Ming dynasty unicorn porcelain painting characteristics

Qilin decoration in the Ming dynasty official kilns and kilns porcelain can be seen, especially in the early Ming dynasty kilns on the image of the most rich and vivid blue and white porcelain. This period within the image of the unicorn can still be seen from the Yuan Dynasty development and evolution of traces. Or standing or lying, or running or sitting, the pattern composition from dense to sparse, the style of brushwork from the transition from fine to concise, both the paintings of the complex mattress vivid pots, plates, but also a few strokes of the outline of the small plate, small dish. The unicorn motif is often accompanied by a flame pattern, surrounded by simple floral motifs. Blue and white color according to the size of the porcelain, coarse and fine condition presents a variety of characteristics, often large, elaborate decoration of the blue and blue color, slightly crystalline spots, white and fine texture, glaze crystal clear. Ware small, simple decoration, the blue color is more gray and blue, with crystalline spots, tire gray and white with impurities, glaze layer green and bright, individual phenomenon of raw burns appear, the blue color is gray and black, glaze green and yellow. The emergence of these phenomena, should be with the Ming dynasty Jingdezhen area in many kilns using different porcelain raw materials, technology level and face all kinds of use of the object has a lot to do.

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