Qiao lacquer painting art

Joe's art comes from life and nature, and he insists on taking nature as his teacher. Over the years, he visited Dai village three times, Tibetan area three times, Yangtze River two times and Jiangnan four times, and painted a lot of watercolors and gouache, ink and colored ink, sketching and sketching, which not only provided rich materials for his creation, but also strengthened his painting skills. Joe not only pursues the artistic form of his works, but also attaches importance to the connotation of his works and devotes himself to studying materials and techniques. He advocates the unity of thought, art and technology. Unity of content, form and media; The unity of heart, eyes and hands is also of great reference value to young people studying art.

Songkran Festival is his masterpiece. The composition of this painting is unique. The painter takes the graceful back of Dai women dressed in festive costumes as the foreground, and the dragon boat race in the river and the boiling crowd on the other side as the background to set off a warm festive atmosphere. The rich craftsmanship reflects the painter's skillful control of paint. He used eggshells to display white tops, and colored skirts combined the polishing method of silver foil cover paint and mother-of-pearl inlay technology. The water covered with mud and silver also provides the best background for beautiful people. The whole painting is elegant and smart.

Joe's lacquer painting has gone through forty-six years, from folk to the father of lacquer painting in China. The painter's life and artistic path is not smooth, with twists and turns, ups and downs, seeking in twists and turns, marching in bumps, from excitement to loss, from pain to transformation, from reflection to re-standing, and experiencing the vicissitudes of history and reality, culture and art. No matter how the history changes, Joe's creation has always lingered in the land where he was born and raised, and he has never forgotten the influence of the people, which has been deeply rooted in the life of the Chinese nation. At the same time, the painting art cultivated by lacquer culture makes him grow in modern time and space, breathing modern breath, thus constructing his unique lacquer painting art style which connects tradition with modernity. Such lacquer painting not only has modern aesthetic value, but also has important historical significance and humanistic value.