The theme of Crouching Tiger, Hidden Dragon, its film structure, the color tone and color treatment of this film. Who can help? Thank you!

The whole story structure of Crouching Tiger, Hidden Dragon is quite complete and wonderful in terms of Tao, emotion and life. "Tiger" talks about people's secular desires, five poisons and five connotations, while "Dragon" talks about people's mind; Tiger represents yin, dragon represents yang; The tiger represents human desire, and the dragon represents human divinity. The reason why the dragon is hidden is because people will never see the dragon and their true heart. How to see the true self clearly and realize the Tao is the theme of the whole movie.

The main characters in Crouching Tiger, Hidden Dragon, Jade Xiulian, Jade Jiaolong and Li Mubai represent Confucianism, Zen and Taoism respectively. The main relationship-Li Mubai is the master of Wu Tangmen, Yu Xiulian is the wife of Li Mubai's younger brother, and Yu Jiaolong is the apprentice of Li Mubai's enemy. Yu Jiaolong's master blue-eyed fox killed Li Mubai's master Jiangnan Crane. Yu Xiulian's husband, Li Mubai's younger brother, died young and was also killed by a blue-eyed fox. The blue-eyed fox used hidden weapons, Li Mubai used a sword, and the blue-eyed fox stole the sword score of Master Li Mubai. Her apprentice, Yu Jiaolong, knew the secret, and secretly practiced this sword score, which was better than Master's, but she dared not let Master know.

Unfinished love

Li Mubai, a monk, doesn't want to start a family. Although he has reached a high level, he still has some unfinished business. Yu Xiulian has the spirit of Confucianism, four dimensions and eight virtues, and a woman with Neo-Confucianism in Song and Ming Dynasties has no talent and is chaste all her life. Yu Xiulian liked it, but when Mr. Yu died, she had to keep a festival, so she couldn't take the initiative to speak, so she waited to speak. Although Li Mubai also likes Yu Xiulian, due to honor, he is a relative of Wu Tangzong, which is inconvenient to make public, so he is also waiting for the right time. In the case of few opportunities, the two always keep a certain distance. Although I miss each other very much, there is no big move. At best, just touch each other. They like each other, but there are fewer opportunities to influence each other. Although the relationship is good, they can't enter the level of love and true love. Li Mubai and Yu Xiulian are more traditional and sophisticated in personality and dealing with others. Yu Jiaolong, on the other hand, represents a blooming new life and is the real protagonist of the whole movie. She influenced other people's feelings and desires, opened the realm of life of the people concerned, and realized the original shortcomings, but she also saw her true colors when she saw people's sincerity. When you are beautiful as an adult, you have achieved yourself. People who cross can finally cross over, and the law is comfortable, both sad and wise.

At the beginning of the story, Li Mubai met Yu Xiulian, and Li Mubai told her that he saw a bright scene when he entered the customs for meditation, which Master had never mentioned. Yu Xiulian said, "You are enlightened." Li Mubai said, "I don't think I am enlightened, because there is no feeling of joy, only silence, only sadness." Li Mubai was originally closed to the outside world, because he always felt that some things had not been finished, so he cleared the customs early. What he cares about is giving his used sword, the Green Ghost Sword, to others, which means washing my hands completely, quitting the Jianghu, putting it down wholeheartedly, and then setting me free. The English word for Green Destiny is green destiny, which means that fate is unpredictable and can't be mastered. The sword of the underworld is a famous weapon in Li Mubai. Li Mubai always uses this sword, so this sword represents his life and his heart. Now that he is retiring, he must hand over his sword. If he can, he will become a Taoist. So he went through the customs early and handed the sword to a general who kept the customs, that is, Yu Jiaolong's father. This sword was stolen by Yu Jiaolong not long after it was handed over, and Yu Jiaolong also used it to practice martial arts. The blue-eyed fox, the owner of Jade Jiaolong, knew that Li Mubai was going to hand over the green ghost sword and wanted to steal it. She sneaked into Yu Jiaolong's house early. When she found that the sword was missing, she happened to meet Li Mubai and Yu Xiulian, and they fought. Then Yu Jiaolong appeared, and she came to save Master. Li Mubai found that Yu Jiaolong's tricks were similar to those of his own faction, but something was missing. On the one hand, he thought her kung fu was good, but he also felt that there were other problems, so he let her go.

The dragon became a phoenix.

As soon as Yu Jiaolong appeared, the whole story was completely unfolded, and Yu Jiaolong's life began to change, which also affected the fate of everyone around him. Yu Jiaolong is the daughter of a high official. At a certain age, she has to get married. But she doesn't want to be like this. She has her own ideas and different personalities. She learned kung fu from Master since she was a child, hoping to be in the soup world in the future. Of course, this must pay a huge price for her. Just as modern people have to work after reading books, there are traditional and non-traditional jobs. It is not difficult to choose a traditional job. To do non-traditional work, you have to go through a lot of struggles.

Yu Jiaolong saw the imperfection of life from Master. She stole the sword score stolen by Master, and gradually realized that she was better at kung fu than Master. From then on, she found that life became terrible and there was no direction to follow. I want to know how big the sky is, how thick the ground is and where it is. Of course, this is not only her problem, but also everyone's problem. From here, we can see that Yu Jiaolong has high understanding and spirituality. Yu Jiaolong once went to Xinjiang with his family and was robbed on the way. She also had a fight with Luo Xiaohu, the bandit leader, and then she had sex with Luo Xiaohu. At this time, her physical and emotional life level was opened. Later, she felt that she couldn't find what she wanted in Xinjiang and went home.

