Traditional Culture Encyclopedia - Traditional customs - The popular "furniture proofing is difficult" in Zhihu finally has a solution.

The popular "furniture proofing is difficult" in Zhihu finally has a solution.

When gardenias bloom again, it is graduation season.

The arrival of graduation season is both longing and anxiety for most students.

But for most graduates majoring in furniture design, the most headache before graduation is the proofing of graduation works.

Baidu search graduation furniture proofing keywords.

You can find a series of help from students in different areas.

(as shown in the figure below)

Not only students, but also many independent designers work overtime and stay up late every day to design their products well. If they want to find a furniture factory to sample and see the effect, they will find that the gap between reality and ideal is not only the distance between bone feeling and fullness.

Either the factory doesn't want to take orders because it is too small, or the factory is not satisfied with the proofing after taking orders.

I interviewed some students who proofread their works.

Before, they finally found a furniture factory willing to sample their works at a moderate fee, but the quality of the products they made was not up to standard and the structure was unstable.

The student said that he was the master of the world, and there was no communication. The workers were very efficient and helped him do it in one night.

He took a wooden sample from a carpenter's room, and then said, "When he went to supervise the work, he found that the workers did not draw with a ruler to save time, but copied it directly on the wooden sample according to their own feelings and then cut it mechanically. This kind of drawing is not accurate. If you think with your toes, everyone knows the quality of the finished product.

Recently, the carpenter's workshop received the design drawings of graduation furniture proofing works from students of Shunde Vocational and Technical College.

After receiving the design drawings, the first step we did was not to process and sample according to the design drawings in a hurry, but to hold a meeting with the masters of the technical department on the "proofing process" to analyze the feasibility of the design drawings of the students' works and put forward relevant reasonable opinions!

Because wood is a very capricious material, unlike glass or plastic, it can be made into objects completely according to the ideas in the designer's mind. On the contrary, we must fully understand its natural properties in order to create products that match it.

After receiving this student's graduation work, everyone agrees that the design concept is very good, but if it is realized with solid wood materials, the effect of the finished product will not be put into the actual use scene, because the overall structure is unstable.

A work with poor user experience, even if it has a sense of design, can be described as failure.

We conveyed this conclusion to him. After repeated communication, the other party modified some structural problems of the chair legs and started production.

The products of this student designer are all realizable in structure, but the upper part of the process is more complicated and needs to be completed by the master manually. The increase of labor cost and time cost will inevitably increase the proofing cost of his works.

From the point of view that he is only a student, he thinks the cost of this proofing is too high. It is suggested that he modify some structures without violating the original design intention to ensure that the product can be successfully completed and within his reasonable cost.

The super proofing center of the sub-woodworking room provides a space for people of all ages who love manual creative production. No longer let excellent ideas just stay on drawings!

In such a * * * space, advanced equipment and tools, complete wood matching, consumables matching and hardware matching, and masters with many years of woodworking experience, designers can easily sample their works.

No longer limited by the threshold of batch proofing, we use * * * to solve designers' problems and further promote the exchange of manual creative culture.

As long as you are full of feelings for handwork and want to make furniture works that touch your heart, you can come to this platform to convey your emotional thoughts and carry your emotional stories with wood!

-End? -

? Zimu workshop

One advocates wood culture.

? Enjoy the space of the concept of slow life.

? Let more people abandon impetuousness.

? Return to ingenuity and fall in love with carpentry.

Reviving China Wood Culture