Illustration lines-how to draw illustrations of successful flowers

How to do illustration well? This 12 factor, we need to think and train in daily training, and break it step by step:

1, sense of fusion: this kind of "fusion" is to combine all the features of the picture into a single performance or a whole performance, that is, the ingenious arrangement of patterns, colors, lines, light and shade, texture and theme, and combine them into a one-sided performance.

Here you can look at the works of the great god Liu Yuan. Personally, he is a super boss who has achieved the ultimate sense of integration. His line layout, depiction of decorative background and imagination all exude rich humanistic temperament, which is very gorgeous and charming.

2. Conciseness or clarity: turn all materials and details irrelevant to the theme into secondary ones, and simplify the theme into the most basic design, form and pattern.

3. Design: refers to the overall relationship between block surface, shape and color. The picture is designed.

Screen design: I like Dong Longdong, a teenager who is good at drawing IPAD.

The painter's illustrations are colorful and romantic, full of joyful and dreamy feelings, novel in composition design, rich in imagination and full of bright feeling of love. I like them very much.

4. Proportion: refers to the harmonious relationship between the themes and parts in the picture. The scale distortion is not harmonious, but some distortions may be reasonable, because the painter may want to emphasize a certain idea or emotion.

5. Color: This is one of the most influential elements of beauty. When using this element, the painter should not only take taste and likes and dislikes as the judging criteria, but also understand the relationship between color and lightness, as well as the basic principles of color collocation, so as to create realistic and harmonious effects.

In fact, there are countless good illustrators who play with colors in China, but Bai Yueguang in the micro-class is the first one to promote Junxi University.

6. Rhythm: It can also be called rhythm. Although this element is often despised or misunderstood, it makes a great contribution to the aesthetic feeling of painting.

All living and non-living things have rhythms, from the smallest form to the cycle of the universe without exception. Without rhythm, the body is static and lifeless. Just like the operation of nature, the repetition of similar colors or lines, or the gradual expansion or contraction of shapes can create rhythm for painting.

For example, we can find the rhythm from the repeated lines of the branches and leaves of the trees themselves, or from the lines on the back of zebras, or from the lines of petals and flowers. Speaking of the beauty of rhythm, I can think of Wang Zhang, a great god with profound knowledge of Chinese painting.

7. Form: The relationship between formal structure and the whole is a basic artistic principle. The existence of all things is nothing more than the reality of form or space, both of which are indispensable and cannot exist alone.

8. Texture: refers to the description of the surface. All forms have their surface features, which are as important as their own physical structures.

Describe all shapes with the same surface features, as if everything is made of

9. Brightness: Brightness and color are inseparable. To draw beauty, both are indispensable. Proper lightness relationship can create a sense of light and add a sense of integration to the picture. Incorrect lightness relationship will cause the greatest damage to the aesthetic feeling of the picture.

10, light sense: This element is the most important. However, the light sense in the painting is integrated with the light actually shining on the picture and becomes a part of the whole painting. There are many kinds of light, indoor light, outdoor light, sunlight, diffused light and reflected light.

1 1. Choice of theme: This element provides an excellent opportunity for the painter to give full play to his personal taste. Painters can find countless themes from life and nature, choose, design and create their own special themes, and show their appreciation of beauty.

12, technique: refers to the way of expression rather than the expression itself. Technology includes the understanding of the surface and texture of objects, as well as the understanding of media and many methods used by media. Skill is a personal expression that combines other elements of beauty.

The choice of subject matter and techniques are both personal subjective preferences.

How to draw illustrations of successful flowers How to draw illustrations of successful flowers is as follows:

Main materials: a piece of paper and a set of colored brushes.

The operation is as follows:

1, draw the flower core and two petals first.

2. Then finish the petals.

3. Draw some thin lines at the root of the flower.

4. Then draw the leaves of the flowers.

5. Paint the flowers with beautiful colors.

6. Finally, color the leaves, and the super beautiful flower stick figure is finished!

Hua is a first-class word in the General Standard of Chinese, pronounced huā. The ancient name of flower is (flower), which was first seen in the bronze inscriptions of the Western Zhou Dynasty. In the Wei and Jin Dynasties, the word "flower" was divided, originally meaning flower, and later it was extended to something like flower, which was variegated, hypocritical, ambiguous, and used.

Painting skills:

1. Preparation tools before drawing: drawing paper, different types of pencils. Drawing paper needs thick white paper with irregular lines. Friction-resistant, so you can use an eraser when painting, and it is not easy to get fuzzy. And it has good water resistance, so when painting watercolor, there will be no diffusion.

2. Learn to draw lines: Sketch is made up of lines. Before you learn to draw, you have to draw a lot of lines, but you just draw lines.

