What are the new features of music concept in the 20th century?

1, the tendency to get rid of the shackles of romanticism and strive for innovation: As Copland, an American composer, said, getting rid of romanticism was the greatest interest at the beginning of the 20th century. "New trends are being talked about everywhere. The slogan at that time was' innovation', which meant that anything was possible. Every young artist wants to make unprecedented works. Tradition is nothing, and invention is everything. " French composer busoni put forward at the beginning of the century: "Music is free, and it is its destiny to be free." "The responsibility of creative artists should always be to create rules, not to follow existing rules. People who only follow such rules will never be creators. " Therefore, music in the 20th century has all kinds of innovations and experiments from all angles.

2. Unprecedented embodiment of personalization: composers are more consciously pursuing new self-discovery and self-expression in music, and many people no longer care about the audience's reaction. Schoenberg said: "The only and greatest goal that a composer tries to achieve is to express himself." Babbitt, an American composer, published an article entitled "Who cares if you listen or not", which shows this pursuit and attitude.

3. Objective, abstract: Spanish philosopher Garci. Gessett, 1883- 1955) said: "It is the most important mission of our time to eradicate personal feelings from art, purify art with objectivity, and change from subjectivity to objectivity." His writing fully embodies this pursuit of art in the 20th century.

4. Combination of music and science: direct combination, such as composer replacing romantic music theme with modern industrialization theme; Another example is music creation with tape recorders, electronic synthesizers and computers. Another indirect combination, such as using mathematics, physics and other methods and thinking to create.

5. The combination of modern science and technology and national music: in one case, countries with a late genre of national music pursue the combination of modernity and nationality in music creation; On the other hand, some western composers draw material from the music of non-western countries and nations and create with modern techniques.