Traditional Culture Encyclopedia - Traditional festivals - The author of "Sunday on the Island of La Grande Jatte" is ( ), a writer of ( ) school of painting

The author of "Sunday on the Island of La Grande Jatte" is ( ), a writer of ( ) school of painting

The author is Georges Seurat, a representative painter of Pointillism and Neo-Impressionism.

The Ile Grande Jatte in the picture is an island park located in Ounières near Paris. Many people come here to rest and play every weekend. Seurat often came here to find inspiration on weekends. Some

One day he was inspired and decided to create this painting "Sunday Afternoon on the Island of La Grande Jatte".

To complete this work, Seurat painted more than 30 studies and color drawings, and it took him two full years to paint. He would go to the beach every morning to observe people playing, and then go home in the afternoon to draw these characters.

Extended information: The artistic features of the work. The characters on the screen and the surrounding lakes, trees, etc. form a precise and harmonious composition, which achieves a perfect balance between the proportions of the objects on the screen, the size of the objects and the entire screen, and the vertical and parallel lines.

Rational harmony and unity under scientific order.

For example, a tall couple standing in the shadows nearby, a mother and daughter holding an umbrella in the sun, and a man painting in the distance are on a horizontal straight line, and the superb perspective of near and far makes

They look harmonious and scientific in proportion, but also make people feel bright, interesting and full of vitality.

The figures in the painting are not very clear, which is obviously not what the painter is most concerned about. What the painter deliberately pursues is to place many figures in precise geometric figures. Under the illumination of light, the fixed figures in the painting form a wonderful

And very orderly and harmonious.

If you look carefully, you will feel that the characters in the painting have formed a kind of solemnity that transcends time and space in their respective positions, as if they must stick to their positions and cannot break a certain tacit understanding, which makes people feel a kind of rational order that cannot be defied.

and order.