Give a few examples of folklore in our hometown to illustrate the dialectical and unifying relationship between inheritance and mutability of folklore.

Mutability, because with the change of the times, the objective material conditions and subjective spiritual conditions of people's existence are changing, folklore in a sense is in a state of being changed, and it is a kind of subtle change.

Inheritance, due to the folklore is for a region, there is a certain scope, so relatively speaking by the outside world is not very big, and in addition to the folklore is a kind of accumulation and formation of culture, can not stand the test of time.

Patterned must not be random, temporary, improvisation, but usually can be across time and space, which is the folklore has inheritance, extensive, stability of the premise: an activity in the here and now, the way of its activities, if not put into practice by another person, it is not folklore; only the way of the activities beyond the context of the content of many people many times to implement the same, it may be It is only when the activity transcends the situation and becomes practiced many times by many people that it can be a folklore that is passed down from person to person and from generation to generation.

In addition, folklore is mutable. Folklore is a culture of life, not a canonical culture, it does not have a text, and it is mainly passed down from person to person and from generation to generation by the way of learning by ear and teaching by word and example, and even under basically the same conditions, it is not possible to repeat it without any problem, and in the ever-changing life situation, the subject of the activity must be adjusted appropriately, and the folklore will change.

This kind of difference manifests itself in individuals and groups, including occupational groups, regional groups, and class groups, which gives rise to the industrial, regional, and class nature of folklore. If the time factor is highlighted, a generation or an era inherits, changes, and innovates previous folklore. This change between time periods is the epochal nature of folklore.

With the great changes in the society and the times, the social foundation and humanistic conditions on which the folklore pottery art survives and develops have also changed profoundly, and the folklore pottery art has also been increasingly diluted and marginalized by the society, and even once forgotten and embarrassed and declined. However, the young potter Huang Yong is good at creating the beauty of hands dancing a clay knife, with good at discovering the beauty of life with wise eyes.

Using traditional and modern aesthetic interests, borrowing pottery this highly condensed regional traditional cultural symbols, the traditional folk pottery culture of the Yimeng region subversive inheritance and innovation, so that a piece of clay through the language of clay sculpture art gives vivid artistic vitality, so that a piece of clay sculpture in the minds of the people is not only "alive! "

And became the existence of thought, connotation, and cultural meaning of life. In the form of presentation of folk pottery, Huang Yong innovative pottery display methods and means, with "Qingming Shanghe Tu" panoramic grand scene, art reproduces a picture scroll of folk life scenes that have disappeared, will be a fun, lively, exuding a strong flavor of life scene, highly condensed and highly evocative of the stereotypes become A work of art that is full of vitality and infectious energy. p>Folklore varies greatly across China, but the pursuit of good fortune is the same. Therefore, cigarette labels embody the most auspicious and festive themes. The use of words, patterns through the allegory of certain natural objects or harmonies, to express good wishes. For example, Xinzheng Cigarette Factory's "happy plum" brand, the use of folk culture in the magpie plum branch to express the "happy" meaning. The plum branch takes its harmonic sound, meaning the top of the eyebrows, and the magpie deducts the word "joy".

The pine and bamboo through the winter, the plum blossom of frost and snow, the three friends of the year symbolizes the spirit of perseverance, not only worthy of the literati praised, and often visited the picture of cigarette labels, reflecting the content of this label abound, adding a landscape for folk culture. People long for longevity, but the wish for longevity is not the same everywhere.