What is crosstalk?

In the development of cross talk, "miscellaneous learning" in ventriloquism, "teasing" in the octagonal drum in the whole hall, "piercing the mouth" in storytelling and "falling lotus" have all been used.

Humor performance in Taiping Lyrics and Funny Huang Er, etc. , absorbed and melted, forming its own artistic characteristics. This feature is performed according to crosstalk.

Members are used to saying that they pay attention to "speaking", "learning", "teasing" and "singing".

(1) said. Tell riddles, couplets, wine lists, word meanings, tongue twisters, wisecracks, jokes, etc.

(2) learning. Learn human language, bird language, city sounds, sounds, smiles, expressions and gestures of various roles.

(3) teasing. Party A and Party B pretend to be one guest, one master, one wise and one foolish, or make fun of each other one by one.

(4) singing. Singing unaccompanied black books, folk songs and Taiping lyrics; Learn to sing Peking Opera, local operas and perform funny programs.

When performing cross talk, A is joking and B is laughing. The main narrative of the story is the occurrence, development, imitation and publication of various characters.

Praise and criticize comments; The comedian's humorous narration, which constantly asks questions, debates or supplements, increases the comedy atmosphere and makes the audience

Laugh. The structure of cross talk is three parts. Generally speaking, it can be divided into "padding words" (that is, opening remarks), "appropriate words" (main topic) and "bottom provinces" (end). "save

The bottom "should come to an abrupt end in the hearty laughter." Baskets and baskets are woven to close the mouth. It is very important to "guarantee the bottom" in cross talk. The "burden" of cross talk

The artistic language that makes people laugh in cross talk is called "burden". This is a term used by crosstalk performers. In fact, it means the same as jokes and gimmicks.

Same. The application has a process of "tying the baggage" and "shaking the baggage".

Generally speaking, it is enough to tell a joke with one or two "baggage". A cross talk must have at least four or five "burdens", otherwise it will be easy to warm up to the end.

, affecting the performance effect. The process from jokes to crosstalk is a process of constantly enriching the content and increasing the "burden". For example, after the arrangement and performance.

Guan Gong vs Qin Qiong has nearly 3,000 words, while the original joke has only over 300 words. In traditional cross talk, many tracks are composed of small words.

Spread and spread.

The main artistic means of cross talk is laughter. Therefore, without "baggage", it is not cross talk. Laugh, there should be praise and blame, love and hate.

Laugh. To inspire, to enlighten, to awaken, to be alert to laughter. You can't just laugh and play. Telling jokes is very expensive.

Very natural. I didn't mean to tell a joke, it forced me to come. The same is true for writing cross talk and speaking cross talk. In addition to the correct creative attitude

We also need to master some basic knowledge, constantly explore the law of "burden" and enrich people's lives with natural and healthy laughter.

Spiritual life.

"Burden" should come from some comic factors that make people laugh in cross talk. It must truly reflect life and use concise and general language.

And skillfully arrange the echo of structure and plot to produce artistic effects.

Baggage must be humorous but not vulgar, humorous but not oily, unexpected and reasonable, stand out from the crowd and give people beautiful enjoyment.

Accept. At the same time, actors should also be good at being unconventional and not stick to the rules.

Ten Skills of Forming "Burden"

To sort out the "baggage" in cross talk, we should be good at learning from traditional skills and constantly introduce new ones to meet the needs of the times. The way to form a "burden" is very

Many, the most important ones are repetition, negation, abnormality, illusion, pun, exaggeration, interruption, misinterpretation, homophonic, argument and so on.

(1) repeat method

Repeat the contradictory illusion three times, and the fourth time subtly mutate to reveal the truth. For example, Ode to Friendship: A: Foreign countries can.

Do you know crosstalk?

B: it doesn't matter if you don't understand, there is an interpreter! (paving the way for creating illusion) A: Oh! A translator stands next to an actor, says a word and turns it over.

Sentence? Well done! (Continue to pave the way)

A: Now cross talk begins. B: Vinobigan, Krostok. A: Crosstalk is from China.

Art room

B: Krostok, Eugene Achchana. A: Crosstalk is a lively and combative form.

B: Izraf, liam miller tent. (the third time)

A: This form is that shoes don't do AWLS-really (needle) good! Dogs drive ducks away. B: Well ... A: Where!

B: I can't turn it over. How do I translate it? ! This technique is called "three transgressions and four shakes" by the actors.

(2) Negative method

People who say one thing and do another often deny themselves and cannot justify themselves. For example, buy a Buddhist shrine: b:

What did the young man say?

Answer: "Auntie, I bought a Buddhist shrine on the street!" " Isn't that a good word? B: Ah! A: The old lady won't listen! "

Young people are impolite in speaking. This is a Buddhist shrine. Can you say buy? I have to say, please "

B: Please. A: "Madam, I don't understand. How much did you spend on this? " Refuse to pay, hammer, chop and kill. B: Why?

