Who was the first person in Chinese Peking Opera?

Mei Lanfang (1894-1961), a master of Peking Opera. Formed his own artistic style, known as the "Mei School". The representative plays of Peking Opera are "The Drunken Concubine", "Farewell My Concubine", etc.; Kunqu Opera is "Sifan", "Dreams in the Garden", etc.. The essays written by Mei Lanfang were compiled into Mei Lanfang Anthology, and the repertoire was compiled into Mei Lanfang Performance Scripts Anthology. Mei's heirs include Li Shifang, Zhang Junqiu, Yan Huizhu, Du Jinfang, Mei Baojiu, and so on.

Mei Lanfang was born in Beijing in 1894, he was born into a Peking Opera family, at the age of 10, he appeared on the stage at the Beijing Guanghe Building to perform the "Tianxian Match", the work of the flower girl, in 1908 to take the Xi Liancheng class, in 1911, all walks of life in Beijing Peking Opera actors selection activities, posted the chrysanthemum list, Mei Lanfang ranked the third flower.1913, he went to Shanghai for the first time to perform, in the four roads at the intersection of the Daxin Danggui the first performance of "colorful building with", "Yutang", "the first stage". He first came to Shanghai in 1913 and performed in the first stage of Dangui at the intersection of Daxin Road in Si Ma Road, performing plays such as "Colorful Building", "Yutang Chun" and "Mukozai", etc. When he first came to Shanghai, he became popular in the whole south of the Yangtze River. He absorbed the Shanghai civilization play, new stage, lighting, make-up, costume design and other improved components, after returning to Beijing to create a new fashion play "sin sea waves", the next year again to Shanghai, performed "five flowers hole", "real Pan Jinlian", "Drunken Princess" and other masterpieces, sung for 34 days in a row. After returning to Beijing, Mei Lanfang continued to rehearse new plays such as Chang'e Runs to the Moon, Chunxiang Troubleshooting Schools, and Daiyu Burial of Flowers, etc. He came to Shanghai for the third time in 1916 and sang for 45 consecutive days, and then moved to Shanghai in 1918, which was the peak of his theater art, and he performed many times in the Tianchan Stage. In 1915, Mei Lanfang rehearsed a large number of new plays and made unique artistic innovations in Peking Opera singing, recitation, dance, music and costumes, and was known as the master of the Mei school.

The origin of the name

Mei Lanfang, the master of Peking Opera, was born into a Peking Opera family. His grandfather, Mei Qiaoling, was a famous Dan actor in the late Qing Dynasty, and his uncle, Mei Yutian, was a Peking Opera huqin player. His father, Mingrui, was a young scholar who changed his name to Hua Dan (flower dancer), and his mother was Changyu, the eldest daughter of Yang Longshou. He learned the art at the age of 8 under the tutelage of Zhu Xiaoxia, brother of Zhu Suyun, a famous young scholar, and appeared on the stage at the age of 11. He studied hard and practiced continuously, inherited and developed the traditional art of Peking Opera, and formed the unique style of the "Mei School", which was the head of the Four Famous Dancers. His performing arts became famous both at home and abroad at an early age, but it was not until he was 16 that he assumed the stage name "Mei Lanfang". Mei Lanfang was one of the "Four Famous Dancers" of China! In the fall of 34th year of Guangxu (1908), Ye Chunshan, the master of Xiliancheng class, led his class to perform in Jilin. One morning, Ye Chunshan, together with the open-minded gentleman Niu Zihou, who raised funds to form Xiliancheng, went for a walk in the northern mountains of Jilin. They climbed the mountain, while chatting, suddenly found a man in the grove practicing sword, but see him light, agile movements, the sword was he danced to the cold light flash, the wind sound whoosh, to their own in the water splash in the arc of the circle of light, cattle ZiHou simply looked dumbfounded. His life love Beijing opera, also watched many martial arts masters performance, but like today to see such extraordinary sword skills, or not much, he can not help but clap his hands and applaud. The sword dancer heard someone applauding, hastily put the sword away, cheeks scarlet, with a handkerchief to wipe the fine beads of sweat on the forehead, respectfully bowed to the cattle Zihou salute: "cattle boss, hi group to make a fool of myself." Niu Zihou then close to stare at, only to see the young man in front of the instrument, dashing, dignified demeanor, is really a pick of the material, then asked: "Do you ever have a stage name?" Ye Chunshan answered: "I gave him a stage name called 'Xiqun'." Niu Zihou pondered for a long time and said: "This child's appearance and demeanor is not bad, after a long time will become a great talent, give him the name 'Mei Lanfang' how?" Ye Chunshan master and disciple readily agreed. From then on, the "Mei Lanfang" this reputation at home and abroad, the artist name

Edited on 2019-12-06

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About Mei Lanfang to be brief

Mei Lanfang (October 22, 1894 - August 8, 1961), Qing Guangxu twenty years (1894) was born in Beijing, ancestry Taizhou, Jiangsu Province. He was a master of Chinese Peking Opera performance art. Mei Lanfang learned opera at the age of eight, studied under Wu Lingxian at the age of nine, and appeared on stage at the age of ten. From April 1915 to September 1916, Mei Lanfang rehearsed eleven new plays, including The Tide of the Eunuchs, The Mandarin Ducks in Prison, and Sifan. Before 1949, he went to Japan, the United States and the Soviet Union to perform, and was awarded honorary doctorates of letters from Pomona College and the University of Southern California in the United States. In 1950, he became the director of the Chinese Peking Opera Theater, in 1951, he became the director of the Chinese Academy of Opera, in 1953, he became the vice-chairman of the Chinese Dramatists' Association, in 1959, he joined the Chinese ****production party, on August 8, 1961, Mei Lanfang died in Beijing due to illness. He was 67 years old.

Expanded Information:

Mei Lanfang representative works are introduced: 1, "Farewell My Concubine" Farewell My Concubine is one of the classic plays of the Mei School performed by the master of the Peking Opera art, Mei Lanfang. The main character is Yu Ji, the concubine of Xiang Yu, the king of Western Chu. The play, also known as "Nine Mile Hill", "Chu and Han Controversy", "The Death of Wujiang", and "Ambush on Ten Fronts". It was written by Qingyi Jushi based on Kunqu's "Thousand Gold Records" and "The Records of the Grand Historian - Xiang Yu's Chronicle". Total **** four books. 1918, premiered in Beijing by Yang Xiaolou and Shang Xiaoyun. On February 15, 1922, Yang Xiaolou collaborated with Mei Lanfang. Qi Shan and Wu Zhenxiu revised Chu Han Fights and renamed it Farewell My Concubine. 2. Chang'e Runs to the Moon The Peking Opera Chang'e Runs to the Moon has a history of nearly one hundred years. It is the first ancient costume opera created by Mr. Mei Lanfang in 1915, and plays an important role in laying down the artistic style of the Mei School of Peking Opera. The play is based on the familiar story of "Chang'e Runs to the Moon", a classical Chinese folk myth. Mei Lanfang skillfully combined the widely circulated Chinese folk myth with the artistic expression of Peking Opera, realizing the perfect unity of classical literary content and Peking Opera artistic expression.