Don't bend when painting, pay attention to decisiveness, chic and appropriate strength, that is, a line should make people feel beautiful, straight and generous, and the tail should be well gathered and organized. The key lies in the processing of line density, the rhythm coordination and ingenious application of density relationship, which can keep the picture sense of order and produce an orderly, rich and uncomplicated picture.

3, copy sketch photos: after learning the lines, choose a few photos you like to copy. Copying is the process of copying calligraphy and painting according to the original. For beginners, copying and sketching are also important. But beautiful scenery, scenery, food, as long as you like. Just copy a sketch photo and draw the outline.

How to draw cartoon characters (detailed). Better (⊙o⊙) If the painting technology can't reach the imaginary expression and action of characters, it is suggested that the best way is to start from copying.

All kinds of paintings can be copied, especially the colors and composition methods used by masters, as well as the descriptions of characters' expressions and body movements.

This is a very useful and effective training method. After all, the so-called "familiar with 300 Tang poems, you can recite them even if you can't write them", and if you copy them more, some fixed and commonly used expressions and angles will be much more handy.

The second is to describe more real photos. In the final analysis, vividness means making a fake painting look real. The key is the so-called "truth".

What is the real action, what is the real eyes, or depends on how the "real" characters are made.

And if you want to draw realistic cartoon characters, such as the works of ordinary illustrators such as Chen Shufen, Masago Kimiya and even Zhang Wang, it is very necessary to draw according to photos.

Because it can greatly exercise your character proportion, body structure, clothing material and so on.

Among them, the proportion of human body is the most important. If the proportion is wrong, no matter how excellent the detail is, it will be a failed work.

Of course, if you are talking about anime characters such as Xiao Xin, Maruko and Garfield, please ignore this one automatically.

(but in fact, this kind of anime character also needs to use proportion, but it is not that important. )

The proportion of human body is really important (I seem to emphasize it? )。 If you don't have any confidence in this, I suggest starting with the basics.

Look at the regular art textbooks, which are at least divided into two parts, one is the perspective principle, and the other is the proportion of the human body.

These two are the foundation of all good works, foundation, soil, bones, meat in braised pork and money in wallet.

In fact, these two things are not difficult to learn. You can understand them in an hour or less.

However, the key is to use it skillfully and make no mistakes in painting.

There is no other way to think about this, only to see more and practice more. Do you know the story of Da Vinci painting eggs? People have practiced so much, and we are not geniuses. Naturally, we should work harder.

Of course, if you don't want to be that super expert, there is no need to practice drawing eggs every day.

-Draw more apples and green peppers.

The human body is the most complicated mechanical structure in nature. Sorry, I forgot who said that.

But it makes sense. The actions that people can make are almost incalculable. So after getting familiar with the proportion of human body, we should begin to practice the movements of drawing characters.

Generally speaking, there are not many facial movements. Of course, Jim Carrey, who can make 100 expressions, is not in the ordinary category.

So the main exercise is the whole body movements.

This also requires more observation and practice. Observe what it's like to walk and talk on the phone while walking.

What's it like to stumble over a stone at your feet while watching the beautiful women around you while talking on the phone and drinking coffee?

(Actually, it is a very interesting cartoon to draw the above description accurately. )

Of course, generally speaking, it is not so lucky to see such a scene, but our brains can imagine.

After mastering some basic movements, you can combine all kinds of complicated movements.

As for facial expressions, you can look in the mirror more, pose more and express yourself more.

Sure, please practice alone. Otherwise, your roommate will panic if you put on a cold and arrogant expression and a flattering expression.

Mirrors are not only used for facial expressions. If the mirror is big enough, you can show a lot of actions you want to draw first.

Understand what kind of angle the arm will be, how to twist the waist naturally, and what kind of wrinkles there are on the trouser legs.

This is very useful for beginners. After all, it is completely different from the difficulty of painting and wanting to paint.

Another thing to mention is hand painting.

Hand is a very complicated thing, and it is also a headache for the author. Because there are too many forks.

Each bifurcation is divided into three small segments.

Although the position of the hand on the screen is small, it is very important. If the hand painting is stiff or even unreasonable, the characters will never be vivid.

Generally speaking, my experience is to draw by myself when practicing.

Just can see, and there are two, is the best model, don't delay the other hand to draw.

When I am practicing, I am used to drawing my hands in various postures. Uh, two left hands.

This kind of exercise is very effective. You can accurately grasp how the hand looks when doing various actions, how the joints change, how the shadows are blocked, and so on.

And the biggest advantage of this exercise is that it can be done anytime and anywhere. As long as you have a pen and paper and a table.

When the left hand is practiced, the right hand will actually learn by itself. If it really doesn't work, you can borrow the help of the mirror, and the left hand in the mirror becomes the right hand.