..... A: I love money!

(3) Abnormal method

Treat things that violate the rules as conforming to the rules. For example, the advantages of love: A: Two people love each other.

The advantages of. B: That's right!

A: When men ask the woman for advice, they all say, "Xiao Zhang, we have been dating for so long. What's the point of talking about this? "

Goodbye? "

B: ask for advice What did the woman say? A: "I don't have any complaints. I like you very much. I feel that you have many advantages. "

I have to learn from you. You follow the rules and do your duty. What I especially like about you is that you are willing to help others, and you can be selfless and selfless. "

Well done! A: Is there anyone who loves each other's shortcomings? I haven't heard of it. A: The man asked for advice: "Xiao Zhang,

What exactly do you like about me? How do you say "zhang?

A: "Love you a little? First of all, I love that you lie. We have known each other for so long, and you really haven't said a word! " B:

Oh! A: "Second, I love you so much that you dare to steal anyone's money."

B: Blind! Answer: "What I love most about you is that you don't pay attention to hygiene and don't wash your feet once every three months." I haven't heard of it.

(4) Illusion method

An illusion that is mistaken for the right because of an illusion. For example, the female captain: A: I led the reporter out of the village and watched from a distance.

See the man in the red-rimmed straw hat. That's your lover.

I rushed over and said, "Guiying! The reporter wants to talk to you, Uncle Gui ... "Why are you called Grandpa? A: Keep it.

Two beards!

(5) Pun method

Pun intended, misunderstanding. For example, the old stationmaster: B: Where do you live? A: Hebei and Shanghai. Hebei and Shanghai.

? A: Ah! Haizi Brigade, Upstream Commune, Hebei Province. Hebei and Shanghai.

B: Who can understand this?

(6) exaggeration

According to the law of the development of things, exaggerate the analysis. For example, On Laughing and Crying: A: As the saying goes, joking and laughing are in the minority. B: No.

I should have laughed for ten years.

A: Smiling makes you ten years younger. Who dares to listen to cross talk? B: Why can't you listen? How old are you this year? B:

Forty.

A: Laugh once and you will be thirty years old. Laugh twice, and you will be twenty years old; Laugh three times and you'll be ten years old. You dare not laugh any more. B: Why?

A: Stop laughing! I rode a bike when I came and took it with me when I left! The theater has been turned into a nursery! ("Luggage")

(7) Interrupt method

Interrupt, intentionally interrupt, make people laugh. For example, a football match: B: I'll perform this.

A: the exhibition game is wonderful! Is it singles or doubles? B: Who's calling? I play a game with you. Let you go first.

Kick off. Kick off? ! I can play ball.

A: Let it go. You put it, I'll block it for you. B: I have to answer it! A: If you can't catch it, it's out of bounds. You lost first.

Points. ("Luggage")

B: This is one point? Wait a minute! A: Wait, I lost another point when I went out. (Baggage) B: Hey! What do you call it?

I hit it!

Did you touch it? ! That's not a net. Lost another point. ("Luggage")

(8) misinterpretation method

Deliberately misinterpret some familiar common sense. For example, poetry and love: B: the "gentleman" in The Book of Songs.

I really understand the sentence "good". What do you mean?

B: All gentlemen like playing football. ("Luggage") A: About what ... My Fair Lady. B: They didn't have a game then.

All right, net loss (Shu) to a woman. ("Luggage")

What are you doing here?

(9) Homophonic method

It will be interesting to use homophones skillfully. For example, abuse and coquetry: B: Where does the child live? A:

They all live in a mansion by the river. B: A mansion?

A: ... Wow, it's beautiful. A row of four rooms, upper and lower floors. A simple building? A: Lime pipes. b； That's called

Where is the mansion? Whose pipe is this? B: Gong.

A: Public management (museum)! (Baggage) B: Hey!

(10) parameter method

Be opinionated, argue irrationally, pursue hard, and be well-founded. For example, "Small Bargaining": B: Listening to cross talk is of great benefit!

A: Oh! Can avoid three disasters and eight difficulties, lice don't bite, fleas don't bite, rats don't come, no money, no face and no thirst.

Hungry, not sick, not anxious. ("Luggage")

B: it's not that good, but it's a little good. Buy me a pair of shoes? b； Regardless of shopping. A: what else is there?

Benefits? B: For example, you are a little upset.

Why am I unhappy? B: For example, you are a little annoyed. A: I'm not bored! You're a little embarrassed. first

: Who am I uncomfortable with?

How should I know? (Yu Bao) You came here, entered the door, listened to the cross talk, but forgot this clip. A: Oh! be

That's it. What should I do if I go out after listening? !

B: Then ... don't go!

Chernyshevski said: "Laughter is a fire that can burn all dirty and filthy things." The Function of Crosstalk "Burden"

That's right.