Traditional Culture Encyclopedia - Traditional culture - China in addition to Jingdezhen porcelain, embroidery techniques, what else belongs to the intangible heritage?
China in addition to Jingdezhen porcelain, embroidery techniques, what else belongs to the intangible heritage?
China's intangible cultural heritage is still relatively diverse, but summarized into three main blocks: opera, local art, calligraphy art. And these three major blocks are indeed our country? treasure? , shine brightly in our culture.
One, opera
Kunqu, Beijing opera, shadow play and some local opera culture, many of which belong to China's intangible cultural heritage. Opera not only attracts ourselves, but also attracts a lot of friends overseas, many people come to our country want to hear the opera, because it is our own culture, and foreign opera has a different color. And the inheritance of opera is more difficult, so also hope that we can cherish them.
Two, local arts
Local arts include some minority arts, such as huomei, Mongolian folk songs and other arts, and these local cultures are also very shocking. We can often hear the combination of huomai and some of the current popular songs, which also reflects the cultural exchanges between different ethnic groups. At the same time, I think that these local cultures are bred from the background of local life, so they have some special meanings.
Three, the art of calligraphy
Calligraphy of our nation is also a shining class of art on the world stage, and the art of calligraphy extends out of the production of rice paper, which are also our intangible cultural heritage. Whether in regular script, running script, cursive script, or some of the more artistic fonts, they all reflect the complexity of the Chinese characters and the artistry behind them.
Besides that there is also the guqin, silk craft, Chinese medicine, beadwork and so on, all of which are intangible cultural heritage in China. Protecting our culture is a very important thing, and nowadays there are still a lot of local cultures slowly disappearing, so we must know how to cherish them. Therefore, nowadays we also advocate the protection of traditional culture, but not foreign festivals, is to hope that we can pay attention to our own culture.
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