How do you rate the short play "Escape from the British Museum"?

"Escape from the British Museum" seems to have a four-pronged energy, using explicit and straightforward language to express the deep and hidden emotions of a nation through a small cut.

Event Description

August 30, the blogger pancake fruit boy and summer sister produced a short drama "Escape from the British Museum" on-line, soon burst into flames out of the circle, "Escape from the British Museum" is the second consecutive day on the multi-platform The "Escape from the British Museum" has been on the hot search of many platforms for two consecutive days. This is probably related to the domestic Internet has been on the "no one in China, can smile out of the British Museum", but also with the recent news of the British Museum artifacts were stolen, but if we only talk about these, obviously not enough to describe the short drama of the fire.

"Escape from the British Museum" is a short video series jointly filmed and produced by short-video bloggers "Pancake Fruit Boy" and "Summer Sister," ****three episodes, mainly about a Chinese thin-fiber jade pot with entwined twig pattern that takes on a human form and escapes from the British Museum. After escaping from the British Museum, a jade pot in human form meets a Chinese journalist along the way and asks for his help to escape back to China. At first, the reporter doesn't believe the words of the jade pot spirit, but as the plot develops, he gradually begins to believe that the girl who is pestering him to go back to his country is really the "Chinese Tangled Twig Patterned Thin Jade Pot", an artifact in the British Museum.

Why was the jade pot chosen as the main character?

Why was the jade pot chosen as the main character? Was it an omission? Or is there some special consideration? Netizens can not help but guess up: "may be because it is the only remember the way home of the child" "or perhaps there is a piece of ice in the meaning of the jade pot" In this regard, the creator of the short film, said, "on the origin of the jade pot, in the The creator of the short film said, "We realized that it is a modern artwork before we started shooting, but we had our own considerations when we chose the jade pot as the protagonist."

The jade carving unveiled in the short film is a thin-bodied green jade teapot, made from a block of thirteen kilograms of Qinghai green jade, which took half a year to carve and polish, and adopts the shape of a traditional Chinese teapot, which is docile, spreading, and contorted in a pictorial style. The pot is decorated with a pattern of Baoxiang flowers and entwined lotus branches, and the whole piece is dignified, stable, and spiritual.

In the jade carving technique, the thin-fiber craft enjoys the reputation of "floating on water", which is a mysterious and ancient craft, and also one of the most difficult jade carving techniques. As early as in the Tang Dynasty, the jade carving of the thin tire process has been born, the Qing Dynasty Qianlong occasion, due to be appreciated by the emperor, flourished for a while. "A craftsman to keep the beginning, do what he likes to do, leave more things down, and do a good craft is the greatest joy in life." --Yu Ting. I hope that this traditional culture, seen, loved and passed on by more young people.

Skit Details Interpretation

1, "such a big cabinet only live two people ah"

Chinese artifacts in the British Museum are crowded in a cabinet, so she saw the reporter living in such a large

Chinese artifacts in the British Museum are crammed into a single cabinet, so she was surprised to see such a large "cabinet" (house) where the reporter lived. The word "cabinet" here is a wonderful word, anthropomorphizing not only the artifacts into human form, but also in terms of linguistic rigor, you can see that the author is really serious about his research.

2, the reporter let the little jade pot "from where to go back to where", why the little jade pot performance is very happy?

When the reporter said this, the little jade pot thinks her home is in China, and the British Museum is never her belonging, back to China is her wish all along, so she is very happy to think that her family is going to take her back to her country, "Are you going to take me back to China?"

3. Why does Jade Jug have a dirty face?

On the one hand, it is because of the inevitable dust that comes with running away and rushing, which is in line with the logic of the plot; on the other hand, the deeper reason is the British Museum's indifference and unprotected attitude towards Chinese cultural relics, as the booth where the jade pot is placed is not covered by a glass cover and can be touched at will!

4, the small jade pot emphasizes the "zhan" has any meaning?

The reporter used the word "only" to describe the small jade pot, however, we have unique and correct quantifiers to describe different objects in China, and the small jade pot emphasized the word "jan", which also reminds the modern young people not to lose the excellent Chinese tradition and culture in the age of information technology. culture in the age of information technology. In distant foreign lands, few people understand the delicate and splendid background of Chinese cultural relics, and there is no way to remember those "engraved in the heart of the name".

Media Review

The significance of "Escape from the British Museum" lies not only in the fact that it presents the situation of overseas cultural relics in an artistic way, but also in the fact that it unites our deep national emotions. This episode of less than 3 minutes of short films, contributed quite a lot of golden sentence: "family, I've been wandering outside for a long time" "is a marigold! It's a Chinese thin-fiber jade pot with entwined branches" "Go back from where you came from" "Are you going to take me back to China" "Only two people live in such a big cabinet" ......

These lines look ordinary on their own, but in the setting of this particular story, the deeper meaning behind each line can be read out: it's the loneliness of being stranded overseas, and the lack of a way out of being lost in another country. From this perspective, "Escape from the British Museum" seems to have a kind of energy of four or two pounds, using a clear and straightforward language to express the deep and hidden emotions of a nation through a small cut.

Productively, we also see the show's elevation of the aesthetic of self-published sketches. Escape from the British Museum has shown us a new way forward. Objectively speaking, the drama itself also has some short video common problems, but this can not hide its from the creative to the script, from the makeup to the action, from the composition to the light and shadow on the heart, as well as far to the United Kingdom to shoot and other front and backstage payment, these can withstand the public's scrutiny and pondering.

From the story, this anthropomorphic approach to presentation also allows people to find more **** love focus. The various interpretations of netizens after substitution have undoubtedly broadened the meaning of this drama, making it not only a simple story, but also a cultural ****ing. The significance of "Escape from the British Museum" is not only that it presents the situation of overseas cultural relics in an artistic way, but also that it unites our deep national emotions here. --Red Star Review

The era of free creativity needs more media practitioners with their own thinking and social responsibility, so that the "flower of traffic" can bloom in the depth of cultural values. The "Escape from the British Museum" series of short videos does not blindly chase traffic hotspots, but uses refined production and profound national cultural connotations to win the audience's heartfelt applause.

"Escape from the British Museum" shows the meticulousness and sophistication of its production in many ways, such as the anthropomorphic image of "Jade Jug" as the female protagonist, wearing the same color as the jade jug's emerald-green Chinese dress, emerald-green hair ornaments, and the face with the mottled stains left behind during the escape, etc. In addition, "Escape from the British Museum" is a series of short videos which do not blindly chase the traffic hotspots, and win the audience's heartfelt applause with its refined production and profound national culture. In addition, the plot setting of "Jade Pot Escape" corresponds to the deep emotion of national cultural relics in the heart of the people of China.

"Escape from the British Museum" has set a good example for self-media creators, and offers the possibility of more in-depth and valuable literary works. Escape from the British Museum stands on the wind of hot topics, seizes the moment, and uses its own talent and deep love for Chinese cultural relics to produce literary works of profound value, providing new creative ideas for more self-media creators.

The era of free creativity needs more media practitioners with their own thinking and social responsibility, who carry "long guns and short cannons" and hold a microphone representing the interests of the people of society and the country, and who do not chase the traffic, but use the traffic for the benefit of the cultural dissemination, and use the romantic feelings of the Chinese and their love for the media industry. Romantic feelings and love for the media industry, so that the "flow of flowers" in the depth of cultural values, for the creation of works of literature and art journey to open up a broader and brighter road.