Traditional Culture Encyclopedia - Traditional customs - Basic music theory knowledge of notation
Basic music theory knowledge of notation
Introduction to the basic music theory knowledge of notation A piece of music generally contains elements such as height, length and dynamics. A method of recording music with symbols, characters, numbers or charts, and the resulting records are called music scores.
No matter at home or abroad, many symbols have been used and are being used. As far as China is concerned, there are many kinds of notation used in ancient and modern times. It is said that as early as the Warring States period, Shi Juan, a musician in Wei Linggong, recorded music by notation. According to written records, in China, during the Sui and Tang Dynasties, Gongchi spectrum and subtraction spectrum (used for guqin) were produced, and folk character spectrum was produced in the Song Dynasty. After several changes, Miyachi notation is still used by folk artists. However, in modern times and modern times, notation and staff are widely used in China, especially notation is used by most people. From a global perspective, the staff is the most widely used. In the process of historical development, due to the different contents and needs of music, various notation methods have been produced. For example, the ancient music score used in guqin, the gongs and drums score, and the staff score, simple score and Gongchi score widely used in China.
Although all kinds of notation are constantly improving in development, there is no notation that can perfectly record music in the world by 2 1 century. Such as the subtle differences in pitch, strength and speed, as well as the playing methods of many decorative sounds. All players need to analyze and deal with them with different understandings. Correct notation is very important for composition and performance. It is more important for everyone who studies music to master notation, especially for those who study composition.
Ancient Greek music recorded the scores of vocal music and instrumental music in two different sets of words. Gregorian chants, Byzantine chants and early medieval polyphony also use music scores. The character spectrum that can still be seen in the world now is mainly1the number notation and letters that appeared at the beginning of the 9th century.
The Basic Musical Theory Analysis of Notation; China recorded the music (elegant music) of court sacrificial banquets with notation and palace notation more than 1000 years before the Western Zhou Dynasty. The former uses the names (Huang Zhong, Lu Da, Taiqun, Jia Zhong, Gu Xi, Zhong Lu,,,, Nan Lu, Yi Ze, Wu She and Ying Zhong) of China's Twelve Methods (twelve semitones within an octave) to record music. The latter recorded music with five ancient phonetic names (Gong, Shang, Jiao, Zheng and Yu).
The Book of Rites written by China in the Han Dynasty? The chapter "Touhu" retains the drum music played in ancient times. With what? Mouth? 0? And then what? Half? Three musical characters describe the music played by two kinds of drums when playing the game of tossing pot. This is the earliest spectral record.
The score of recorded songs also appeared very early. Music scores are recorded in the book catalogue compiled in the first century BC. For example, there is a book in the catalogue called Seven Poems of Zhou Dynasty in Henan. Poetry? Is it? Lyrics? ; Another book corresponding to it is called "Seven Unique Songs of Zhou Dynasty in Henan". Song twists and turns? What is the meaning of? Song tune? , this book? Song tune? Books are naturally music scores. But how does it record music? Because the book has long been lost, there is no way to know.
Hanshu? Still seeing Wen Zhi in Yi? Sound twists and turns? A record with songs and poems. These? Sound twists and turns? Music score when singing a song or poem.
An overview of the basic music theory knowledge of notation The traditional notation system of western music is based on the fact that each octave contains seven natural sounds. However, when five variable levels are added to the keyboard at the end of 17, the system has serious problems. In the traditional notation, the sound 12 is not recorded equally in the spectrum, and the changing sound has no lines or spaces of its own. Therefore, at least one additional information (temporary inflection point mark or key signature) needs to be explained (which will affect the short-term memory of the spectrum reader).
This inequality leads to two greater difficulties. First of all, some key signature makes people feel "simple" (such as C), and some key signature is "complex" (such as C). In fact, their interval structure is exactly the same, but the absolute pitch is different. Secondly, the pitch distance seems unclear, that is, the vertical proportion of notes on the spectrum is uneven. The pitch distance between two notes is not directly expressed from the position, but depends on the reader's understanding and memory of the harmonic clef he plays.
In traditional notation, homophones are not fixed on the line or interval of the spectrum. For example, "C" has an octave difference, one on the line and the other on the interval. This is because only seven "natural" sounds are expressed in the lines and spaces of the spectrum table, and the notes in each octave are odd.
In addition, clef can change the pitch position of notes on the line spectrum, which increases the difficulty of reading the spectrum. This is because the corresponding clef should be adopted according to the specific instrument, and the most effective sound area of the specific instrument or part should be fixed in the center of the spectrum. Nevertheless, some performers and singers can extend the range to more than three octaves, and then they must read multiple clefs or multiple lines of music. In addition, due to key signature or other accidental reasons, the sound of the same pitch can be recorded in several different ways.
In traditional notation, the symbols of sound values should be calculated mathematically. For readers, they are not intuitive, but need an information processing process. Many innovators in notation believe that expressing sound values with symbols in a corresponding proportion is the preferred way to record music time. The traditional notation system is rooted in naturalism, so it is difficult to record atonal music and differential music. In addition, this system is not designed for complex musical instruments, harmony and rhythm developed since the Middle Ages.
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