The film Crouching Tiger, Hidden Dragon directed by Ang Lee thinks that the most attractive thing in the film is the martial arts design, the most exciting thing is the dialogue and the most touching thing is the music. At the beginning of the film, the theme music Crouching Tiger, Hidden Dragon was played, and the sad and deep melody played by Yo-Yo Ma on the cello ran through the whole film. Tan Dun's music creation has developed for many years. In addition to avant-garde music, he gained a broader creative space. Crouching Tiger, Hidden Dragon explains the feelings and life of China people. This time, I cooperated with Shanghai Symphony Orchestra. Yo-Yo Ma's cello performance is the most important part of the whole music. Music is not complicated. The theme of the opening music Crouching Tiger, Hidden Dragon always appears in the film, but there are some variations or expansions. Listening to this film soundtrack album, I always naturally think of a line in the film. Li Mubai said to Yu Xiulian, "I didn't get the joy of enlightenment. On the contrary, I was surrounded by a silent sadness. This sadness has tortured me for so long that I can't continue. " The whole music presents a "deep silence" like a movie. In a costume martial arts film, Ang Lee showed endless loneliness and disappointment, and so did Tan Dun's music. Even in the "event vout", after the short and cheerful music, what continues and develops is the relief and sadness of "Crouching Tiger, Hidden Dragon". Chou He's enmity in the Jianghu has been passed down from generation to generation. Li Mubai once thought of a quiet life away from all this: "I handed over the Qingming sword, thinking that I could quit the Jianghu from now on, but I didn't expect to provoke many new sorrows and old hatred in the Jianghu." The love of Jianghu people, due to various factors such as morality, commitment and status, can only wander in contradictions and is difficult to choose. In order to express her deep love for Xiulian for many years, Li Mubai spared no effort to take her last breath. Yulong, on the other hand, felt disillusioned after a series of blows and jumped off the cliff. The music of these two films are Sadness and Farewell respectively. After a short period of intense tension, the cello slowly entered, creating a bleak space with the symphony. The farewell cello entered from the beginning, revealing a sad mood. Yo-Yo Ma's performance was admirable, and the cello was in tears. At the end of the music, the fading cello sound draws the listener's heart more strongly. Before he died, for Xiulian, he wasted his life because he never confessed to Xiulian. He said, "Even if I fall into the darkest place, my love will not make me a lonely soul forever." The robber Luo Xiaohu said to the noble lady Yulong, "Really, it will come true. I asked the old people and they said "yes". Sincerity is spiritual. " Jianghu and Jianghu have different attitudes towards love words, but the ending is very sad. Tan Dun fully embodies the helplessness and sadness in the distance in his music. His music reminds me of an old poem: "it's a long way to go;" Come back from it, in the middle of the water. "The soundtrack of Crouching Tiger, Hidden Dragon makes us feel that Tan Dun's music has not been westernized because of his years in the United States. On the contrary, his works reveal a deeper oriental music culture. " Crouching Tiger, Hidden Dragon is in the Jianghu, isn't it in people's minds? There is evil in the sword, so why not do it? "People are Jianghu, and love and life are as unpredictable as Jianghu. Tan Dun's music expresses the confusion and helplessness of life with a typical China complex: soothing and beautiful melody, melancholy and sad life. The soundtrack of Crouching Tiger, Hidden Dragon is Tan Dun's analysis and concern about the traditional human nature of China people, as well as his understanding and feelings about the life of China people. The sadness in this music is like a sigh for the life of China people who are under too much pressure. Li Mubai said, "What we can touch is not forever. "This is the river's lake, and this is the unpredictable life that can't get rid of the river's lake. But Tan Dun's music can be above the Jianghu, which gives us some enlightenment. Film-background music is an interpretation of China people's emotion and life, expressing the perplexity and helplessness of life with typical China complex, analyzing and paying attention to China people's traditional humanity, and understanding China people's life. The sadness revealed in this music is like a sigh for the life of China people who are under too much pressure. Going back and forth, I feel endless loneliness and disappointment in the middle of the water.

Pursuit of martial arts innovation: There are neither hot and bloody killing scenes nor funny storylines in the film. Ang Lee tells an unremarkable story, which contains people's life scenes, joys and sorrows, love clues interspersed with two couples, and even some philosophies. The difference between this film and previous martial arts films is that its martial arts dramas are more female than male. This arrangement is really refreshing. Neither Zhang Ziyi nor Yang Ziqiong is a kung fu actor, but their martial arts dramas are beautiful: beauty is contained in bravery, lightly reflected in bravery, and mischievous in earnest, which is simply beautiful. And Li Mubai's fencing design is also quite clever. Although Chow Yun Fat is not Jet Li, although he can't do kung fu, his burly figure, especially the imposing manner of coping with Mount Tai, is enough for him to cut a few swords. I remember Ang Lee once said that he liked reading martial arts novels since he was a child, and the martial arts design in Crouching Tiger, Hidden Dragon was exactly what he imagined. This movie has no rivers of blood, no missing arms and legs, intense but not cruel scenes, and even some beauty and poetry.