Music belongs to what type of art

Music should be shaped through the organized sound of the auditory image to express the creator's thoughts and feelings, reflecting the reality of social life, so that the appreciation of the enjoyment of the beauty of the same time, but also subtle inculcation of a kind of art.

Music is usually expressed as:

1, music is the art of hearing. Music is listening, which is the essence of music.

2, the starting point for recognizing music and the beauty of music is the sensual material of music.

3. The sound of music marks its existence.

4. The ontological study of music is the study of the perceptual material of music, the laws of formal composition, and how to express the content.

The different ways of expressing "music" are--

The expression of "music ontology": "music culture", "music culture", "music culture", "music culture", "music culture", "music culture", "music culture", "music culture", "music culture", "music culture" and "music culture". ", "music is a culture", "music as a way of human cultural behavior". The three elements of musical existence are behavior, concept, and form;

Expressions of "sound ontology": "pure music", "music itself", "Absolute music". The three elements of music: rhythm, melody, and harmony.

The concept of "sound ontology" is to regard music as "sound and its form of movement". The specificity of the sensual material of music is regarded as the essence of music. The concept of "sound ontology" is to regard music as "sound and its form of movement". The existence of music is regarded as the existence of the three elements of melody, rhythm, and harmony in the form of sound. The limitations of the concept of "sound ontology" in music experience and music education are as follows: ignoring the multiple functions of music in various cultural matters of human beings; emphasizing listening in aesthetic appreciation ("aesthetics as the core"), and insufficient training in aesthetics; the inheritance of national music culture and the establishment of multicultural values. The establishment of multicultural values. The limitations of the concept of "sound ontology" in theoretical research are: neglecting the existence of a large number of musical examples of different natures in multicultural environments and human social practices; emphasizing the importance of the analysis of musical forms, and belittling the grasp of the cultural phenomenon of music as a whole; and the lack of a leading value for musicology in the overall construction of the music discipline, The lack of awareness of the leading value of musicology in the overall composition of music discipline construction and the enhancement of the discipline and educational character.

The concept of "music ontology" is a theoretical paradigm that arises from philosophical reflection on the way of existence of music in the ontological study of music philosophy and aesthetics. It constitutes a pair of theoretical paradigms with "sound ontology". This is a unique theoretical paradigm generated in the context of traditional Chinese music aesthetics. The "music ontology" theoretical paradigm regards music as a form of human cultural behavior, not an acoustic form, which is the most obvious difference with the western traditional musicology - hence the term "watershed".

The theoretical framework of "music ontology":

1. The existence of behavior. The existence of musical behavior is roughly divided into two categories: operational behavior and participatory behavior.

2, the existence of form. The existence of musical form can be divided into two different types of existence: acoustic form and materialized form.

3, the existence of consciousness (concept). Its existence that is internalized and externalized existence.

Since music is a kind of art, it should be the same as other forms of art in terms of the role it plays and the effects it gets. This aspect is studied by the disciplines of music appreciation, music aesthetics and music criticism. The art of music differs from other forms of art only in the materials used and the kinds of works of art they constitute. Here, what is used to organize the sound and how the auditory image is shaped are two important aspects studied by music theory. Of these, the latter is considered by the disciplines of harmony, polyphony, composition, instrumentation, and compositional method. The former, on the other hand, is directly called Fundamentals of Music Theory by some because what it contains is the basis of all other music theory; others call it Basic Theory of Music; still others simply call it Basic Music Theory. And it is recognized to use "Music Theory" as a special term for this discipline.

Different countries and nationalities have different social environments and different cultural backgrounds, and thus should have different music practices and different music theories. On the surface, Chinese music also has the five tones, seven notes and twelve rhythms, and also has the 2/4 and 4/4 of the Western beat, but the Chinese music formed in the atmosphere of the traditional philosophical thinking of the Chinese people is fundamentally different from the Western music. Chinese music theory follows the principle that "there is no fixed pitch, no fixed value of beat, no fixed method of score; the performer (or singer - the same below) should shape the musical image according to his own understanding of the music", which is, in short, an open system of music; while western music theory --On the other hand, Western music theory - especially music theory - emphasizes that "pitch and tone value are the basic elements of melody and must be played according to the score. Any change in pitch or value will change the image of the music", which is a closed musical system. The two are two very different things, and therefore each has its own characteristics: Chinese music respects the second creation of the performer, because he promotes the development of music; while Western music emphasizes the labor of the original creator, because he is an important part of the cultural heritage. However, the Chinese "San Wu" does not mean that one can do as one pleases without any rules; the performer must follow certain rules and have a full understanding of the music he/she is playing, so as to ensure that the musical images portrayed are similar, and that there is development in the inheritance. On the other hand, "playing from the score" does not guarantee that the image of the music will be the same due to the imperfection of the notation. This is illustrated by the different styles of playing the same piece of music by different performers.

The open music system has played an invaluable role in the development and prosperity of Chinese music culture, but it has left the beginner at a loss: the learner of folk music has to be immersed in the musical environment in which he learns for a long time before he can gradually master it, which limits the popularity of the art of music and its improvement.