In China's traditional cultural thought, the expression of "Yin-Yang opposition view" in the aesthetic concept level is ().

The expression of "the opposition of Yin and Yang" in China's traditional cultural thought at the aesthetic level is that neutralization is beauty.

Neutrality is the language of Dong Zhongshu in the Western Han Dynasty. The idea of "harmony" as beauty appeared in the Spring and Autumn Period. In the Western Han Dynasty, Dong Zhongshu believed that all the beauty in society was based on "similarity" with the natural beauty of heaven and earth, so he put forward that "the beauty of heaven and earth is in harmony with the evil of heaven and earth", and the virtue of husband is greater than harmony and the Tao is in the middle. Winner.

The beauty of heaven and earth is also ... harmony, the meaning of heaven (earth), the use of heaven in it, the merits of heaven, and the beauty of harmony with the Tao of heaven and earth ("Spring and Autumn Stories with Heaven"). In the Eastern Han Dynasty, the theory of "White Tiger with Same Morality" regarded beauty as the embodiment of God and God's will, and thought that the beauty of all things in the world was. Neutralization is the embodiment of natural virtues, so social life also shows the beauty of neutralization.

"Neutralization" is one of the oldest and most traditional aesthetic categories in China. Its basic connotation is moderate coordination, fairness and flexibility.

"The Beauty of Neutrality" not only embodies the fundamental spirit of China's ancient art, but also is the highest ideal of ancient people's life practice and artistic creation, which has a far-reaching influence on later generations.

As we know, philosophy is an invisible art, which has a great influence on art through the intermediary of aesthetics. The artistic aesthetic pursuit of "the beauty of neutralization" is also deeply influenced by Confucianism.