Kang Zhuang Calligraphy Works

Kang Zhuang, character Mengdie, born in Jinan in July 1945, national-level artist, member of China Artists Association, member of the Cultural and Historical Hall of Shandong Provincial Government, member of Shandong Provincial Committee of Political Consultative Conference (CPPCC), vice president of Shandong Provincial Committee of Political Consultative Conference (CPPCC) Friendship Calligraphy and Painting Institute, director of the Central Committee of the Democratic Progressive Party (DPPC) Enlightenment Painting Institute, president of Shandong Enlightenment Painting Institute, honorary president of Jinan Painting Institute, advisor of Jinan Artists Association, senior painter of Shandong Painting Institute. Honorary Academician of the Hong Kong Special Administrative Region Academy of Chinese Painting, Honorary Academician of the Royal Academy of Fine Arts, Visiting Professor. The following is my compilation of Kang Zhuang calligraphy works, I hope it is useful to you! Strong> Kang Zhuang Calligraphy Works Picture 3

Kang Zhuang Calligraphy Works Picture 4

Artistic Evaluation of Kang Zhuang

Great Landscape, Great Power, Great Realm ? Contemporary painter Kang Zhuang's landscape home ? Xue Yongnian

As a projection of the inner world of the Chinese nation, Chinese painting has always expressed the unique aesthetics of the Chinese people from ancient times to the present day, and it is always in the point of painting and writing, or in the scenery to send feelings, or directly express their feelings, and the viewer can always appreciate these classic works at the same time, and at the same time, accept the washing of the soul. Only those painters with noble pursuits can sense the true meaning of beauty in the world and create truly valuable works of art. Mr. Kang Zhuang is one of those painters who always keep his artistic beliefs.

Landscape is a big thing. The most direct impression we get from the landscape paintings of the famous painter Mr. Kang Zhuang is "big". Big? Big landscape, big momentum, big realm. The viewer can temporarily forget where they are, wandering in which can be seen, feasible, can live, can swim, such as bathing in the breeze.

The high mountains towering in the misty clouds and rain, flowing springs cascading between the majestic gullies, the natural flow of the babbling brooks, smoke and rain, the village houses, and the white clouds carrying the mountains, clouds and water together for ages, in the vast and magnificent glowing peace, harmony, serenity, and the grace. Mr. Kang Zhuang's brushwork is very deep traditional painting skills, in the ink point, rubbing, chapping, dyeing, express their feelings and pleasure. He uses the image to make the scene, and creates the shape with his feelings, relying on the thickness of ink and the change of line to create the layers of the picture, and reflecting the mountains and rivers, springs, woods, and houses. Steep mountains and rocks, vaguely visible farmhouses, and varied trees make the works secluded and winding. His landscapes are grand and majestic, with a sense of power and beauty, and have a broad and deep realm.

There are gullies in his chest, and the world is wide without self-interest. Even in this era, the intention of landscape painting is still not far from the traditional nature, and its spirit is still the sense of getting the source of the heart from the external master. In order to better succeed his predecessors, to reproduce the magnificent beauty of the motherland's great rivers and mountains with today's brushstrokes, he visited the famous mountains and rivers, and was mesmerized by the quiet beauty of nature and the mystery of heavenly music.

And he not only grinds the brush and ink skills, but also consciously pursues the meaning and spirit of a traditional culture, he strives to get rid of the traces of sketching, and gives play to his own imagination in the conception, and deals with the spatial reality of the picture and the relationship between black and white in a more dialectical way. As a result, the formal language of the picture is richer and more interesting. While respecting the tradition, he focuses on exploring and discovering the beauty from an emotional point of view, and creates landscape paintings that fit his heart. His landscape paintings are an expression of inner spirit, reflecting the aesthetic orientation of the artist.

The environment from the heart, the environment with the heart turn; the feelings of the pen to, the pen to, "listening to the waves", "Paiyun", "Yuquan living water", "Canghai Mingming purity", "Crouching Dragon Thousands of Autumn Waves", the spontaneity of the large capitals, presenting a large and romantic space, giving a kind of bland elegance and majestic, rich in meaning but not carving and not decorated the aesthetic impact.

A wonderful brush, waved with a free hand, the ever-changing ink and coloring rivers and mountains like a painting. The Yellow River Water from Heaven", "Qilian Pastoral", "the top of Tai Dai", "Yantai Mountain", "Immortal Mountain Pavilion" on the screen, the bones of the wind, static in the movement, static in the movement, the line of the staccato, in the staggering formation of the rhythm of the clever layout, the splash of the ink and the light reddish-red color of the dyeing, interplaying, between the square and the square inch reflects a breath-taking, fantastical and vivid unique charisma. The momentum of "Dragon Hidden" is like a rainbow, the lushness and clarity of "Sandy Mouth", and the unceasing flow of "Blue Stream Like Eyes", he has transformed the gravity of millions of landscapes into the elegance of that atmospheric openness and created a wonderful state of cleansing and breaking the silence, and a transcendent and unearthly realm.

Mr. Kang, with a simple and sincere attitude of governance, spares no effort to continue the practice of traditional Chinese painting and calligraphy and exploration, he has been persistently exploring the ink and wash language, the harmony between the context of the painting and the personal nature of the heart, constantly enriching and perfecting his works of taste and connotation, the ink and brush and the spirit of Chinese paintings, played to a high level! This is very valuable, we hope that on the one hand, he can hold on to the bottom of traditional Chinese ink and brushwork, and at the same time, we also hope that he can continue to transcend himself with the development of the times, leaving behind more classic works!