a powerful work of art through its outstanding art design. The film's director, Wan Lai Ming, deserves international recognition for his place in the history of modern animated cinema.