Then clothes. There are too many clothes because there are problems with styles and materials.

Beginners are advised to draw simple clothes first. The advantage of this is that there is no need to consider the style and the material is single.

The function is to practice how to show the figure's body curve under the cover of clothes and how to draw the basic folds of clothes.

With this foundation, when you are proficient, you can move in two different development directions, one is clothes with different materials, and the other is clothes with different styles.

The first development direction I chose was different materials.

So the characters put on leather shirts, linen shirts, silk shirts, pure cotton shirts and patent leather shirts (do you have patent leather shirts? )

Because the lines and wrinkles produced by various materials are different, the light and shadow effects are also different, so it is very useful for practicing sketch and color techniques.

Just like a leather coat, it has many folds, but the span is small but long and smooth, and the contrast between highlights and shadows is very heavy.

The folds of cotton shirts are large and long, but they are not smooth and have clear boundaries.

The silk shirt, on the other hand, has a light overall wrinkle and smooth fluctuation. Unless the elbow is bent at a large angle, there are wrinkles, but they are small and mostly round.

Well, you can find the difference by seeing more and experiencing more.

As for the style, it is suggested to look at the fashion impurities and the current fashion trends, and to give the characters a variety of collocations to make them fuller.

The key to this direction is how to ensure that the proportion of characters under various collocations is not unbalanced.

There used to be many masters who painted it like this:

Draw the basic proportion of the figure first, then draw the bones and muscles, and finally get a naked figure. Then dress the character.

This is too harsh, and most writers nowadays can't do it.

Therefore, in Victoria Christina Hesketh, you should wear a tight sweater with large lapels, a long coat, a plaid scarf, a knee-high skirt and a half-height girl figure, so that the proportion of the human body remains unchanged and the clothes look in tune.

It is still difficult

Finally-clothes of different materials and styles, of course.

There is nothing to talk about, just match the two directions.

It also includes some accessories, such as earrings, necklaces, hats, belts, bracelets, bags and so on.

These things are essential for people to be vivid. Classical works, plus a sword, a few symbols and so on.

Otherwise, a character stands there naked, too stiff to know what he wants.

But once the character takes the bag, it's like shopping.

Put on a dagger and become a killer again.

This is also part of the link below. This link is the detail.

Details are important (it sounds as if there is nothing unimportant? -_-0)。

Details will be the finishing touch in the work.

There are many details that need the author's attention. For example, accessories, such as clothes patterns, such as moles on the face, such as trees and pedestrians in the background on the road, such as props in hands, such as animals with plays, and so on.

This process is very complicated, and sometimes it takes more time than painting the main characters. But it was worth it.

Slow work produces fine work, and the fine work here is the detail. With the details, this "live" is delicate and vivid.

There's nothing to say. Be patient and take your time. Black and white is better. If it's a color manuscript, CG or something, the girl's jewelry alone can make you dizzy.

Get ready.

However, it should be reminded that details serve the theme. Never show details for the sake of showing details. Pretending to be the master is the biggest taboo.

And the details are not simply piled up, everything is added, it can only be a pot of hodgepodge, the picture is chaotic, so much effort is in vain.

There's nothing to talk about at this point, it's just experience. It's up to you to explore it yourself.

Finally, the scene and composition.

Actually, this should be said first, but I put it at the end. It's just my habit. You can do what you like.

However, it should be reminded that the scene and composition are not necessarily the earliest paintings, but they must be the earliest ideas.

In composition, there are several specific routines, which can be found by checking the information, such as the most commonly used triangle composition, focus composition, trapezoidal composition, parallel composition and so on.

Look at the theme you want to show and choose the most suitable composition. Then pose the characters to suit the composition.

This is a grasp of the overall situation, and there is no hard formula. The type of composition I said is just a general statement.

It's like saying "drive a car", but it doesn't stipulate whether you want to drive a BMW or an Alto.

Still a word: see more and practice more.

As for the scene, this can be set first, which is roughly a scene, but it is not necessary to draw it first.

After all, there is something called PS now. I always add scenes to the background layer after drawing characters.

In the scene, the important thing is the perspective relationship. Unless you are setting a game, it doesn't matter to put a whiteboard behind you.

In terms of color, it belongs to the advanced category and can say a lot of things.

Lazy, write again when you have a chance.

What I want to remind you is, don't try to draw a manuscript from scratch.

Only by laying a good foundation can the building be built.

If you are a novice, drawing a good black and white line draft is the basis of everything and the most important thing.

Of course, if the landlord is actually an advanced master, he is considering the question of "how to vividly show his eyes when a man finds out that his lover is the daughter of his father's killer".

Then please despise me in luxury and pretend that I didn't say anything just now.

In fact, the answer to the question how to draw cartoon characters lies in your own psychology. ..