Traditional Culture Encyclopedia - Traditional festivals - What are the characteristics of the ancient Chinese gods of water, mountain and wind in terms of looks
What are the characteristics of the ancient Chinese gods of water, mountain and wind in terms of looks
Then there is Cao Zhi's Luoshen Fu in the "Luo Shen" - "its shape is also, like a shocking, like a swimming dragon. Rong Yao autumn chrysanthemum, Hua Mao spring pine. As if Ruoxi light clouds of the moon, floating Ruoxi flow wind of the snow. When you look at it from a distance, it is like the sun rising in the morning; when you look at it from a distance, it is like infinite lotus flowers coming out of the clear water. The warmth and slenderness of the dress are in the right place, and the length of the dress is in the right order. Her shoulder is like a chiseled shoulder, and her waist is like a thin waist. Her neck and neckline are beautiful, and her white color is exposed. There is no increase in the color of her beauty, and she is not protected from the lead. The cloud buns are very high, and the eyebrows are very thin. Dan lips outside Lang, white teeth inside fresh, bright eyes good favor, dimple auxiliary bearing power. The colorful and elegant posture and the quiet and relaxed body. Soft feelings, charming in the language. The strange clothes are worldly, and the bone image should be pictured. She is dressed in the splendor of a robe, and has a jade jade jewel. Wearing jewelry of gold and jade, adorned with bright pearls to shine. She was a woman who traveled far and wide, and wore a light train of raw silk. The fragrance of the orchid is faint, and she stumbles over the mountains." This belongs to the literary water goddess, whose prototype is Zhen Fei. But in any case, she is still characterized as "like a swimming dragon".
Mountain deities in traditional Chinese culture have a tendency to be personified gods, sometimes with a human appearance, as in the case of Qu Yuan's "mountain ghosts," and male mountain deities with large axes in their hands. But sometimes it is half-human and half-animal external features, half-human and half-animal images of mountain gods vary, mainly reflecting the tendency of early worship of animism. Then there is the purely animal form of the Tibetan mountain god, the "cow", while in traditional China; the animal image of the mountain god is often the god's pet or messenger, such as Guo Pu encountered a "donkey and mouse" is the god of the "mailman "
China's animal figures are often the pets or messengers of the mountain gods.
The worship of the Chinese wind god has an early origin, and is a sky god with a human face and a bird's body. Also known as the wind division, Feilian, Kei Bo, etc., is one of the twenty-eight stars in the East, that is, the wind and rain are connected, belonging to the East of the Green Dragon one of the seven lodges, the early wings of the body of the bird flapping, or later holding a fan in the hands of the gods, are symbolized by the "flow of air to form the wind". Later on, the wind uncle changed a prop in his hand - the wind pocket, alluding to the formation of the wind with "chaotic" - that is, the inner "surging "The wind god legend has three general sources. The wind god legend has three sources, 1, from the ancient Chinese myths and legends that is FeiLian, he is ChiYu's younger brother. Strange appearance, long as the body of a deer, covered with leopard-like patterns. Head like a peacock's head, the head of the corner of the lofty oddities, there is a snake-like tail Jiejie Guo Pu said: "Fei Lian, dragon finch is also a bird with a deer's head". In short, it is inseparable from the wings. 2, the star said; East Han Cai Yong, "Dictator" is said, "the wind Bo Shen, Kei star. Its image in the sky, can rise the wind", the metaphor of the dustpan can fan the air. 3, said the trigrams: the ancients created such a Division of the wind tiger God, from the Yi Xun main wind. That is, holding the fan Fang Tianjun, white beard old man mold. This worship is also inseparable from the "dog" involved. That is, the dog as a sacrifice, because the ancients believed that "the wind is the messenger of the emperor", so it must start in the northwest of the Hundred Days of Heaven. So the wind god should be sacrificed to the eleventh (dog) as a sacrifice, but not necessarily the real "dog", but the dog of grass. For example, in the Tao Te Ching, "Heaven and earth are not kind to all things as ruminants" is said to be this kind of sacrifice. Therefore, dogs cannot be regarded as wind gods. Therefore, the dog does not have the characteristics of the image of the wind god, but can be used as the mount of the wind god, for example, "Doum" has the characteristics of the wind god, but the mount is not chosen "Xu" but "Hai". For example, "Doom" has the characteristics of a wind god, but instead of "Hundred Days", it has "Nine Little Pigs" as its mounts. However, Doom's main characteristic is the lord of the stars, so the wind god's characteristic is diluted. However, she was also a "real" wind goddess, and her other title, "Molich", was the god of wind in early India.
- Related articles
- What is the biography of gratitude education expert Yang Long?
- How to implement the new liberal arts talent training concept
- Commentary by Huang Jianxiang in the World Cup
- What are the methods of hypnosis?
- I want to make some shochu at home myself, how do I get it? Simple methods are best.
- How to control the correct sales model for ERP agents.
- The practice of hot and sour mixed meat is more authentic.
- List of high-tech enterprises in Yingzhou District
- What is the meaning of the three matchmakers six graceful?
- What are the conditions for the admission of Lou Tai Guan