Traditional Culture Encyclopedia - Traditional customs - What are the manifestations of Tibetan opera?
What are the manifestations of Tibetan opera?
attached drawing
Reference,
Tibetan opera originated from Tibetan religious art in the 8th century. /kloc-in the 0/7th century, it was separated from the religious ceremonies in monasteries, and gradually formed a life-like performance with singing as the main part, combining basic programs such as singing, reading, dancing, table tennis and acrobatics.
Zang/Tibetan opera
Form of performance,
Tibetan opera performance is divided into three parts: the opening drama Arova, the main drama Bear and the auspicious ending drama Tashi. The opening ceremony, also known as Wimbledon or Garuwimba, is mainly to offer sacrifices to the audience, pray for exorcism and introduce the plot. Generally speaking, there are two people present: Jia Lu, seven in Wimba and seven in Ram. Legend has it that these three characters evolved from the characters in Qu Jie Lausanne. Jaru is a prince, Wimba is a fisherman or hunter, and Ram is a fairy. During the performance, Wimba wore a mask to sing and dance, and then Jia Lu led a group of fairies to sing and dance, so as to introduce the actors, explain the plot of the main play and attract the audience. Bear is the main play. First, "Wimbaggeng" (that is, the dramatist) introduces the plot, location, environment, character modeling, lyrics and so on. Rhyme with Allegro, and then the characters come on stage. The performance time is three days and three nights, even six or seven days; As short as two or three hours, it's up to the dramatist.
The form of performance is: all the actors, whether they are the characters in the play or not, appear in a semicircle. When it is their turn to perform, they come out to perform and participate in chorus and dance in the rest of the time. Its basic performance form is: first, the dramatist introduces a story, then a character sings a story, and then all the actors dance or perform skills together, and so on. Its performance is divided into scenes and time, and the storyteller and the backup singer and dancer actually play the role of the scene.
Sing (Rhonda);
Dance (Xiao Zhuo);
Rhyme (Xiong Sheba);
White (card);
Watch (Langju);
Technology (Lu Ze);
Harmony.
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