What is the meaning of silk reeling in embroidery? What are the main projects?

The weaving techniques of silk in embroidery are: knot, hook, hook, winding, winding, sewing, sewing, Fei Lu, sewing, cutting, carding, winding, phoenix tail and so on. But no matter what you do, the four basic skills of knot, racket, hook and racket are absolutely essential.

Silk (English translation: silk tapestry with cut patterns, textile English dictionary: K'o-ssu, K'o-ssy), also known as "carved silk", "cut silk" or "reeling", has the same transliteration. The old days were "long engraving", "engraving" and "engraving color". There are other names for reeling overseas, such as weaving, weaving and weaving into brocade. "Jade Piece" says: "It is also weaving weft." Because the woven work is slightly higher and lower at the junction of the pattern and the plain color, it is like a engraving, so it is called "engraving". Its finished product has the same positive and negative sides, which is similar to Su embroidery Shuang Mianxiu. Together with embroidery, jade carving, ivory carving and cloisonne, it is called the four special handicrafts in China, and together with brocade, it is called the two precious handmade silk fabrics in China. In ancient times, it was known as "the sage in weaving" and "an inch of silk and an inch of gold" Because it can stand the test of history, it is also called "an artistic fabric that will not be bad for thousands of years." The appellation of silk reeling has always been different. China's ancient calligraphy Jade Piece explains "Yi, Yi, Weaving Weft". Zhuang Chuo's Chicken Rib in the Song Dynasty, Zhang's Secret Collection in the Qing Dynasty, Cao Zhao's On Songs and Bones, and Eight Notes on Respecting Life and Enjoying Yan Qing were all written as silk carvings, while the Record of Dropping Out of Farming, which was carefully written in the late Song Dynasty and early Yuan Dynasty, and Tao's in the late Yuan Dynasty and early Ming Dynasty, were all written as silk carvings. In Qing Dynasty, the royal family recorded the palace paintings and calligraphy in Shiqu Baodi and Zhu Lin Secret Hall. "One", "Ke" and "Ke" have the same pronunciation. Modern scholar Hu believes that this word should be "ancient". In order to find out the truth, when weaving silk, we use a small shuttle to weave weft yarns and change the color yarns according to the patterns. The finished product only exposes the weft but not the warp, which shows that the word "ancient" coincides with the technical characteristics of "warping and weft breaking" For silk weaving technology, it is called "carving", while for Jin Mu technology, it is called "carving". Every word has its own place, so "engraving" and "gram" are all covers. Silk reeling is the essence of China silk art and one of the traditional silk crafts in China. This is a kind of silk-woven handicraft which uses colored weft to express the pattern and form the boundary of the pattern. It has the effect of carving and is full of double-sided three-dimensional sense. The weaving method of silk is different from embroidery and brocade. It adopts the weaving mode of "warp and weft breakage", while the general weaving mode of brocade is warp and weft penetration, that is, the weft runs through the whole width of the fabric. Reeling has its own special loom-reeling machine, which is a simple flat wood machine. When weaving, the warp is first loaded on the loom, and the warp is lined with a drawing or manuscript. Weavers use brushes to draw colorful patterns on the warp surface, and then use boat shuttles to weave blocks with various silk threads about 10 cm long. Wefts of the same color don't have to cross the whole width, just change the shuttle constantly according to the outline of the pattern or the change of the color of the picture. Silk can change color freely, so it is especially suitable for making calligraphy and painting works. Weavers who weave colored weft yarns must have certain artistic attainments. The structure of silk reeling fabric follows the principles of "fine warp and coarse weft", "white warp and colored weft" and "straight warp and curved weft". That is, the natural color warp is thin, the colored weft is thick, and the warp is picked up by the weft, and only the colored weft is displayed without exposing the warp. Because the colored weft completely covers the upper part of the fabric, the shrinkage of the weft after weaving will not affect the effect of the picture pattern. Silk reeling is an ancient handicraft art, and its weaving tools are a wood machine, dozens of small bamboo shuttles with various wefts and a bamboo swab. When knitting, the artist sits in front of the wood machine, constantly changing the shuttle to shuttle the weft yarns according to the pattern drawn on the warp surface in advance, and then arranging the weft yarns closely with the plectrum. Weaving a work often requires tens of thousands of shuttles. It takes a long time, a deep effort and a fine weaving. There are generally 16 reeling procedures: warp dropping, drawing, setting reed, bending, inserting back warp, dragging warp surface, inserting front warp, picking warp surface, knocking head, treading, sewing warp surface, drawing sample, color matching, reeling and so on.